Principles Of Orchestration, With Musical Examples Drawn From His Own Works

Principles of orchestration demonstrated through expert analysis of the composer's own works, featuring detailed explanations and musical examples that reveal the underlying structures and techniques behind his masterpieces.

• Nikolay Rimsky-korsakov
• A. Stringed Instruments. - Table A. String Group.
• C. Instruments Of Little Sustaining Power. - Pizzicato.
• Stringed Instruments Doubling In Octaves. - Melody In Double Octaves.
• Melody In Different Groups Of Instruments Combined Together. - D. Combination Of Strings And Brass.
• Wood-wind Harmony. - Harmony In Several Parts.
• Harmony In Combined Groups. - B. Combination Of Strings And Wind.
• Amplification And Elimination Of Tone Qualities.
• Orchestral Accompaniment Of The Chorus. - Solo Voice With Chorus.
• Footnotes
• Nikolay Rimsky-korsakov Principles Of Orchestration With Musical Examples Drawn From His Own Works - No. 61. “Mlada,” Act Ii (P. 205). No. 61. „Mlada,“ 2me Acte (P. 205).
• Nikolay Rimsky-korsakov Principles Of Orchestration With Musical Examples Drawn From His Own Works - No. 135. “The Golden Cockerel” (P. 143). No. 135. „Le Coq D’or“ (P. 143).
• Nikolay Rimsky-korsakov Principles Of Orchestration With Musical Examples Drawn From His Own Works - No. 210. “Snegourotchka” (P. 176-177). No. 210. „Sniégourotchka“ (P. 176-177).
• Nikolay Rimsky-korsakov Principles Of Orchestration With Musical Examples Drawn From His Own Works - No. 284. “The Tsar’s Bride.” No. 284. „La Fiancée Du Tsar.“