In official minds, however, the sole attitude for the supporters is the rampant, or as near an approach to it as the nature of the animal will allow. A human being, a bird, or a fish naturally can hardly adopt the attitude. In Scotland, the land of heraldic freedom, various exceptions to this can be found. Of these one can call to mind the arms used by the town of Kilmarnock (Fig. 668), in which the supporters, "squirrels proper," are depicted always as sejant. These particular creatures, however, would look strange to us in any other form. These arms unfortunately have never been matriculated as the arms of the town (being really the arms of the Boyd family, the attainted Earls of Kilmarnock), and consequently can hardly as yet be referred to as a definite precedent, because official matriculation might result in a similar "happening" to the change which was made in the case of the arms of Inverness. In all representations of the arms of earlier date than the matriculation, the supporters, (dexter) a camel and (sinister) an elephant, are depicted statant on either side of the shield, no actual contact being made between the escutcheon and the supporters. But in 1900, when in a belated compliance with the Act of 1672 the armorial bearings of the Royal Burgh of Inverness were matriculated, the position was altered to that more usually employed for supporters.

The supporters always used by Sir John Maxwell Stirling-Maxwell of Pollok are two lions sejant guardant. These, as appears from an old seal, were in use as far back as the commencement of the fifteenth century, but the supporters officially recorded for the family are two apes. In English armory one or two exceptional cases may be noticed; for example, the supporters of the city of Bristol, which are: "On either side, on a mount vert, a unicorn sejant or, armed, maned, and unguled sable." Another instance will be found in the supporters of Lord Rosmead, which are: "On the dexter side an ostrich and on the sinister side a kangaroo, both regardant proper." From the nature of the animal, the kangaroo is depicted sejant.

Supporters in Germany date from the same period as with ourselves, being to be met with on seals as far back as 1276. At first they were similarly purely artistic adjuncts, but they have retained much of this character and much of the purely permissive nature in Germany to the present day. It was not until about the middle of the seventeenth century that supporters were granted or became hereditary in that country. Grants of supporters can be found in England at an earlier date, but such grants were isolated in number. Nevertheless supporters had become hereditary very soon after they obtained a regularly heraldic (as opposed to a decorative) footing. Their use, however, was governed at that period by a greater freedom as to alteration and change than was customary with armory in general. Supporters were an adjunct of the peerage, and peers were not subject to the Visitations. With his freedom from arrest, his high social position, and his many other privileges of peerage, a peer was "too big" a person formerly to accept the dictatorial armorial control which the Crown enforced upon lesser people. Short of treason, a peer in any part of Great Britain for most practical purposes of social life was above the ordinary law. In actual fact it was only the rights of one peer as opposed to the rights of another peer that kept a Lord of Parliament under any semblance of control. When the great lords of past centuries could and did raise armies to fight the King a peer was hardly likely to, nor did he, brook much interference.

Of the development of supporters in Germany Ströhl writes:—

"Only very late, about the middle of the seventeenth century, were supporters granted as hereditary, but they appear in the arms of burghers in the first half of the fifteenth century, and the arms of many towns also possess them as decorative adjuncts.

"The first supporters were human figures, generally portraits of the arms-bearers themselves; then women, young men, and boys, so-called Schildbuben. In the second half of the fourteenth century animals appear: lions, bears, stags, dogs, griffins, &c. In the fifteenth century one frequently encounters angels with richly curling hair, saints (patrons of the bearer or of the town), then later, nude wild men and women (Waldmenschen) thickly covered with hair, with garlands round their loins and on their heads. The thick, hairy covering of the body in the case of women is only to be met with in the very beginning. Later the endeavour was to approach the feminine ideal as nearly as possible, and only the garlands were retained to point out the origin and the home of these figures.

"At the end of the fifteenth and in the sixteenth century, there came into fashion lansquenets, huntsmen, pretty women and girls, both clothed and unclothed." Speaking of the present day, and from the executive standpoint, he adds:—

"Supporters, with the exception of flying angels, should have a footing on which they can stand in a natural manner, whether it be grass, a pedestal, a tree, or line of ornament, and to place them upon a ribbon of a motto is less suitable because a thin ribbon can hardly give the impression of a sufficiently strong support for the invariably heavy-looking figures of the men or animals. The supporters of the shield may at the same time be employed as bearers of the helmets. They bear the helmets either over the head or hold them in their hands. Figures standing near the shield, but not holding or supporting it in any way, cannot in the strict sense of the word be designated supporters; such figures are called Schildwächter (shield-watchers or guardians)."

HUMAN FIGURES AS SUPPORTERS

Of all figures employed as supporters probably human beings are of most frequent occurrence, even when those single and double figures referred to on an earlier page, which are not a real part of the heraldic achievement, are excluded from consideration. The endless variety of different figures perhaps gives some clue to the reason of their frequent occurrence.

Though the nude human figure appears (male) upon the shield of Dalziel and (female) in the crest of Ellis (Agar-Ellis, formerly Viscount Clifden), one cannot call to mind any instance of such an occurrence in the form of supporters, though possibly the supporters of the Glaziers' Livery Company ["Two naked boys proper, each holding a long torch inflamed of the last"] and of the Joiners' Livery Company ["Two naked boys proper, the dexter holding in his hand an emblematical female figure, crowned with a mural coronet sable, the sinister holding in his hand a square"] might be classed in such a character. Nude figures in armory are practically always termed "savages," or occasionally "woodmen" or "wildmen," and garlanded about the loins with foliage.

With various adjuncts—clubs, banners, trees, branches, &c.—Savages will be found as the supporters of the arms of the German Emperor, and in the sovereign arms of Brunswick, Denmark, Schwarzburg-Sondershausen, and Rudolstadt, as well as in the arms of the kingdom of Prussia. They also appear in the arms of the kingdom of Greece, though in this case they should perhaps be more properly described as figures of Hercules.

In British armory—amongst many other families—two savages are the supporters of the Marquess of Ailesbury, Lord Calthorpe, Viscount de Vesci, Lord Elphinstone, the Earl of Elgin and Kincardine, the Duke of Fife, Earl Fitzwilliam (each holding in the exterior hand a tree eradicated), Lord Kinnaird, the Earl of Morton; and amongst the baronets who possess supporters, Menzies, Douglas of Carr, and Williams-Drummond have on either side of their escutcheons a "savage." Earl Poulett alone has both man and woman, his supporters being: "Dexter, a savage man; sinister, a savage woman, both wreathed with oak, all proper." As some one remarked on seeing a realistic representation of this coat of arms by Catton, R.A., the blazon might more appropriately have concluded "all improper."

Next after savages, the most favourite variety of the human being adopted as a supporter is the Man in Armour.

Even as heraldic and heritable supporters angels are not uncommon, and are to be met with amongst other cases in the arms of the Marquess of Waterford, the Earl of Dudley, and Viscount Dillon.

It is rare to find supporters definitely stated to represent any specific person, but in the case of the arms of Arbroath (Fig. 669) the supporters are "Dexter: 'St. Thomas à Becket,' and sinister, a Baron of Scotland." Another instance, again from Scotland, appears in a most extraordinary grant by the Lyon in 1816 to Sir Jonathan Wathen Waller, Bart., of Braywick Lodge, co. Berks, and of Twickenham, co. Middlesex. In this case the supporters were two elaborately "harnessed" ancient warriors, "to commemorate the surrender of Charles, Duke of Orleans, at the memorable battle of Agincourt (that word being the motto over the crest) in the year 1415, to Richard Waller of Groombridge in Kent, Esq., from which Richard the said Sir Jonathan Wathen Waller is, according to the tradition of his family, descended." This pedigree is set out in Burke's Peerage, which assigns as arms to this family the old coat of Waller of Groombridge, with the augmented crest, viz.: "On a mount vert, a walnut-tree proper, and pendent therefrom an escutcheon of the arms of France with a label of three points argent." Considerable doubt, however, is thrown upon the descent by the fact that in 1814, when Sir Jonathan (then Mr. Phipps) obtained a Royal Licence to assume the name and arms of Waller, a very different and much bedevilled edition of the arms and not the real coat of Waller of Groombridge was exemplified to him. These supporters (the grant was quite ultra vires, Sir Jonathan being a domiciled Englishman) do not appear in any of the Peerage books, and it is not clear to what extent they were ever made use of, but in a painting which came under my notice the Duke of Orleans, in his surcoat of France, could be observed handing his sword across the front of the escutcheon to Mr. (or Sir) Richard Waller. The supporters of the Needlemakers' Company are commonly known as Adam and Eve, and the motto of the Company ["They sewed fig-leaves together and made themselves aprons"] bears this supposition out. The blazon, however, is: "Dexter, a man; sinister, a woman, both proper, each wreathed round the waist with leaves of the last, in the woman's dexter hand a needle or." The supporters of the Earl of Aberdeen are, "dexter an Earl and sinister a Doctor of Laws, both in their robes all proper."

Highlanders in modern costume figure as supporters to the arms of Maconochie-Wellwood, and in more ancient garb in the case of Cluny Macpherson, and soldiers in the uniforms of every regiment, and savages from every clime, have at some time or other been pressed into heraldic service as supporters; but a work on Armory is not a handbook on costume, military and civil, nor is it an ethnographical directory, which it would certainly become if any attempt were to be made to enumerate the different varieties of men and women, clothed and unclothed, which have been used for the purposes of supporters.

ANIMALS AS SUPPORTERS

When we turn to animals as supporters, we at once get to a much wider range, and but little can be said concerning them beyond stating that though usually rampant, they are sometimes sejant, and may be guardant or regardant. One may, however, append examples of the work of different artists, which will doubtless serve as models, or possibly may develop ideas in other artists. The Lion naturally first claims one's attention. Fig. 670 shows an interesting and curious instance of the use of a single lion as a supporter. This is taken from a drawing in the possession of the town library at Breslau (Herold, 1888, No. 1), and represents the arms of Dr. Heinrich Rubische, Physician to the King of Hungary and Bohemia. The arms are, "per fesse," the chief argent, a "point" throughout sable, charged with a lion's face, holding in the jaws an annulet, and the base also argent charged with two bars sable. The mantling is sable and argent. Upon the helmet as crest are two buffalo's horns of the colours of the shield, and between them appears (apparently as a part of the heritable crest) a lion's face holding an annulet as in the arms. This, however, is the face of the lion, which, standing behind the escutcheon, is employed as the supporter, though possibly it is intended that it should do double duty. This employment of one animal to serve a double armorial purpose is practically unknown in British armory, except possibly in a few early examples of seals, but in German heraldry it is very far from being uncommon.

Winged lions are not very usual, but they occur as the supporters of Lord Braye: "On either side a lion guardant or, winged vair." A winged lion is also one of the supporters (the dexter) of Lord Leconfield, but this, owing to the position of the wings, is quite unique. The blazon is: "A lion with wings inverted azure, collared or." Two lions rampant double-queued, the dexter or, the sinister sable, are the supporters of the Duke of Portland, and the supporters of both the Earl of Feversham and the Earl of Dartmouth afford instances of lions crowned with a coronet, and issuing therefrom a plume of ostrich feathers.

Sea-lions will be found as supporters to the arms of Viscount Falmouth ["Two sea-lions erect on their tails argent, gutté-de-l'armes"], and the Earl of Howth bears: "Dexter, a sea-lion as in the crest; sinister, a mermaid proper, holding in her exterior hand a mirror."

The heraldic tiger is occasionally found as a supporter, and an instance occurs in the arms of the Marquess of Dufferin and Ava. It also occurs as the sinister supporter of the Duke of Leeds, and of the Baroness Darcy de Knayth, and was the dexter supporter of the Earls of Holderness. Two heraldic tigers are the supporters both of Sir Andrew Noel Agnew, Bart., and of the Marquess of Anglesey. Of recent years the natural tiger has taken its place in the heraldic menagerie, and instances of its appearance will be found in the arms of Sir Mortimer Durand, and as one of the supporters of the arms of the city of Bombay. When occurring in heraldic surroundings it is always termed for distinction a "Bengal tiger," and two Royal Bengal tigers are the supporters of Sir Francis Outram, Bart.: "On either side a Royal Bengal tiger guardant proper, gorged with a wreath of laurel vert, and on the head an Eastern crown or."

The griffin is perhaps the next most favourite supporter. Male griffins are the supporters of Sir George John Egerton Dashwood: "On either side a male gryphon argent, gorged with a collar flory counterflory gules."

A very curious supporter is borne by Mr. Styleman Le Strange. Of course, as a domiciled English commoner, having no Royal Licence to bear supporters, his claim to these additions would not be recognised, but their use no doubt originated in the fact that he represents the lines of several coheirships to different baronies by writ, to some one of which, no doubt, the supporters may have at some time belonged. The dexter supporter in question is "a stag argent with a lion's forepaws and tail, collared."

The supporters recently granted to Lord Milner are two "springbok," and the same animal (an "oryx" or "springbok") is the sinister supporter of the arms of Cape Colony.

Goats are the supporters of the Earl of Portsmouth (who styles his "chamois or wild goats"), of Lord Bagot and Lord Cranworth, and they occur in the achievements of the Barony of Ruthven and the Marquess of Normanby. The supporters of Viscount Southwell are two "Indian" goats.

Rams are the supporters of Lord de Ramsey and Lord Sherard. A ram is also one of the supporters attached to the Barony of Ruthven, and one of the supporters used by the town of New Galloway. These arms, however, have never been matriculated, which on account of the curious charge upon the shield is very much to be regretted.

The supporters of Lord Mowbray and Stourton afford an example of a most curious and interesting animal. Originally the Lords Stourton used two antelopes azure, but before the seventeenth century these had been changed to two "sea-dogs." When the abeyance of the Barony of Mowbray was determined in favour of Lord Stourton the dexter supporter was changed to the lion of Mowbray, but the sinister supporter still remained a "sea-dog."

The horse and the pegasus are constantly met with supporting the arms of peers and others in this country. A bay horse regardant figures as the dexter supporter of the Earl of Yarborough, and the horses which support the shield of Earl Cowper are very specifically detailed in the official blazon: "Two dun horses close cropped (except a tuft upon the withers) and docked, a large blaze down the face, a black list down the back, and three white feet, viz. the hind-feet and near fore-foot." Lord Joicey has two Shetland ponies and Lord Winterstoke has "two horses sable, maned, tailed, and girthed or."

The arms of the City of London are always used with dragons for supporters, but these supporters are not officially recorded. The arms of the City of London are referred to at greater length elsewhere in these pages. The town of Appleby uses dragons with wings expanded (most fearsome creatures), but these are not official, nor are the "dragons sejant addorsed gules, each holding an ostrich feather argent affixed to a scroll" which some enterprising artist designed for Cheshire. Dragons will be found as supporters to the arms of the Earl of Enniskillen, Lord St. Oswald, the Earl of Castlestuart, and Viscount Arbuthnot. The heraldic dragon is not the only form of the creature now known to armory. The Chinese dragon was granted to Lord Gough as one of his supporters, and it has since also been granted as a supporter to Sir Robert Hart, Bart.

Wyverns are the supporters of the Earl of Meath and Lord Burghclere, and the sinister supporter of both Lord Raglan and Lord Lyveden.

The arms of the Royal Burgh of Dundee are quite unique. The official blazon runs: "Azure, a pott of growing lillies argent, the escutcheon being supported by two dragons, their tails nowed together underneath vert, with this word in an escroll above a lilie growing out of the top of the shield as the former, 'Dei Donum.'" Though blazoned as dragons, the creatures are undoubtedly wyverns.

Wyverns when figuring as supporters are usually represented standing on the one claw and supporting the shield with the other, but in the case of the Duke of Marlborough, whose supporters are two wyverns, these are generally represented sejant erect, supporting the shield with both claws. This position is also adopted for the wyvern supporters of Sir Robert Arbuthnot, Bart., and the Earl of Eglinton.

Two cockatrices are the supporters of Lord Donoughmore, the Earl of Westmeath, and Sir Edmund Nugent, Bart., and the dexter supporter of Lord Lanesborough is also a cockatrice.

The basilisk is the same creature as the cockatrice, and in the arms of the town of Basle (German Basel), is an example of a supporter blazoned as a basilisk. The arms are: "Argent, a crosier sable." The supporter is a basilisk vert, armed and jelloped gules.

The supporters of the Plasterers' Company, which were granted with the arms (January 15, 1556), are: "Two opinaci (figures very similar to griffins) vert pursted (? purfled) or, beaked sable, the wings gules." The dexter supporter of the arms of Cape Colony is a "gnu."

The zebra, the giraffe, and the okapi are as yet unclaimed as supporters, though the giraffe, under the name of the camelopard, figures in some number of cases as a crest, and there is at least one instance (Kemsley) of a zebra as a crest. The ass, though there are some number of cases in which it appears as a crest or a charge, does not yet figure anywhere as a supporter, nor does the mule. The hyena, the sacred cow of India, the bison, the giant-sloth, and the armadillo are all distinctive animals which still remain to be withdrawn from the heraldic "lucky bag" of Garter. The mythical human-faced winged bull of Egyptian mythology, the harpy, and the female centaur would lend themselves well to the character of supporters.

Robertson of Struan has no supporters matriculated with his arms, and it is difficult to say for what length of time the supporters now in use have been adopted. But he is chief of his name, and the representative of one of the minor barons, so that there is no doubt that supporters would be matriculated to him if he cared to apply. Those supporters in use, viz. "Dexter, a serpent; sinister, a dove, the heads of each encircled with rays," must surely be no less unique than is the strange compartment, "a wild man lying in chains," which is borne below the arms of Struan Robertson, and which was granted to his ancestor in 1451 for arresting the murderers of King James I.

The supporters belonging to the city of Glasgow^[26] are also unique, being two salmon, each holding a signet-ring in the mouth.

The supporters of the city of Waterford, though not recorded in Ulster's Office, have been long enough in use to ensure their official "confirmation" if a request to this effect were to be properly put forward. They are, on the dexter side a lion, and on the sinister side a dolphin. Two dolphins azure, finned or, are the supporters of the Watermen and Lightermen's Livery Company, and were granted 1655.

BIRDS AS SUPPORTERS

Whilst eagles are plentiful as supporters, nevertheless if eagles are eliminated the proportion of supporters which are birds is not great.

A certain variety and differentiation is obtained by altering the position of the wings, noticeably in regard to eagles, but these differences do not appear to be by any means closely adhered to by artists in pictorial representations of armorial bearings.

Fig. 671 ought perhaps more properly to have been placed amongst those eagles which, appearing as single figures, carry shields charged upon the breast, but in the present case, in addition to the shield charged upon it in the usual manner, it so palpably supports the two other escutcheons, that we are tempted to include it amongst definite supporters. The figure represents the arms of the free city of Nürnberg, and the design is reproduced from the title-page of the German edition of Andreas Vesili's Anatomia, printed at Nürnberg in 1537. The eagle is that of the German Empire, carrying on its breast the impaled arms of Castile and Austria. The shields it supports may now be said both to belong to Nürnberg. The dexter shield, which is the coloured seal device of the old Imperial city, is: "Azure, a harpy (in German frauenadler or maiden eagle) displayed and crowned or." The sinister shield (which may more properly be considered the real arms of Nürnberg) is: "Per pale or, a double-headed Imperial eagle displayed, dimidiated with bendy of six gules and argent."

The supporters of Lord Amherst of Hackney are two Herons: "On either side a heron proper, collared or."

The city of Calcutta, to which arms and supporters were granted in 1896, has for its supporters Adjutant Birds, which closely approximate to storks. Two woodpeckers have recently been granted as the supporters of Lord Peckover.

 

CHAPTER XXVII

THE COMPARTMENT

A compartment is anything depicted below the shield as a foothold or resting-place for the supporters, or indeed for the shield itself. Sometimes it is a fixed part of the blazon and a constituent part of the heritable heraldic bearings. At other times it is a matter of mere artistic fancy, and no fixed rules exist to regulate or control nor even to check the imagination of the heraldic artist. The fact remains that supporters must have something to stand upon, and if the blazon supplies nothing, the discretion of the artist is allowed considerable laxity.

On the subject of compartments a great deal of diversity of opinion exists. There is no doubt that in early days and early examples supporters were placed to stand upon some secure footing, but with the decadence of heraldic art in the seventeenth century came the introduction of the gilded "freehand copy" scroll with which we are so painfully familiar, which one writer has aptly termed the heraldic gas-bracket. Arising doubtless from and following upon the earlier habit of balancing the supporters upon the unstable footing afforded by the edge of the motto scroll, the "gas-bracket" was probably accepted as less open to objection. It certainly was not out of keeping with the heraldic art of the period to which it owed its evolution, or with the style of armorial design of which it formed a part. It still remains the accepted and "official" style and type in England, but Scotland and Ireland have discarded it, and "compartments" in those countries are now depicted of a nature requiring less gymnastic ability on the part of the animals to which they afford a foothold. The style of compartment is practically always a matter of artistic taste and design. With a few exceptions it is always entirely disregarded in the blazon of the patent, and the necessity of something for the supporters to stand upon is as much an understood thing as is the existence of a shield whereon the arms are to be displayed. But as the shape of the shield is left to the fancy of the artist, so is the character of the compartment, and the Lyon Register nowadays affords examples of achievements where the supporters stand on rocks and flowery mounds or issue from a watery abiding-place. The example set by the Lyon Register has been eagerly followed by most heraldic artists.

It is a curious commentary upon the heraldic art of the close of the eighteenth and the early part of the nineteenth centuries that whilst the gymnastic capabilities of animals were admitted to be equal to "tight-rope" exhibitions of balancing upon the ordinary scroll, these feats were not considered practicable in the case of human beings, for whom little square platforms were always provided. Fig. 672, which represents the sinister supporter of Lord Scarsdale (viz. the figure of Liberality represented by a woman habited argent, mantled purpure, holding a cornucopia proper) shows the method by which platform accommodation was provided for human figures when acting as supporters.

At the same time this greater freedom of design may occasionally lead to mistakes in relation to English supporters and their compartments. Following upon the English practice already referred to of differentiating the supporters of different families, it has apparently been found necessary in some cases to place the supporters to stand upon a definite object, which object is recited in the blazon and becomes an integral and unchangeable portion of the supporter. Thus Lord Torrington's supporters are each placed upon dismounted ships' guns ["Dexter, an heraldic antelope ermine, horned, tusked, maned and hoofed or, standing on a ship gun proper; sinister, a sea-horse proper, on a like gun"], Lord Hawke's^[27] dexter supporter rests his sinister foot upon a dolphin, and Lord Herschell's supporters each stand upon a fasces ["Supporters: on either side a stag proper, collared azure, standing on a fasces or"]. The supporters of Lord Iveagh each rest a hind-foot upon an escutcheon ["Supporters: on either side a stag gules, attired and collared gemel or, resting the inner hoof on an escutcheon vert charged with a lion rampant of the second"], whilst the inner hind-foot of each of Lord Burton's supporters rests upon a stag's head caboshed proper. Probably absurdity could go no further. But in the case of the supporters granted to Cape Town (Fig. 673), the official blazon runs as follows: "On the dexter side, standing on a rock, a female figure proper, vested argent, mantle and sandals azure, on her head an estoile radiated or, and supporting with her exterior hand an anchor also proper; and on the sinister side, standing on a like rock, a lion rampant guardant gules." In this case it will be seen that the rocks form an integral part of the supporters, and are not merely an artistic rendering of the compartment. The illustration, which was made from an official drawing supplied from the Heralds' College, shows the curious way in which the motto scroll is made to answer the purpose of the compartment.

Occasionally the compartment itself—as a thing apart from the supporters—receives attention in the blazon, e.g. in the case of the arms of Baron de Worms, which are of foreign origin, recorded in this country by Royal Warrant. His supporters are: "On a bronze compartment, on either side a lion gold, collared and chained or, and pendent from the compartment a golden scroll, thereon in letters gules the motto, 'Vinctus non victus.'"

In the Royal Arms of the United Kingdom the motto "Dieu et mon Droit" is required to be on the compartment below the shield, and thereon the Union Badge of the Rose, Thistle, and Shamrock engrafted on the same stem.

The city of Norwich is not officially recognised as having the right to supporters, and doubtless those in use have originated in the old artistic custom, previously referred to, of putting escutcheons of arms under the guardianship of angels. They may be so deciphered upon an old stone carving upon one of the municipal buildings in that city. The result has been that two angels have been regularly adopted as the heraldic supporters of the city arms. The point that renders them worthy of notice is that they are invariably represented each standing upon its own little pile of clouds.

The arms of the Royal Burgh of Montrose (Forfarshire) afford an official instance of another variety in the way of a compartment, which is a fixed matter of blazon and not depending upon artistic fancy. The entry in Lyon Register is as follows:—

"The Royal Burgh of Montrose gives for Ensignes Armoriall, Argent, a rose gules. The shield adorned with helmet, mantling, and wreath suteable thereto. And for a crest, a hand issuing from a cloud and reaching down a garland of roses proper, supported by two mermaids aryseing from the sea proper. The motto, 'Mare ditat Rosa decorat.' And for a revers, Gules, St. Peter on the cross proper, with the keyes hanging at his girdle or. Which Arms, &c., Ext. December 16, 1694."

An English example may be found in the case of the arms of Boston,^[28] which are depicted with the supporters (again two mermaids) rising from the sea, though to what extent the sea is a fixed and unchangeable part of the achievement in this case is less a matter of certainty.

Probably of all the curious "supporters" to be found in British armory, those of the city of Southampton (Plate VII.) must be admitted to be the most unusual. As far as the actual usage of the arms by the corporation is concerned, one seldom if ever sees more than the simple shield employed. This bears the arms: "Per fess gules and argent, three roses counterchanged." But in the official record of the arms in one of the Visitation books a crest is added, namely: "Upon a mount vert, a double tower or, and issuing from the upper battlements thereof a demi-female affronté proper, vested purpure, crined and crowned with an Eastern coronet also or, holding in her dexter hand a sword erect point upwards argent, pommel and hilt of the second, and in her sinister hand a balance sable, the pans gold. The shield in the Visitation book rests upon a mount vert, issuing from waves of the sea, and thereupon placed on either side of the escutcheon a ship of two masts at anchor, the sails furled all proper, the round top or, and from each masthead flying a banner of St. George, and upon the stern of each vessel a lion rampant or, supporting the escutcheon."

From the fact that in England the compartment is so much a matter of course, it is scarcely ever alluded to, and the term "Compartment" is practically one peculiar to Scottish heraldry. It does not appear to be a very ancient heraldic appendage, and was probably found to be a convenient arrangement when shields were depicted erect instead of couché, so as to supply a resting-place (or standpoint) for the supporters. In a few instances the compartment appears on seals with couché shields, on which, however, the supporters are usually represented as resting on the sides of the escutcheon, and bearing up the helmet and crest, as already mentioned. Sir George Mackenzie conjectures that the compartment "represents the bearer's land and territories, though sometimes (he adds) it is bestowed in recompense of some honourable action." Thus the Earls of Douglas are said to have obtained the privilege of placing their supporters with a pale of wood wreathed, because the doughty lord, in the reign of King Robert the Bruce, defeated the English in Jedburgh Forest, and "caused wreathe and impale," during the night, that part of the wood by which he conjectured they might make their escape. Such a fenced compartment appears on the seal of James Douglas, second Earl of Angus, "Dominus de Abernethie et Jedworth Forest" (1434), on that of George Douglas, fourth Earl (1459), and also on those of several of his successors in the earldom (1511-1617). A still earlier example, however, of a compartment "representing a park with trees, &c., enclosed by a wattled fence," occurs on the seal of Walter Stewart, Earl of Atholl (c. 1430), where the escutcheon is placed in the entrance to the park between two trees. Nisbet refers to a seal of William, first Earl of Douglas (1377), exhibiting a single supporter (a lion) "sitting on a compartment like to a rising ground, with a tree growing out of it, and semé of hearts, mullets, and cross crosslets," these being the charges of Douglas and Mar in the escutcheon.

According to Sir George Mackenzie, these compartments were usually allowed only to sovereign princes; and he further informs us that, besides the Douglases, he knows of no other subject in Britain, except the Earl of Perth, whose arms stand upon a compartment. In the case of the Perth family, the compartment consists of a green hill or mount, semé of caltraps^[29] (or cheval-traps), with the relative motto, "Gang warily," above the achievement. "Albeit of late," says Mackenzie, "compartments are become more common, and some families in Scotland have some creatures upon which their achievement stands, as the Laird of Dundas, whose achievement has for many hundreds of years stood upon a salamander in flames proper (a device of the kings of France), and Robertson of Struan has a monstrous man lying under the escutcheon chained, which was given him for his taking the murderer of James I...." Such figures, however, as Nisbet remarks, cannot properly be called compartments, having rather the character of devices; while, in the case of the Struan achievement, the chained man would be more accurately described as "an honourable supporter." Sir George Mackenzie engraves "the coat of Denham of ould," viz. a stag's head "caboshed," below a shield couché charged with three lozenges, or fusils, conjoined in bend. In like manner, Nisbet represents the crest and motto of the Scotts of Thirlstane, "by way of compartment," below the escutcheon of Lord Napier, and a blazing star, with the legend "Luceo boreale," under that of Captain Robert Seton, of the family of Meldrum; while in the case of the illumination which accompanies the latest entry in the first volume of the Lyon Register (1804), relative to the arms of John Hepburn Belshes of Invermay, the trunk of an oak-tree sprouting forth anew is placed on a compartment under the shield, with the motto, "Revirescit."

Two other instances of regular compartments are mentioned by Nisbet, viz. those carried by the Macfarlanes of that Ilk and the Ogilvies of Innerquharity. The former consists of a wavy representation of Loch Sloy, the gathering-place of the clan, which word is also inscribed on the compartment as their cri-de-guerre or slogan; while the latter is a "green hill or rising terrace," on which are placed two serpents, "nowed," spouting fire, and the motto, "Terrena pericula sperno." For some of the foregoing instances I am indebted to Seton's well-known "Law and Practice of Heraldry in Scotland."

 

CHAPTER XXVIII

MOTTOES

To the uninitiated, the subject of the motto of a family has a far greater importance than is conceded to it by those who have spent any time in the study of armory. Perhaps it may clear the ground if the rules presently in force are first recited. It should be carefully observed that the status of the motto is vastly different in England and in other countries. Except in the cases of impersonal arms (and not always then), the motto is never mentioned or alluded to in the terms of the patent in a grant of arms in England; consequently they are not a part of the "estate" created by the Letters Patent, though if it be desired a motto will always be painted below the emblazonment in the margin of the patent. Briefly speaking, the position in England with regard to personal armorial bearings is that mottoes are not hereditary. No one is compelled to bear one, nor is any authority needed for the adoption of a motto, the matter is left purely to the personal pleasure of every individual; but if that person elects to use a motto, the officers of arms are perfectly willing to paint any motto he may choose upon his grant, and to add it to the record of his arms in their books. There is no necessity expressed or implied to use a motto at all, nor is the slightest control exercised over the selection or change of mottoes, though, as would naturally be expected, the officers of arms would decline to record to any private person any motto which might have been appropriated to the sovereign or to any of the orders of knighthood. In the same way no control is exercised over the position in which the motto is to be carried or the manner in which it is to be displayed.

In Scotland, however, the matter is on an entirely different footing. The motto is included within the terms of the patent, and is consequently made the subject of grant. It therefore becomes inalienable and unchangeable without a rematriculation, and a Scottish patent moreover always specifies the position in which the motto is to be carried. This is usually "in an escroll over the same" (i.e. over the crest), though occasionally it is stated to be borne on "a compartment below the arms." The matter in Ireland is not quite the same as in either Scotland or England. Sometimes the motto is expressed in the patent—in fact this is now the more usual alternative—but the rule is not universal, and to a certain extent the English permissiveness is recognised. Possibly the subject can be summed up in the remark that if any motto has been granted or is recorded with a particular coat of arms in Ireland, it is expected that that shall be the motto to be made use of therewith.

As a general practice the use of mottoes in England did not become general until the eighteenth century—in fact there are very few, if any, grants of an earlier date on which a motto appears. The majority, well on towards the latter part of the eighteenth century, had no motto added, and many patents are still issued without such an addition. With rare exceptions, no mottoes are to be met with in the Visitation books, and it does not appear that at the time of the Visitations the motto was considered to be essentially a part of the armorial bearings. The one or two exceptions which I have met with where mottoes are to be found on Visitation pedigrees are in every case the arms of a peer. There are at least two such in the Yorkshire Visitation of 1587, and probably it may be taken for granted that the majority of peers at that period had begun to make use of these additions to their arms. Unfortunately we have no exact means of deciding the point, because peers were not compelled to attend a Visitation, and there are but few cases in which the arms or pedigree of a peer figure in the Visitation books. In isolated cases the use of a motto can, however, be traced back to an even earlier period. There are several instances to be met with upon the early Garter plates.

Many writers have traced the origin of mottoes to the "slogan" or war-cry of battle, and there is no doubt whatever that instances can be found in which an ancient war-cry has become a family motto. For example, one can refer to the Fitzgerald "Crom-a-boo": other instances can be found amongst some of the Highland families, but the fact that many well-known war-cries of ancient days never became perpetuated as mottoes, and also the fact that by far the greater number of mottoes, even at a much earlier period than the present day, cannot by any possibility have ever been used for or have originated with the purposes of battle-cries, inclines me to believe that such a suggested origin for the motto in general is without adequate foundation. There can be little if any connection between the war-cry as such and the motto as such. The real origin would appear to be more correctly traced back to the badge. As will be found explained elsewhere, the badge was some simple device used for personal and household purposes and seldom for war, except by persons who used the badge of the leader they followed. No man wore his own badge in battle. It generally partook of the nature of what ancient writers would term "a quaint conceit," and much ingenuity seems to have been expended in devising badges and mottoes which should at the same time be distinctive and should equally be or convey an index or suggestion of the name and family of the owner. Many of these badges are found in conjunction with words, mottoes, and phrases, and as the distinction between the badge in general and the crest in general slowly became less apparent, they eventually in practice became interchangeable devices, if the same device did not happen to be used for both purposes. Consequently the motto from the badge became attached to the crest, and was thence transferred to its present connection with the coat of arms. Just as at the present time a man may and often does adopt a maxim upon which he will model his life, some pithy proverb, or some trite observation, without any question or reference to armorial bearings—so, in the old days, when learning was less diffuse and when proverbs and sayings had a wider acceptance and vogue than at present, did many families and many men adopt for their use some form of words. We find these words carved on furniture, set up on a cornice, cut in stone, and embroidered upon standards and banners, and it is to this custom that we should look for the beginning of the use of mottoes. But because such words were afterwards in later generations given an armorial status, it is not justifiable to presume such status for them from their beginnings. The fact that a man put his badges on the standard that he carried into battle, and with his badges placed the mottoes that thereto belonged, has led many people mistakenly to believe that these mottoes were designed for war-cries and for use in battle. That was not the case. In fact it seems more likely that the bulk of the standards recorded in the books of the heralds which show a motto were never carried in battle.

With regard to the mottoes in use at the moment, some of course can be traced to a remote period, and many of the later ones have interesting legends connected therewith. Of mottoes of this character may be instanced the "Jour de ma vie" of West, which was formerly the motto of the La Warr family, adopted to commemorate the capture of the King of France at the battle of Poictiers. There are many other mottoes of this character, amongst which may be mentioned the "Grip fast" of the Leslies, the origin of which is well known. But though many mottoes relate to incidents in the remote past, true or mythical, the motto and the incident are seldom contemporary. Nothing would be gained by a recital of a long list of mottoes, but I cannot forbear from quoting certain curious examples which by their very weirdness must excite curiosity as to their origin. A family of Martin used the singular words, "He who looks at Martin's ape, Martin's ape shall look at him," whilst the Curzons use, "Let Curzon hold what Curzon helde." The Cranston motto is still more grasping, being, "Thou shalt want ere I want;" but probably the motto of the Dakyns is the most mysterious of all, "Strike Dakyns, the devil's in the hempe." The motto of Corbet, "Deus pascit corvos," evidently alludes to the raven or ravens (corby crows) upon the shield. The mottoes of Trafford, "Now thus," and "Gripe griffin, hold fast;" the curious Pilkington motto, "Pilkington Pailedown, the master mows the meadows;" and the "Serva jugum" of Hay have been the foundation of many legends. The "Fuimus" of the Bruce family is a pathetic allusion to the fact that they were once kings, but the majority of ancient mottoes partake rather of the nature of a pun upon the name, which fact is but an additional argument towards the supposition that the motto has more relation to the badge than to any other part of the armorial bearings. Of mottoes which have a punning character may be mentioned "Mon Dieu est ma roche," which is the motto of Roche, Lord Fermoy; "Cavendo tutus," which is the motto of Cavendish; "Forte scutum salus ducum," which is the motto of Fortescue; "Set on," which is the motto of Seton; "Da fydd" of Davies, and "Ver non semper viret," the well-known pun of the Vernons. Another is the apocryphal "Quid rides" which Theodore Hook suggested for the wealthy and retired tobacconist. This punning character has of late obtained much favour, and wherever a name lends itself to a pun the effort seems nowadays to be made that the motto shall be of this nature. Perhaps the best pun which exists is to be found in the motto of the Barnard family, who, with arms "Argent, a bear rampant sable, muzzled or," and crest "A demi-bear as in the arms," use for the motto, "Bear and Forbear," or in Latin, as it is sometimes used, "Fer et perfer." Others that may be alluded to are the "What I win I keep" of Winlaw; the "Libertas" of Liberty; the "Ubi crux ibi lux" of Sir William Crookes; the "Bear thee well" of Bardwell; the "Gare le pied fort" of Bedford; the "Gare la bête" of Garbett; and the "Cave Deus videt" of Cave. Other mottoes—and they are a large proportion—are of some saintly and religious tendency. However desirable and acceptable they may be, and however accurately they may apply to the first possessor, they sometimes are sadly inappropriate to later and more degenerate successors.

In Germany, a distinction appears to be drawn between their "Wahlsprüche" (i.e. those which are merely dictated by personal choice) and the "armorial mottoes" which remained constantly and heritably attached to the armorial bearings, such as the "Gott mit uns" ("God with us") of Prussia and the "Nihil sine Deus" of Hohenzollern.

The Initial or Riddle Mottoes appear to be peculiar to Germany. Well-known examples of these curiosities are the "W. G. W." (i.e. "Wie Gott will"—"As God wills"), or "W. D. W." (i.e. "Wie du willst"—"As thou wilt"), which are both frequently to be met with. The strange but well-known alphabet or vowel-motto "A. E. I. O. V." of the Emperor Frederick III. has been variously translated, "Aquila Electa Juste Omnia Vincit" ("The chosen eagle vanquishes all by right"), "Aller Ehren Ist Oesterrich Voll" ("Austria is full of every honour"), or perhaps with more likelihood, "Austria Est Imperare Orbe Universo" ("All the earth is subject to Austria").

The cri-de-guerre, both as a heraldic fact and as an armorial term, is peculiar, and exclusively so, to British and French heraldry. The national cri-de-guerre of France, "Montjoye Saint Denis," appeared above the pavilion in the old Royal Arms of France, and probably the English Royal motto, "Dieu et mon Droit," is correctly traced to a similar origin. A distinction is still made in modern heraldry between the cri-de-guerre and the motto, inasmuch as it is considered that the former should always of necessity surmount the crest. This is very generally adhered to in Scotland in the cases where both a motto and a cri-de-guerre (or, as it is frequently termed in that country, a "slogan") exist, the motto, contrary to the usual Scottish practice, being then placed below the shield. It is to be hoped that a general knowledge of this fact will not, however, result in the description of every motto found above a crest as a cri-de-guerre, and certainly the concentrated piety now so much in favour in England for the purposes of a motto can be quite fitly left below the shield.

Artists do not look kindly on the motto for decorative purposes. It has been usually depicted in heraldic emblazonment in black letters upon a white scroll, tinted and shaded with pink, but with the present revival of heraldic art, it has become more general to paint the motto ribbon in conformity with the colour of the field, the letters being often shown thereon in gold. The colour and shape of the motto ribbon, however, are governed by no heraldic laws, and except in Scottish examples should be left, as they are purely unimportant accessories of the achievement, wholly at the discretion of the artist.

 

CHAPTER XXIX

BADGES

The exact status of the badge in this country, to which it is peculiar, has been very much misunderstood. This is probably due to the fact that the evolution of the badge was gradual, and that its importance increased unconsciously. Badges do not formerly appear to have ever been made the subjects of grants, and the instances which can be referred to showing their control, or attempted control, by the Crown in past times are very rare indeed. As a matter of fact, the Crown seems to have perhaps purposely ignored them. They are not, as we know them, found in the earliest times of heraldry, unless we are to presume their existence from early seals, many of which show isolated charges taken from the arms; for if in the cases where such charges appear upon the seals we are to accept those seals as proofs of the contemporary existence of those devices as heraldic badges, we should often be led into strange conclusions.

There is no doubt that these isolated devices which are met with were not only a part of the arms, but in many cases the origin of the arms. Devices possessing a more or less personal and possessive character occur in many cases before record of the arms they later developed into can be traced. This will be noticed in relation to the arms of Swinton, to which reference is made elsewhere. If these are badges, then badges go back to an earlier date than arms. Such devices occur many centuries before such a thing as a shield of arms existed.

The Heraldic Badge, as we know it, came into general use about the reign of Edward III., that is, the heraldic badge as a separate matter having a distinct existence in addition to concurrent arms, and having at the same time a distinctly heraldic character. But long before that date, badges are found with an allied reference to a particular person, which very possibly are rightly included in any enumeration of badges. Of such a character is the badge of the broom plant, which is found upon the tomb of Geoffrey, Count of Anjou, from which badge the name of the Plantagenet dynasty originated (Plantagenet, by the way, was never a personal surname, but was the name of the dynasty).

It is doubtful, however, if at that early period there existed much if indeed any opportunity for the use of heraldic badges. At the same time, as far back as the reign of Richard I.—and some writers would take examples of a still more remote period—these badges must have been occasionally depicted upon banners, for Richard I. appears to have had a dragon upon one of his banners.

These banner decorations, which at a later date have been often accepted as badges, can hardly be quite properly so described, for there are many cases where no other proof of usage can be found, and there is no doubt that many such are instances of no more than banners prepared for specific purposes; and the record of such and such a banner cannot necessarily carry proof that the owner of the banner claimed or used the objects depicted thereupon as personal badges. If they are to be so included some individuals must have revelled in a multitude of badges.

But the difficulty in deciding the point very greatly depends upon the definition of the badge; and if we are to take the definition according to the manner of acceptance and usage at the period when the use of badges was greatest, then many of the earliest cannot be taken as coming within the limits.

In later Plantagenet days, badges were of considerable importance, and certain characteristics are plainly marked. They were never worn by the owner—in the sense in which he carried his shield, or bore his crest; they were his sign-mark indicative of ownership; they were stamped upon his belongings in the same way in which Government property is marked with the broad arrow, and they were worn by his servants. They were worn not only by his retainers, but very probably were also worn more or less temporarily by adherents of his party if he were big enough to lead a party in the State. At all times badges had very extensive decorative use.

There was never any fixed form for the badge; there was never any fixed manner of usage. I can find no fixed laws of inheritance, no common method of assumption. In fact the use of a badge, in the days when everybody who was anybody possessed arms, was quite subsidiary to the arms, and very much akin to the manner in which nowadays monograms are made use of. At the same time care must be taken to distinguish the "badge" from the "rebus," and also from the temporary devices which we read about as having been so often adopted for the purpose of the tournament when the combatant desired his identity to be concealed. Modern novelists and poets give us plenty of illustrations of the latter kind, but proof of the fact even that they were ever adopted in that form is by no means easy to find, though their professedly temporary nature of course militates against the likelihood of contemporary record. The rebus had never an heraldic status, and it had seldom more than a temporary existence. A fanciful device adopted (we hear of many such instances) for the temporary purpose of a tournament could generally be so classed, but the rebus proper has some device, usually a pictorial rendering of the name of the person for whom it stood. In such a category would be included printers' and masons' marks, but probably the definition of Dr. Johnson of the word rebus, as a word represented by a picture, is as good a definition and description as can be given. The rebus in its nature is a different thing from a badge, and may best be described as a pictorial signature, the most frequent occasion for its use being in architectural surroundings, where it was constantly introduced as a pun upon some name which it was desired to perpetuate. The best-known and perhaps the most typical and characteristic rebus is that of Islip, the builder of part of Westminster Abbey. Here the pictured punning representation of his name had nothing to do with his armorial bearings or personal badge; but the great difficulty, in dealing with both badges and rebuses, is the difficulty of knowing which is which, for very frequently the same or a similar device was used for both purposes. Parker, in his glossary of heraldic terms, gives several typical examples of rebuses which very aptly illustrate their status and meaning. At Lincoln College at Oxford, and on other buildings connected with Thomas Beckynton, Bishop of Bath and Wells, will be found carved the rebus of a beacon issuing from a tun. This is found in conjunction with the letter T for his Christian name, Thomas. Now this design was not his coat of arms, and was not his crest, nor was it his badge. Another rebus which is found at Canterbury shows an ox and the letters N, E, as the rebus of John Oxney. A rebus which indicates Thomas Conyston, Abbot of Cirencester, which can be found in Gloucester Cathedral, is a comb and a tun, and the printer's mark of Richard Grifton, which is a good example of a rebus and its use, was a tree, or graft, growing on a tun. In none of these cases are the designs mentioned on any part of the arms, crest, or badge of the persons mentioned. Rebuses of this character abound on all our ancient buildings, and their use has lately come very prominently into favour in connection with the many allusive bookplates, the design of which originates in some play upon the name. The words "device," "ensign," and "cognisance" have no definite heraldic meaning, and are used impartially to apply to the crest, the badge, and sometimes to the arms upon the shield, so that they may be eliminated from consideration. There remains therefore the crest and the badge between which to draw a definite line of distinction. The real difference lay in the method of use, though there is usually a difference of form, recognisable by an expert, but difficult to put into words. The crest was the ornament upon the helmet, seldom if ever actually worn, and never used except by the person to whom it belonged. The badge, on the other hand, was never placed upon the helmet, but was worn by the servants and retainers, and was used right and left on the belongings of the owner as a sign of his ownership. So great and extensive at one period was the use of these badges, that they were far more generally employed than either arms or crest, and whilst the knowledge of a man's badge or badges would be everyday knowledge and common repute throughout the kingdom, few people would know that man's crest, fewer still would ever have seen it worn.

It is merely an exaggeration of the difficulty that we are always in uncertainty whether any given device was merely a piece of decoration borrowed from the arms or crest, or whether it had continued usage as a badge. In the same way many families who had never used crests, but who had used badges, took the opportunity of the Visitations to record their badges as crests. A notable example of the subsequent record of a badge as a crest is met with in the Stourton family. Their crest, originally a buck's head, but after the marriage with the heiress of Le Moigne, a demi-monk, can be readily substantiated, as can their badge of the drag or sledge. At one of the Visitations, however, a cadet of the Stourton family recorded the sledge as a crest. Uncertainty also arises from the lack of precision in the diction employed at all periods, the words badge, device, and crest having so often been used interchangeably.

Another difficulty which is met with in regard to badges is that, with the exception of the extensive records of the Royal badges and some other more or less informal lists of badges of the principal personages at different periods, badges were never a subject of official record, and whilst it is difficult to determine the initial point as to whether any particular device is a badge or not, the difficulty of deducing rules concerning badges becomes practically impossible, and after most careful consideration I have come to the conclusion that there were never any hard and fast rules relating to badges, that they were originally and were allowed to remain matters of personal fancy, and that although well-known cases can be found where the same badge has been used generation after generation, those cases may perhaps be the exception rather than the rule. Badges should be considered and accepted in the general run as not being matters of permanence, and as of little importance except during the time from about the reign of Edward III. to about the reign of Henry VIII. Their principal use upon the clothes of the retainers came to an end by the creation of the standing army, the beginning of which can be traced to the reign of Henry VIII., and as badges never had any ceremonial use to perpetuate their status, their importance almost ceased altogether at that period except as regards the Royal family.

Speaking broadly, regularised and recorded heraldic control as a matter of operative fact dates little if any further back than the end of the reign of Henry VIII., consequently badges originally do not appear to have been taken much cognisance of by the Heralds. Their actual use from that period onwards rapidly declined, and hence the absence of record.

Though the use of badges has become very restricted, there are still one or two occasions on which badges are used as badges, in the style formerly in vogue. Perhaps the case which is most familiar is the broad arrow which is used to mark Government stores. It is a curious commentary upon heraldic officialdom and its ways that though this is the only badge which has really any extensive use, it is not a Crown badge in any degree. Although this origin has been disputed it is said to have originated in the fact that one of the Sydney family, when Master of the Ordnance, to prevent disputes as to the stores for which he was responsible, marked everything with his private badge of the broad arrow, and this private badge has since remained in constant use. One wonders at what date the officers of His Majesty will observe that this has become one of His Majesty's recognised badges, and will include it with the other Royal badges in the warrants in which they are recited. Already more than two centuries have passed since it first came into use, and either they should represent to the Government that the pheon is not a Crown mark, and that some recognised Royal badge should be used in its place, or else they should place its status upon a definite footing.

Another instance of a badge used at the present day in the ancient manner is the conjoined rose, thistle, and shamrock which is embroidered front and back upon the tunics of the Beefeaters and the Yeomen of the Guard. The crowned harps which are worn by the Royal Irish Constabulary are another instance of the kind, but though a certain number of badges are recited in the warrant each time any alteration or declaration of the Royal Arms occurs, their use has now become very limited. Present badges are the crowned rose for England, the crowned thistle for Scotland, and the crowned trefoil and the crowned harp for Ireland; whilst for the Union there is the conjoined rose, thistle, and shamrock under the crown, and the crowned shield which carries the device of the Union Jack. The badge of Wales, which has existed for long enough, is the uncrowned dragon upon a mount vert, and the crowned cyphers, one within and one without the Garter, are also depicted upon the warrant. These badges, which appear on the Sovereign's warrant, are never assigned to any other member of the Royal Family, of whom the Prince of Wales is the only one who rejoices in the possession of officially assigned badges. The badge of the eldest son of the Sovereign, as such, and not as Prince of Wales, is the plume of three ostrich feathers, enfiled with the circlet from his coronet. Recently an additional badge (on a mount vert, a dragon passant gules, charged on the shoulder with a label of three points argent) has been assigned to His Royal Highness. This action was taken with the desire to in some way gratify the forcibly expressed wishes of Wales, and it is probable that, the precedent having been set, it will be assigned to all those who may bear the title of Prince of Wales in future.

The only instances I am personally aware of in which a real badge of ancient origin is still worn by the servants are the cases of the state liveries of the Earl of Yarborough, whose servants wear an embroidered buckle, and of Lord Mowbray and Stourton, whose servants wear an embroidered sledge. The family of Daubeney of Cote still bear the old Daubeney badge of the pair of bat's wings; Lord Stafford still uses his "Stafford knot." I believe the servants of Lord Braye still wear the badge of the hemp-brake, and those of the Earl of Loudoun wear the Hastings maunch; and doubtless there are a few other instances. When the old families were becoming greatly reduced in number, and the nobility and the upper classes were being recruited from families of later origin, the wearing of badges, like so much else connected with heraldry, became lax in its practice.

The servants of all the great nobles in ancient days appear to have worn the badges of their masters in a manner similar to the use of the royal badge by the Yeomen of the Guard, although sometimes the badge was embroidered upon the sleeve; and the wearing of the badge by the retainers is the chief and principal use to which badges were anciently put. Nisbet alludes on this point to a paragraph from the Act for the Order of the Riding of Parliament in 1681, which says that "the noblemen's lacqueys may have over their liveries velvet coats with their badges, i.e. their crests and mottoes done on plate, or embroidered on the back and breast conform to ancient custom." A curious survival of these plates is to be found in the large silver plaques worn by so many bank messengers. Badges appear, however, to have been frequently depicted semé upon the lambrequins of armorial achievements, as will be seen from many of the old Garter plates; but here, again, it is not always easy to distinguish between definite badges and artistic decoration, nor between actual badges in use and mere appropriately selected charges from the shield.

The water-bougets of Lord Berners, the knot of Lord Stafford, popularly known as "the Stafford knot"; the Harington fret; the ragged staff or the bear and the ragged staff of Lord Warwick (this being really a conjunction of two separate devices); the Rose of England, the Thistle of Scotland, and the sledge of Stourton, the hemp-brake of Lord Braye wherever met with are readily recognised as badges, but there are many badges which it is difficult to distinguish from crests, and even some which in all respects would appear to be more correctly regarded as coats of arms.

It is a point worthy of consideration whether or not a badge needs a background; here, again, it is a matter most difficult to determine, but it is singular that in any matter of record the badge is almost invariably depicted upon a background, either of a standard or a mantling, or upon the "field" of a roundel, and it may well be that their use in such circumstances as the two cases first mentioned may have only been considered correct when the colour of the mantling or the standard happened to be the right colour for the background of the badge.

Badges are most usually met with in stained glass upon roundels of some colour or colours, and though one would hesitate to assert it as an actual fact, there are many instances which would lead one to suppose that the background of a badge was usually the livery colour or colours of its then owner, or of the family from which it was originally inherited. Certain is it that there are very few contemporary instances of badges which, when emblazoned, are not upon the known livery colours; and if this fact be accepted, then one is perhaps justified in assuming all to be livery colours, and we get at once a ready explanation on several points which have long puzzled antiquaries. The name of Edward "the Black Prince" has often been a matter of discussion, and the children's history books tell us that the nickname originated from the colour of his armour. This may be true enough, but as most armour would be black when it was unpolished, and as most armour was either polished or dull, the probabilities are not very greatly in its favour. Though there can be found instances, it was not a usual custom for any one to paint his armour red or green. Even if the armour of the prince were enamelled black it would be so usually hidden by his surcoat that he is hardly likely to have been nicknamed from it. It seems to me far more probable that black was the livery colour of the Black Prince, and that his own retainers and followers wore the livery of black. If that were the case, one understands at once how he would obtain the nickname. The nickname is doubtless contemporary. A curious confirmation of my supposition is met with in the fact that his shield for peace was: "Sable, three ostrich feathers two and one, the quill of each passing through a scroll argent." There we get the undoubted badge of the ostrich feather, which was originally borne singly, depicted upon his livery colour—black.