ILLUSTRATIONS
Chinese Screen Panel by Pieter Mijer and Emile Weeckers |
Frontispiece | |
FACING PAGE |
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Javanese Kain Kapala | 2 | |
Enlarged Detail of Native Sarong |
4 | |
Native Design Showing European Influence |
14 | |
Pure Native Design Adapted for European Use |
14 | |
Conventional Fish Design by Chris Lebeau |
26 | |
Geometrical Fish Design by Chris Lebeau |
28 | |
Stork Panel by Chris Lebeau |
30 | |
Flamingo Curtain by Pieter Mijer |
30 | |
The Use of Batik in Interior Decoration |
32 | |
Dyeing of Textile |
34 | |
Cleaning the Tjanting |
34 | |
Floral Design Entirely Executed with a Brush |
36 | |
Various Types of Tjantings |
46 | |
Scarf Batiked by Hazel Burnham Slaughter |
50 | |
The Right Way to Hold the Tjanting |
54 | |
The Use of the Brush for Filling Spaces |
54 | |
Tank for Separating Wax from Gasoline |
58 | |
“Spring” by C. Bertram Hartman and Pieter Mijer |
64 | |
By following the arrows in the above chart it will easily be seen which colours should be mixed together in order to produce a given colour and the various lengths of the connecting lines indicate about the proportion in which the dyes should be used |
68 | |
Successive Stages in the Making of a Batik |
74 | |
Successive Stages in the Making of a Batik |
76 | |
The Use of Batik for Costume |
78 | |
Sorceress by Arthur Crisp and Pieter Mijer |
80 |