THE MARQUIS DE FUMEROL

Roger de Tourneville was whiffing a cigar and blowing out small clouds of smoke every now and then, as he sat astride a chair amid a party of friends. He was talking.

“We were at dinner when a letter was brought in which my father opened. You know my father, who thinks that he is king of France ad interim. I call him Don Quixote, because for twelve years he has been running a tilt against the windmill of the Republic, without quite knowing whether it was in the cause of the Bourbons or the Orleanists. At present he is bearing the lance in the cause of the Orleanists alone, because there is no one else left. In any case, he thinks himself the first gentleman of France, the best known, the most influential, the head of the party; and as he is an irremovable senator, he thinks that the thrones of the neighboring kings are very insecure.

“As for my mother, she is my father's soul, she is the soul of the kingdom and of religion, and the scourge of all evil-thinkers.

“Well, a letter was brought in while we were at dinner, and my father opened and read it, and then he said to mother: 'Your brother is dying.' She grew very pale. My uncle was scarcely ever mentioned in the house, and I did not know him at all; all I knew from public talk was, that he had led, and was still leading, a gay life. After having spent his fortune in fast living, he was now in small apartments in the Rue des Martyrs.

“An ancient peer of France and former colonel of cavalry, it was said that he believed in neither God nor devil. Not believing, therefore, in a future life he had abused the present life in every way, and had become a live wound in my mother's heart.

“'Give me that letter, Paul,' she said, and when she read it, I asked for it in my turn. Here it is:

“'We must take counsel,' papa murmured. 'In my position, I ought to watch over your brother's last moments.'

“Mamma continued: 'I will send for Abbe Poivron and ask his advice, and then I will go to my brother with the abbe and Roger. Remain here, Paul, for you must not compromise yourself; but a woman can, and ought to do these things. For a politician in your position, it is another matter. It would be a fine thing for one of your opponents to be able to bring one of your most laudable actions up against you.' 'You are right,' my father said. 'Do as you think best, my dear wife.'

“A quarter of an hour, later, the Abbe Poivron came into the drawing-room, and the situation was explained to him, analyzed and discussed in all its bearings. If the Marquis de Fumerol, one of the greatest names in France, were to die without the ministrations of religion, it would assuredly be a terrible blow to the nobility in general, and to the Count de Tourneville in particular, and the freethinkers would be triumphant. The liberal newspapers would sing songs of victory for six months; my mother's name would be dragged through the mire and brought into the prose of Socialistic journals, and my father's name would be smirched. It was impossible that such a thing should be.

“A crusade was therefore immediately decided upon, which was to be led by the Abbe Poivron, a little, fat, clean, priest with a faint perfume about him, a true vicar of a large church in a noble and rich quarter.

“The landau was ordered and we all three set out, my mother, the cure and I, to administer the last sacraments to my uncle.

“It had been decided first of all we should see Madame Melanie who had written the letter, and who was most likely the porter's wife, or my uncle's servant, and I dismounted, as an advance guard, in front of a seven-story house and went into a dark passage, where I had great difficulty in finding the porter's den. He looked at me distrustfully, and I said:

“'Madame Melanie, if you please.' 'Don't know her!' 'But I have received a letter from her.' 'That may be, but I don't know her. Are you asking for a lodger?' 'No, a servant probably. She wrote me about a place.' 'A servant?—a servant? Perhaps it is the marquis'. Go and see, the fifth story on the left.'

“As soon as he found I was not asking for a doubtful character he became more friendly and came as far as the corridor with me. He was a tall, thin man with white whiskers, the manners of a beadle and majestic gestures.

“I climbed up a long spiral staircase, the railing of which I did not venture to touch, and I gave three discreet knocks at the left-hand door on the fifth story. It opened immediately, and an enormous dirty woman appeared before me. She barred the entrance with her extended arms which she placed against the two doorposts, and growled:

“'What do you want?' 'Are you Madame Melanie?' 'Yes.' 'I am the Visconte de Tourneville.' 'Ah! All right! Come in.' 'Well, the fact is, my mother is downstairs with a priest.' 'Oh! All right; go and bring them up; but be careful of the porter.'

“I went downstairs and came up again with my mother, who was followed by the abbe, and I fancied that I heard other footsteps behind us. As soon as we were in the kitchen, Melanie offered us chairs, and we all four sat down to deliberate.

“'Is he very ill?' my mother asked. 'Oh! yes, madame; he will not be here long.' 'Does he seem disposed to receive a visit from a priest?' 'Oh! I do not think so.' 'Can I see him?' 'Well—yes madame—only —only—those young ladies are with him.' 'What young ladies?' 'Why—why—his lady friends, of course.' 'Oh!' Mamma had grown scarlet, and the Abbe Poivron had lowered his eyes.

“The affair began to amuse me, and I said: 'Suppose I go in first? I shall see how he receives me, and perhaps I shall be able to prepare him to receive you.'

“My mother, who did not suspect any trick, replied: 'Yes, go, my dear.' But a woman's voice cried out: 'Melanie!'

“The servant ran out and said: 'What do you want, Mademoiselle Claire?' 'The omelette; quickly.' 'In a minute, mademoiselle.' And coming back to us, she explained this summons.

“They had ordered a cheese omelette at two o'clock as a slight collation. And she at once began to break the eggs into a salad bowl, and to whip them vigorously, while I went out on the landing and pulled the bell, so as to formally announce my arrival. Melanie opened the door to me, and made me sit down in an ante-room, while she went to tell my uncle that I had come; then she came back and asked me to go in, while the abbe hid behind the door, so that he might appear at the first signal.

“I was certainly very much surprised at the sight of my uncle, for he was very handsome, very solemn and very elegant, the old rake.

“Sitting, almost lying, in a large armchair, his legs wrapped in blankets, his hands, his long, white hands, over the arms of the chair, he was waiting for death with the dignity of a patriarch. His white beard fell on his chest, and his hair, which was also white, mingled with it on his cheeks.

“Standing behind his armchair, as if to defend him against me, were two young women, who looked at me with bold eyes. In their petticoats and morning wrappers, with bare arms, with coal black hair twisted in a knot on the nape of their neck, with embroidered, Oriental slippers, which showed their ankles and silk stockings, they looked like the figures in some symbolical painting, by the side of the dying man. Between the easy-chair and the bed, there was a table covered with a white cloth, on which two plates, two glasses, two forks and two knives, were waiting for the cheese omelette which had been ordered some time before of Melanie.

“My uncle said in a weak, almost breathless, but clear voice:

“'Good-morning, my child; it is rather late in the day to come and see me; our acquaintanceship will not last long.' I stammered out, 'It was not my fault, uncle:' 'No; I know that,' he replied. 'It is your father and mother's fault more than yours. How are they?' 'Pretty well, thank you. When they heard that you were ill, they sent me to ask after you.' 'Ah! Why did they not come themselves?'

“I looked up at the two girls and said gently: 'It is not their fault if they could not come, uncle. But it would be difficult for my father, and impossible for my mother to come in here.' The old man did not reply, but raised his hand toward mine, and I took the pale, cold hand and held it in my own.

“The door opened, Melanie came in with the omelette and put it on the table, and the two girls immediately sat down at the table, and began to eat without taking their eyes off me. Then I said: 'Uncle, it would give great pleasure to my mother to embrace you.' 'I also,' he murmured, 'should like——' He said no more, and I could think of nothing to propose to him, and there was silence except for the noise of the plates and that vague sound of eating.

“Now, the abbe, who was listening behind the door, seeing our embarrassment, and thinking we had won the game, thought the time had come to interpose, and showed himself. My uncle was so stupefied at sight of him that at first he remained motionless; and then he opened his mouth as if he meant to swallow up the priest, and shouted to him in a strong, deep, furious voice: 'What are you doing here?'

“The abbe, who was used to difficult situations, came forward into the room, murmuring: 'I have come in your sister's name, Monsieur le Marquis; she has sent me. She would be happy, monsieur—'

“But the marquis was not listening. Raising one hand, he pointed to the door with a proud, tragic gesture, and said angrily and breathing hard: 'Leave this room—go out—robber of souls. Go out from here, you violator of consciences. Go out from here, you pick-lock of dying men's doors!'

“The abbe retreated, and I also went to the door, beating a retreat with the priest; the two young women, who had the best of it, got up, leaving their omelette only half eaten, and went and stood on either side of my uncle's easy-chair, putting their hands on his arms to calm him, and to protect him against the criminal enterprises of the Family, and of Religion.

“The abbe and I rejoined my mother in the kitchen, and Melanie again offered us chairs. 'I knew quite well that this method would not work; we must try some other means, otherwise he will escape us.' And they began deliberating afresh, my mother being of one opinion and the abbe of another, while I held a third.

“We had been discussing the matter in a low voice for half an hour, perhaps, when a great noise of furniture being moved and of cries uttered by my uncle, more vehement and terrible even than the former had been, made us all four jump up.

“Through the doors and walls we could hear him shouting: 'Go out—out —rascals—humbugs, get out, scoundrels—get out—get out!'

“Melanie rushed in, but came back immediately to call me to help her, and I hastened in. Opposite to my uncle, who was terribly excited by anger, almost standing up and vociferating, stood two men, one behind the other, who seemed to be waiting till he should be dead with rage.

“By his ridiculous long coat, his long English shoes, his manners of a tutor out of a position, his high collar, white necktie and straight hair, his humble face of a false priest of a bastard religion, I immediately recognized the first as a Protestant minister.

“The second was the porter of the house, who belonged to the reformed religion and had followed us, and having seen our defeat, had gone to fetch his own pastor, in hopes that he might meet a better reception. My uncle seemed mad with rage! If the sight of the Catholic priest, of the priest of his ancestors, had irritated the Marquis de Fumerol, who had become a freethinker, the sight of his porter's minister made him altogether beside himself. I therefore took the two men by the arm and threw them out of the room so roughly that they bumped against each other twice, between the two doors which led to the staircase; and then I disappeared in my turn and returned to the kitchen, which was our headquarters in order to take counsel with my mother and the abbe.

“But Melanie came back in terror, sobbing out:

“'He is dying—he is dying—come immediately—he is dying.'

“My mother rushed out. My uncle had fallen to the ground, and lay full length along the floor, without moving. I fancy he was already dead. My mother was superb at that moment! She went straight up to the two girls who were kneeling by the body and trying to raise it up, and pointing to the door with irresistible authority, dignity and majesty, she said: 'Now it is time for you to leave the room.'

“And they went out without a word of protest. I must add, that I was getting ready to turn them out as unceremoniously as I had done the parson and the porter.

“Then the Abbe Poivron administered the last sacraments to my uncle with all the customary prayers, and remitted all his sins, while my mother sobbed as she knelt near her brother. Suddenly, however, she exclaimed: 'He recognized me; he pressed my hand; I am sure he recognized me!!!—and that he thanked me! Oh, God, what happiness!'

“Poor mamma! If she had known or guessed for whom those thanks were intended!

“They laid my uncle on his bed; he was certainly dead this time.

“'Madame,' Melanie said, 'we have no sheets to bury him in; all the linen belongs to these two young ladies,' and when I looked at the omelette which they had not finished, I felt inclined to laugh and to cry at the same time. There are some humorous moments and some humorous situations in life, occasionally!

“We gave my uncle a magnificent funeral, with five speeches at the grave. Baron de Croiselles, the senator, showed in admirable terms that God always returns victorious into well-born souls which have temporarily been led into error. All the members of the Royalist and Catholic party followed the funeral procession with the enthusiasm of victors, as they spoke of that beautiful death after a somewhat troublous life.”

Viscount Roger ceased speaking; his audience was laughing. Then somebody said: “Bah! That is the story of all conversions in extremis.”

THE TRIP OF LE HORLA

On the morning of July 8th I received the following telegram: “Fine day. Always my predictions. Belgian frontier. Baggage and servants left at noon at the social session. Beginning of manoeuvres at three. So I will wait for you at the works from five o'clock on. Jovis.”

At five o'clock sharp I entered the gas works of La Villette. It might have been mistaken for the colossal ruins of an old town inhabited by Cyclops. There were immense dark avenues separating heavy gasometers standing one behind another, like monstrous columns, unequally high and, undoubtedly, in the past the supports of some tremendous, some fearful iron edifice.

The balloon was lying in the courtyard and had the appearance of a cake made of yellow cloth, flattened on the ground under a rope. That is called placing a balloon in a sweep-net, and, in fact, it appeared like an enormous fish.

Two or three hundred people were looking at it, sitting or standing, and some were examining the basket, a nice little square basket for a human cargo, bearing on its side in gold letters on a mahogany plate the words: Le Horla.

Suddenly the people began to stand back, for the gas was beginning to enter into the balloon through a long tube of yellow cloth, which lay on the soil, swelling and undulating like an enormous worm. But another thought, another picture occurs to every mind. It is thus that nature itself nourishes beings until their birth. The creature that will rise soon begins to move, and the attendants of Captain Jovis, as Le Horla grew larger, spread and put in place the net which covers it, so that the pressure will be regular and equally distributed at every point.

The operation is very delicate and very important, for the resistance of the cotton cloth of which the balloon is made is figured not in proportion to the contact surface of this cloth with the net, but in proportion to the links of the basket.

Le Horla, moreover, has been designed by M. Mallet, constructed under his own eyes and made by himself. Everything had been made in the shops of M. Jovis by his own working staff and nothing was made outside.

We must add that everything was new in this balloon, from the varnish to the valve, those two essential parts of a balloon. Both must render the cloth gas-proof, as the sides of a ship are waterproof. The old varnishes, made with a base of linseed oil, sometimes fermented and thus burned the cloth, which in a short time would tear like a piece of paper.

The valves were apt to close imperfectly after being opened and when the covering called “cataplasme” was injured. The fall of M. L'Hoste in the open sea during the night proved the imperfection of the old system.

The two discoveries of Captain Jovis, the varnish principally, are of inestimable value in the art of ballooning.

The crowd has begun to talk, and some men, who appear to be specialists, affirm with authority that we shall come down before reaching the fortifications. Several other things have been criticized in this novel type of balloon with which we are about to experiment with so much pleasure and success.

It is growing slowly but surely. Some small holes and scratches made in transit have been discovered, and we cover them and plug them with a little piece of paper applied on the cloth while wet. This method of repairing alarms and mystifies the public.

While Captain Jovis and his assistants are busy with the last details, the travellers go to dine in the canteen of the gas-works, according to the established custom.

When we come out again the balloon is swaying, enormous and transparent, a prodigious golden fruit, a fantastic pear which is still ripening, covered by the last rays of the setting sun. Now the basket is attached, the barometers are brought, the siren, which we will blow to our hearts' content, is also brought, also the two trumpets, the eatables, the overcoats and raincoats, all the small articles that can go with the men in that flying basket.

As the wind pushes the balloon against the gasometers, it is necessary to steady it now and then, to avoid an accident at the start.

Captain Jovis is now ready and calls all the passengers.

Lieutenant Mallet jumps aboard, climbing first on the aerial net between the basket and the balloon, from which he will watch during the night the movements of Le Horla across the skies, as the officer on watch, standing on starboard, watches the course of a ship.

M. Etierine Beer gets in after him, then comes M. Paul Bessand, then M. Patrice Eyries and I get in last.

But the basket is too heavy for the balloon, considering the long trip to be taken, and M. Eyries has to get out, not without great regret.

M. Joliet, standing erect on the edge of the basket, begs the ladies, in very gallant terms, to stand aside a little, for he is afraid he might throw sand on their hats in rising. Then he commands:

“Let it loose,” and, cutting with one stroke of his knife the ropes that hold the balloon to the ground, he gives Le Horla its liberty.

In one second we fly skyward. Nothing can be heard; we float, we rise, we fly, we glide. Our friends shout with glee and applaud, but we hardly hear them, we hardly see them. We are already so far, so high! What? Are we really leaving these people down there? Is it possible? Paris spreads out beneath us, a dark bluish patch, cut by its streets, from which rise, here and there, domes, towers, steeples, then around it the plain, the country, traversed by long roads, thin and white, amidst green fields of a tender or dark green, and woods almost black.

The Seine appears like a coiled snake, asleep, of which we see neither head nor tail; it crosses Paris, and the entire field resembles an immense basin of prairies and forests dotted here and there by mountains, hardly visible in the horizon.

The sun, which we could no longer see down below, now reappears as though it were about to rise again, and our balloon seems to be lighted; it must appear like a star to the people who are looking up. M. Mallet every few seconds throws a cigarette paper intospace and says quietly: “We are rising, always rising,” while Captain Jovis, radiant with joy, rubs his hands together and repeats: “Eh? this varnish? Isn't it good?”

In fact, we can see whether we are rising or sinking only by throwing a cigarette paper out of the basket now and then. If this paper appears to fall down like a stone, it means that the balloon is rising; if it appears to shoot skyward the balloon is descending.

The two barometers mark about five hundred meters, and we gaze with enthusiastic admiration at the earth we are leaving and to which we are not attached in any way; it looks like a colored map, an immense plan of the country. All its noises, however, rise to our ears very distinctly, easily recognizable. We hear the sound of the wheels rolling in the streets, the snap of a whip, the cries of drivers, the rolling and whistling of trains and the laughter of small boys running after one another. Every time we pass over a village the noise of children's voices is heard above the rest and with the greatest distinctness. Some men are calling us; the locomotives whistle; we answer with the siren, which emits plaintive, fearfully shrill wails like the voice of a weird being wandering through the world.

We perceive lights here and there, some isolated fire in the farms, and lines of gas in the towns. We are going toward the northwest, after roaming for some time over the little lake of Enghien. Now we see a river; it is the Oise, and we begin to argue about the exact spot we are passing. Is that town Creil or Pontoise—the one with so many lights? But if we were over Pontoise we could see the junction of the Seine and the Oise; and that enormous fire to the left, isn't it the blast furnaces of Montataire? So then we are above Creil. The view is superb; it is dark on the earth, but we are still in the light, and it is now past ten o'clock. Now we begin to hear slight country noises, the double cry of the quail in particular, then the mewing of cats and the barking of dogs. Surely the dogs have scented the balloon; they have seen it and have given the alarm. We can hear them barking all over the plain and making the identical noise they make when baying at the moon. The cows also seem to wake up in the barns, for we can hear them lowing; all the beasts are scared and moved before the aerial monster that is passing.

The delicious odors of the soil rise toward us, the smell of hay, of flowers, of the moist, verdant earth, perfuming the air-a light air, in fact, so light, so sweet, so delightful that I realize I never was so fortunate as to breathe before. A profound sense of well-being, unknown to me heretofore, pervades me, a well-being of body and spirit, composed of supineness, of infinite rest, of forgetfulness, of indifference to everything and of this novel sensation of traversing space without any of the sensations that make motion unbearable, without noise, without shocks and without fear.

At times we rise and then descend. Every few minutes Lieutenant Mallet, suspended in his cobweb of netting, says to Captain Jovis: “We are descending; throw down half a handful.” And the captain, who is talking and laughing with us, with a bag of ballast between his legs, takes a handful of sand out of the bag and throws it overboard.

Nothing is more amusing, more delicate, more interesting than the manoeuvring of a balloon. It is an enormous toy, free and docile, which obeys with surprising sensitiveness, but it is also, and before all, the slave of the wind, which we cannot control. A pinch of sand, half a sheet of paper, one or two drops of water, the bones of a chicken which we had just eaten, thrown overboard, makes it go up quickly.

A breath of cool, damp air rising from the river or the wood we are traversing makes the balloon descend two hundred metres. It does not vary when passing over fields of ripe grain, and it rises when it passes over towns.

The earth sleeps now, or, rather, men sleep on the earth, for the beasts awakened by the sight of our balloon announce our approach everywhere. Now and then the rolling of a train or the whistling of a locomotive is plainly distinguishable. We sound our siren as we pass over inhabited places; and the peasants, terrified in their beds, must surely tremble and ask themselves if the Angel Gabriel is not passing by.

A strong and continuous odor of gas can be plainly observed. We must have encountered a current of warm air, and the balloon expands, losing its invisible blood by the escape-valve, which is called the appendix, and which closes of itself as soon as the expansion ceases.

We are rising. The earth no longer gives back the echo of our trumpets; we have risen almost two thousand feet. It is not light enough for us to consult the instruments; we only know that the rice paper falls from us like dead butterflies, that we are rising, always rising. We can no longer see the earth; a light mist separates us from it; and above our head twinkles a world of stars.

A silvery light appears before us and makes the sky turn pale, and suddenly, as if it were rising from unknown depths behind the horizon below us rises the moon on the edge of a cloud. It seems to be coming from below, while we are looking down upon it from a great height, leaning on the edge of our basket like an audience on a balcony. Clear and round, it emerges from the clouds and slowly rises in the sky.

The earth no longer seems to exist, it is buried in milky vapors that resemble a sea. We are now alone in space with the moon, which looks like another balloon travelling opposite us; and our balloon, which shines in the air, appears like another, larger moon, a world wandering in the sky amid the stars, through infinity. We no longer speak, think nor live; we float along through space in delicious inertia. The air which is bearing us up has made of us all beings which resemble itself, silent, joyous, irresponsible beings, intoxicated by this stupendous flight, peculiarly alert, although motionless. One is no longer conscious of one's flesh or one's bones; one's heart seems to have ceased beating; we have become something indescribable, birds who do not even have to flap their wings.

All memory has disappeared from our minds, all trouble from our thoughts; we have no more regrets, plans nor hopes. We look, we feel, we wildly enjoy this fantastic journey; nothing in the sky but the moon and ourselves! We are a wandering, travelling world, like our sisters, the planets; and this little world carries five men who have left the earth and who have almost forgotten it. We can now see as plainly as in daylight; we look at each other, surprised at this brightness, for we have nothing to look at but ourselves and a few silvery clouds floating below us. The barometers mark twelve hundred metres, then thirteen, fourteen, fifteen hundred; and the little rice papers still fall about us.

Captain Jovis claims that the moon has often made balloons act thus, and that the upward journey will continue.

We are now at two thousand metres; we go up to two thousand three hundred and fifty; then the balloon stops: We blow the siren and are surprised that no one answers us from the stars.

We are now going down rapidly. M. Mallet keeps crying: “Throw out more ballast! throw out more ballast!” And the sand and stones that we throw over come back into our faces, as if they were going up, thrown from below toward the stars, so rapid is our descent.

Here is the earth! Where are we? It is now past midnight, and we are crossing a broad, dry, well-cultivated country, with many roads and well populated.

To the right is a large city and farther away to the left is another. But suddenly from the earth appears a bright fairy light; it disappears, reappears and once more disappears. Jovis, intoxicated by space, exclaims: “Look, look at this phenomenon of the moon in the water. One can see nothing more beautiful at night!”

Nothing indeed can give one an idea of the wonderful brightness of these spots of light which are not fire, which do not look like reflections, which appear quickly here or there and immediately go out again. These shining lights appear on the winding rivers at every turn, but one hardly has time to see them as the balloon passes as quickly as the wind.

We are now quite near the earth, and Beer exclaims:—“Look at that! What is that running over there in the fields? Isn't it a dog?” Indeed, something is running along the ground with great speed, and this something seems to jump over ditches, roads, trees with such ease that we could not understand what it might be. The captain laughed: “It is the shadow of our balloon. It will grow as we descend.”

I distinctly hear a great noise of foundries in the distance. And, according to the polar star, which we have been observing all night, 'and which I have so often watched and consulted from the bridge of my little yacht on the Mediterranean, we are heading straight for Belgium.

Our siren and our two horns are continually calling. A few cries from some truck driver or belated reveler answer us. We bellow: “Where are we?” But the balloon is going so rapidly that the bewildered man has not even time to answer us. The growing shadow of Le Horla, as large as a child's ball, is fleeing before us over the fields, roads and woods. It goes along steadily, preceding us by about a quarter of a mile; and now I am leaning out of the basket, listening to the roaring of the wind in the trees and across the harvest fields. I say to Captain Jovis: “How the wind blows!”

He answers: “No, those are probably waterfalls.” I insist, sure of my ear that knows the sound of the wind, from hearing it so often whistle through the rigging. Then Jovis nudges me; he fears to frighten his happy, quiet passengers, for he knows full well that a storm is pursuing us.

At last a man manages to understand us; he answers: “Nord!” We get the same reply from another.

Suddenly the lights of a town, which seems to be of considerable size, appear before us. Perhaps it is Lille. As we approach it, such a wonderful flow of fire appears below us that I think myself transported into some fairyland where precious stones are manufactured for giants.

It seems that it is a brick factory. Here are others, two, three. The fusing material bubbles, sparkles, throws out blue, red, yellow, green sparks, reflections from giant diamonds, rubies, emeralds, turquoises, sapphires, topazes. And near by are great foundries roaring like apocalyptic lions; high chimneys belch forth their clouds of smoke and flame, and we can hear the noise of metal striking against metal.

“Where are we?”

The voice of some joker or of a crazy person answers: “In a balloon!”

“Where are we?”

“At Lille!”

We were not mistaken. We are already out of sight of the town, and we see Roubaix to the right, then some well-cultivated, rectangular fields, of different colors according to the crops, some yellow, some gray or brown. But the clouds are gathering behind us, hiding the moon, whereas toward the east the sky is growing lighter, becoming a clear blue tinged with red. It is dawn. It grows rapidly, now showing us all the little details of the earth, the trains, the brooks, the cows, the goats. And all this passes beneath us with surprising speed. One hardly has time to notice that other fields, other meadows, other houses have already disappeared. Cocks are crowing, but the voice of ducks drowns everything. One might think the world to be peopled, covered with them, they make so much noise.

The early rising peasants are waving their arms and crying to us: “Let yourselves drop!” But we go along steadily, neither rising nor falling, leaning over the edge of the basket and watching the world fleeing under our feet.

Jovis sights another city far off in the distance. It approaches; everywhere are old church spires. They are delightful, seen thus from above. Where are we? Is this Courtrai? Is it Ghent?

We are already very near it, and we see that it is surrounded by water and crossed in every direction by canals. One might think it a Venice of the north. Just as we are passing so near to a church tower that our long guy-rope almost touches it, the chimes begin to ring three o'clock. The sweet, clear sounds rise to us from this frail roof which we have almost touched in our wandering course. It is a charming greeting, a friendly welcome from Holland. We answer with our siren, whose raucous voice echoes throughout the streets.

It was Bruges. But we have hardly lost sight of it when my neighbor, Paul Bessand, asks me: “Don't you see something over there, to the right, in front of us? It looks like a river.”

And, indeed, far ahead of us stretches a bright highway, in the light of the dawning day. Yes, it looks like a river, an immense river full of islands.

“Get ready for the descent,” cried the captain. He makes M. Mallet leave his net and return to the basket; then we pack the barometers and everything that could be injured by possible shocks. M. Bessand exclaims: “Look at the masts over there to the left! We are at the sea!”

Fogs had hidden it from us until then. The sea was everywhere, to the left and opposite us, while to our right the Scheldt, which had joined the Moselle, extended as far as the sea, its mouths vaster than a lake.

It was necessary to descend within a minute or two. The rope to the escape-valve, which had been religiously enclosed in a little white bag and placed in sight of all so that no one would touch it, is unrolled, and M. Mallet holds it in his hand while Captain Jovis looks for a favorable landing.

Behind us the thunder was rumbling and not a single bird followed our mad flight.

“Pull!” cried Jovis.

We were passing over a canal. The basket trembled and tipped over slightly. The guy-rope touched the tall trees on both banks. But our speed is so great that the long rope now trailing does not seem to slow down, and we pass with frightful rapidity over a large farm, from which the bewildered chickens, pigeons and ducks fly away, while the cows, cats and dogs run, terrified, toward the house.

Just one-half bag of ballast is left. Jovis throws it overboard, and Le Horla flies lightly across the roof.

The captain once more cries: “The escape-valve!”

M. Mallet reaches for the rope and hangs to it, and we drop like an arrow. With a slash of a knife the cord which retains the anchor is cut, and we drag this grapple behind us, through a field of beets. Here are the trees.

“Take care! Hold fast! Look out for your heads!”

We pass over them. Then a strong shock shakes us. The anchor has taken hold.

“Look out! Take a good hold! Raise yourselves by your wrists. We are going to touch ground.”

The basket does indeed strike the earth. Then it flies up again. Once more it falls and bounds upward again, and at last it settles on the ground, while the balloon struggles madly, like a wounded beast.

Peasants run toward us, but they do not dare approach. They were a long time before they decided to come and deliver us, for one cannot set foot on the ground until the bag is almost completely deflated.

Then, almost at the same time as the bewildered men, some of whom showed their astonishment by jumping, with the wild gestures of savages, all the cows that were grazing along the coast came toward us, surrounding our balloon with a strange and comical circle of horns, big eyes and blowing nostrils.

With the help of the accommodating and hospitable Belgian peasants, we were able in a short time to pack up all our material and carry it to the station at Heyst, where at twenty minutes past eight we took the train for Paris.

The descent occurred at three-fifteen in the morning, preceding by only a few seconds the torrent of rain and the blinding lightning of the storm which had been chasing us before it.

Thanks to Captain Jovis, of whom I had heard much from my colleague, Paul Ginisty—for both of them had fallen together and voluntarily into the sea opposite Mentone—thanks to this brave man, we were able to see, in a single night, from far up in the sky, the setting of the sun, the rising of the moon and the dawn of day and to go from Paris to the mouth of the Scheldt through the skies.

FAREWELL!

The two friends were getting near the end of their dinner. Through the cafe windows they could see the Boulevard, crowded with people. They could feel the gentle breezes which are wafted over Paris on warm summer evenings and make you feel like going out somewhere, you care not where, under the trees, and make you dream of moonlit rivers, of fireflies and of larks.

One of the two, Henri Simon, heaved a deep sigh and said:

“Ah! I am growing old. It's sad. Formerly, on evenings like this, I felt full of life. Now, I only feel regrets. Life is short!”

He was perhaps forty-five years old, very bald and already growing stout.

The other, Pierre Carnier, a trifle older, but thin and lively, answered:

“Well, my boy, I have grown old without noticing it in the least. I have always been merry, healthy, vigorous and all the rest. As one sees oneself in the mirror every day, one does not realize the work of age, for it is slow, regular, and it modifies the countenance so gently that the changes are unnoticeable. It is for this reason alone that we do not die of sorrow after two or three years of excitement. For we cannot understand the alterations which time produces. In order to appreciate them one would have to remain six months without seeing one's own face —then, oh, what a shock!

“And the women, my friend, how I pity the poor beings! All their joy, all their power, all their life, lies in their beauty, which lasts ten years.

“As I said, I aged without noticing it; I thought myself practically a youth, when I was almost fifty years old. Not feeling the slightest infirmity, I went about, happy and peaceful.

“The revelation of my decline came to me in a simple and terrible manner, which overwhelmed me for almost six months—then I became resigned.

“Like all men, I have often been in love, but most especially once.

“I met her at the seashore, at Etretat, about twelve years ago, shortly after the war. There is nothing prettier than this beach during the morning bathing hour. It is small, shaped like a horseshoe, framed by high white cliffs, which are pierced by strange holes called the 'Portes,' one stretching out into the ocean like the leg of a giant, the other short and dumpy. The women gather on the narrow strip of sand in this frame of high rocks, which they make into a gorgeous garden of beautiful gowns. The sun beats down on the shores, on the multicolored parasols, on the blue-green sea; and all is gay, delightful, smiling. You sit down at the edge of the water and you watch the bathers. The women come down, wrapped in long bath robes, which they throw off daintily when they reach the foamy edge of the rippling waves; and they run into the water with a rapid little step, stopping from time to time for a delightful little thrill from the cold water, a short gasp.

“Very few stand the test of the bath. It is there that they can be judged, from the ankle to the throat. Especially on leaving the water are the defects revealed, although water is a powerful aid to flabby skin.

“The first time that I saw this young woman in the water, I was delighted, entranced. She stood the test well. There are faces whose charms appeal to you at first glance and delight you instantly. You seem to have found the woman whom you were born to love. I had that feeling and that shock.

“I was introduced, and was soon smitten worse than I had ever been before. My heart longed for her. It is a terrible yet delightful thing thus to be dominated by a young woman. It is almost torture, and yet infinite delight. Her look, her smile, her hair fluttering in the wind, the little lines of her face, the slightest movement of her features, delighted me, upset me, entranced me. She had captured me, body and soul, by her gestures, her manners, even by her clothes, which seemed to take on a peculiar charm as soon as she wore them. I grew tender at the sight of her veil on some piece of furniture, her gloves thrown on a chair. Her gowns seemed to me inimitable. Nobody had hats like hers.

“She was married, but her husband came only on Saturday, and left on Monday. I didn't cencern myself about him, anyhow. I wasn't jealous of him, I don't know why; never did a creature seem to me to be of less importance in life, to attract my attention less than this man.

“But she! how I loved her! How beautiful, graceful and young she was! She was youth, elegance, freshness itself! Never before had I felt so strongly what a pretty, distinguished, delicate, charming, graceful being woman is. Never before had I appreciated the seductive beauty to be found in the curve of a cheek, the movement of a lip, the pinkness of an ear, the shape of that foolish organ called the nose.

“This lasted three months; then I left for America, overwhelmed with sadness. But her memory remained in me, persistent, triumphant. From far away I was as much hers as I had been when she was near me. Years passed by, and I did not forget her. The charming image of her person was ever before my eyes and in my heart. And my love remained true to her, a quiet tenderness now, something like the beloved memory of the most beautiful and the most enchanting thing I had ever met in my life.

“Twelve years are not much in a lifetime! One does not feel them slip by. The years follow each other gently and quickly, slowly yet rapidly, each one is long and yet so soon over! They add up so rapidly, they leave so few traces behind them, they disappear so completely, that, when one turns round to look back over bygone years, one sees nothing and yet one does not understand how one happens to be so old. It seemed to me, really, that hardly a few months separated me from that charming season on the sands of Etretat.

“Last spring I went to dine with some friends at Maisons-Laffitte.

“Just as the train was leaving, a big, fat lady, escorted by four little girls, got into my car. I hardly looked at this mother hen, very big, very round, with a face as full as the moon framed in an enormous, beribboned hat.

“She was puffing, out of breath from having been forced to walk quickly. The children began to chatter. I unfolded my paper and began to read.

“We had just passed Asnieres, when my neighbor suddenly turned to me and said:

“'Excuse me, sir, but are you not Monsieur Garnier?'

“'Yes, madame.'

“Then she began to laugh, the pleased laugh of a good woman; and yet it was sad.

“'You do not seem to recognize me.'

“I hesitated. It seemed to me that I had seen that face somewhere; but where? when? I answered:

“'Yes—and no. I certainly know you, and yet I cannot recall your name.'

“She blushed a little:

“'Madame Julie Lefevre.'

“Never had I received such a shock. In a second it seemed to me as though it were all over with me! I felt that a veil had been torn from my eyes and that I was going to make a horrible and heartrending discovery.

“So that was she! That big, fat, common woman, she! She had become the mother of these four girls since I had last her. And these little beings surprised me as much as their mother. They were part of her; they were big girls, and already had a place in life. Whereas she no longer counted, she, that marvel of dainty and charming gracefulness. It seemed to me that I had seen her but yesterday, and this is how I found her again! Was it possible? A poignant grief seized my heart; and also a revolt against nature herself, an unreasoning indignation against this brutal, infarious act of destruction.

“I looked at her, bewildered. Then I took her hand in mine, and tears came to my eyes. I wept for her lost youth. For I did not know this fat lady.

“She was also excited, and stammered:

“'I am greatly changed, am I not? What can you expect—everything has its time! You see, I have become a mother, nothing but a good mother. Farewell to the rest, that is over. Oh! I never expected you to recognize me if we met. You, too, have changed. It took me quite a while to be sure that I was not mistaken. Your hair is all white. Just think! Twelve years ago! Twelve years! My oldest girl is already ten.'

“I looked at the child. And I recognized in her something of her mother's old charm, but something as yet unformed, something which promised for the future. And life seemed to me as swift as a passing train.

“We had reached. Maisons-Laffitte. I kissed my old friend's hand. I had found nothing but the most commonplace remarks. I was too much upset to talk.

“At night, alone, at home, I stood in front of the mirror for a long time, a very long time. And I finally remembered what I had been, finally saw in my mind's eye my brown mustache, my black hair and the youthful expression of my face. Now I was old. Farewell!”