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Georgian poetry, 1920-22
Georgian Poetry1920-22 edited by Sir Edward Howard Marsh |
The Poetry Bookshop 35 Devonshire St. Theobalds Rd. London W.C.1 MCMXXII To Alice Meynell |
| Ryton Firs | |
| The Buzzards Honey Harvest Miss Thompson Goes Shopping |
(from The Buzzards) (from The Buzzards) |
| The Poor Man's Pig Almswomen Perch-fishing The Giant Puffball The Child's Grave April Byeway |
(from The Shepherd) (from The Shepherd) (from The Waggoner) (from The Waggoner) (from The Shepherd) (from The Shepherd) |
| The Captive Lion A Bird's Anger The Villain Love's Caution Wasted Hours The Truth |
(from The Song of Life) (from The Song of Life) (from The Song of Life) (from The Song of Life) (from The Hour of Magic) (from The Song of Life) |
| The Moth Sotto Voce Sephina Titmouse Suppose The Corner Stone |
(from The Veil) (from The Veil) (from Flora) (from The Veil) (from Flora) (from The Veil) |
| Persuasion | (from Seeds of Time) |
| I Will Ask The Evening Sky The Caves Moon-Bathers In Those Old Days Caterpillars Change | (from Poems New and Old) (from Poems New and Old) (from Poems New and Old) (from Music) (from Poems New and Old) (from Music) |
| Fire Barbara Fell Philip and Phœbe Ware By the Weir Worlds | (from Neighbours) (from Neighbours) (from Neighbours) (from Neighbours) (from Neighbours) |
| Lost Love Morning Phœnix A Lover Since Childhood Sullen Moods The Pier-Glass The Troll's Nosegay Fox's Dingle The General Elliott The Patchwork Bonnet |
(from The Pier-Glass) (from The Pier-Glass) (from The Pier-Glass) (from The Pier-Glass) (from The Pier-Glass) (from On English Poetry) (from The Pier-Glass) |
|
The Singing Furies Moonstruck Vagrancy Poets, Painters, Puddings |
(from Gipsy-Night) (from Gipsy-Night) (from Gipsy-Night) (from Gipsy-Night) |
| In Memoriam D. O. M. Past and Present The Audit The Apple Tree Her New-Year Posy Counting Sheep The Trees at Night The Dead | |
| Snake | |
| Thistledown Real Property Unknown Country | (from Real Property) (from Real Property) (from Real Property) |
| Night Rhapsody November | (from Aurelia) (from Aurelia) |
| After London On a Friend who died suddenly upon the Seashore Tenebræ When All is Said |
|
| To my Mother in Canada Voices of Women The Somme Valley Burial Stones Snow-Buntings The Kelso Road Baldon Lane Come Girl, and Embrace | (from Poems) (from Poems) (from Poems) (from Poems) (from Poems) (from Poems) (from Poems) |
| Procne A Man to a Sunflower Perception Pursuit | |
| A Saxon Song Mariana in the North Full Moon Sailing Ships Trio Bitterness Evening |
(from Orchard and Vineyard) (from Orchard and Vineyard) (from Orchard and Vineyard) (from Orchard and Vineyard) (from Orchard and Vineyard) (from Orchard and Vineyard) (from Orchard and Vineyard) |
| The Rock Pool The Glade Memory Woman's Song The Wind A Lonely Place | (from The Island of Youth) (from The Island of Youth) (from The Island of Youth) |
| Elegy Meditation in Lamplight Late Snow | (from Poems, 2nd series) (from Poems, 2nd series) (from Poems, 2nd series) |
| Seascape Scirocco The Quails Song at Santa Cruz | |
Prefatory Note
When the fourth volume of this series was published three years ago,
many of the critics who had up till then, as Horace Walpole said of God,
been the dearest creatures in the world to me, took another turn. Not
only did they very properly disapprove my choice of poems: they went on
to write as if the Editor of
Georgian Poetry
were a kind of
public functionary, like the President of the Royal Academy; and they
asked — again, on this assumption, very properly — who was E. M. that he
should bestow and withhold crowns and sceptres, and decide that this or
that poet was or was not to count.
This, in the words of Pirate Smee, was
a kind of a compliment
,
but it was also, to quote the same hero,
galling
; and I have
wished for an opportunity of disowning the pretension which I found
attributed to me of setting up as a pundit, or a pontiff, or a Petronius
Arbiter; for I have neither the sure taste, nor the exhaustive reading,
nor the ample leisure which would be necessary in any such role.
The origin of these books, which is set forth in the memoir of Rupert
Brooke, was simple and humble. I found, ten years ago, that there were a
number of writers doing work which appeared to me extremely good, but
which was narrowly known; and I thought that anyone, however
unprofessional and meagrely gifted, who presented a conspectus of it in
a challenging and manageable form might be doing a good turn both to the
poets and to the reading public. So, I think I may claim, it proved to
be. The first volume seemed to supply a want. It was eagerly bought; the
continuation of the affair was at once taken so much for granted as to
be almost unavoidable; and there has been no break in the demand for the
successive books. If they have won for themselves any position, there is
no possible reason except the pleasure they have given.
Having entered upon a course of disclamation, I should like to make a
mild protest against a further charge that Georgian Poetry has merely
encouraged a small clique of mutually indistinguishable poetasters to
abound in their own and each other's sense or nonsense. It is natural
that the poets of a generation should have points in common; but to my
fond eye those who have graced these collections look as diverse as
sheep to their shepherd, or the members of a Chinese family to their
uncle; and if there is an allegation which I would
deny with both
hands
, it is this: that an insipid sameness is the chief
characteristic of an anthology which offers — to name almost at random
seven only out of forty (oh ominous academic number!) — the work of
Messrs. Abercrombie, Davies, de la Mare, Graves, Lawrence, Nichols and
Squire.
The ideal
Georgian Poetry
— a book which would err neither by
omission nor by inclusion, and would contain the best, and only the best
poems of the best, and only the best poets of the day — could only be
achieved, if at all, by dint of a Royal Commission. The present volume
is nothing of the kind.
I may add one word bearing on my aim in selection. Much admired modern
work seems to me, in its lack of inspiration and its disregard of form,
like gravy imitating lava. Its upholders may retort that much of the
work which I prefer seems to them, in its lack of inspiration and its
comparative finish, like tapioca imitating pearls. Either view — possibly
both — may be right. I will only say that with an occasional exception
for some piece of rebelliousness or even levity which may have taken my
fancy, I have tried to choose no verse but such as in Wordsworth's phrase
The high and tender Muses shall accept
With gracious smile, deliberately pleased.
There are seven new-comers — Messrs. Armstrong, Blunden, Hughes, Kerr,
Prewett and Quennell, and Miss Sackville-West. Thanks and
acknowledgments are due to Messrs. Jonathan Cape, Chatto and Windus, R.
Cobden-Sanderson, Constable, W. Collins, Heinemann, Hodder and
Stoughton, John Lane, Macmillan, Martin Secker, Selwyn and Blount,
Sidgwick and Jackson, and the Golden Cockerel Press; and to the Editors
of
The Chapbook
,
The London Mercury
and
The Westminster
Gazette
.
E. M.
July, 1922
Lascelles Abercrombie
Ryton Firs
The Dream
All round the knoll, on days of quietest air,
Secrets are being told; and if the trees
Speak out — let them make uproar loud as drums —
'Tis secrets still, shouted instead of whisper'd.
There must have been a warning given once:
No tree, on pain of withering and sawfly,
To reach the slimmest of his snaky toes
Into this mounded sward and rumple it;
All trees stand back: taboo is on this soil. —
The trees have always scrupulously obeyed.
The grass, that elsewhere grows as best it may
Under the larches, countable long nesh blades,
Here in clear sky pads the ground thick and close
As wool upon a Southdown wether's back;
And as in Southdown wool, your hand must sink
Up to the wrist before it find the roots.
A bed for summer afternoons, this grass;
But in the Spring, not too softly entangling
For lively feet to dance on, when the green
Flashes with daffodils. From Marcle way,
From Dymock, Kempley, Newent, Bromesberrow,
Redmarley, all the meadowland daffodils seem
Running in golden tides to Ryton Firs,
To make the knot of steep little wooded hills
Their brightest show: O bella età de l'oro!
Now I breathe you again, my woods of Ryton:
Not only golden with your daffodil-fires
Lying in pools on the loose dusky ground
Beneath the larches, tumbling in broad rivers
Down sloping grass under the cherry trees
And birches: but among your branches clinging
A mist of that Ferrara-gold I first
Loved in the easy hours then green with you;
And as I stroll about you now, I have
Accompanying me — like troops of lads and lasses
Chattering and dancing in a shining fortune —
Those mornings when your alleys of long light
And your brown rosin-scented shadows were
Enchanted with the laughter of my boys.
The Voices in the Dream
Follow my heart, my dancing feet,
Dance as blithe as my heart can beat.
Only can dancing understand
What a heavenly way we pass
Treading the green and golden land,
Daffodillies and grass.
I had a song, too, on my road,
But mine was in my eyes;
For Malvern Hills were with me all the way,
Singing loveliest visible melodies
Blue as a south-sea bay;
And ruddy as wine of France
Breadths of new-turn'd ploughland under them glowed.
'Twas my heart then must dance
To dwell in my delight;
No need to sing when all in song my sight
Moved over hills so musically made
And with such colour played. —
And only yesterday it was I saw
Veil'd in streamers of grey wavering smoke
My shapely Malvern Hills.
That was the last hail-storm to trouble spring:
He came in gloomy haste,
Pusht in front of the white clouds quietly basking,
In such a hurry he tript against the hills
And stumbling forward spilt over his shoulders
All his black baggage held,
Streaking downpour of hail.
Then fled dismayed, and the sun in golden glee
And the high white clouds laught down his dusky ghost.
For all that's left of winter
Is moisture in the ground.
When I came down the valley last, the sun
Just thawed the grass and made me gentle turf,
But still the frost was bony underneath.
Now moles take burrowing jaunts abroad, and ply
Their shovelling hands in earth
As nimbly as the strokes
Of a swimmer in a long dive under water.
The meadows in the sun are twice as green
For all the scatter of fresh red mounded earth,
The mischief of the moles:
No dullish red, Glostershire earth new-delved
In April! And I think shows fairest where
These rummaging small rogues have been at work.
If you will look the way the sunlight slants
Making the grass one great green gem of light,
Bright earth, crimson and even
Scarlet, everywhere tracks
The rambling underground affairs of moles:
Though 'tis but kestrel-bay
Looking against the sun.
But here's the happiest light can lie on ground,
Grass sloping under trees
Alive with yellow shine of daffodils!
If quicksilver were gold,
And troubled pools of it shaking in the sun
It were not such a fancy of bickering gleam
As Ryton daffodils when the air but stirs.
And all the miles and miles of meadowland
The spring makes golden ways,
Lead here, for here the gold
Grows brightest for our eyes,
And for our hearts lovelier even than love.
So here, each spring, our daffodil festival.
How smooth and quick the year
Spins me the seasons round!
How many days have slid across my mind
Since we had snow pitying the frozen ground!
Then winter sunshine cheered
The bitter skies; the snow,
Reluctantly obeying lofty winds,
Drew off in shining clouds,
Wishing it still might love
With its white mercy the cold earth beneath.
But when the beautiful ground
Lights upward all the air,
Noon thaws the frozen eaves,
And makes the rime on post and paling steam
Silvery blue smoke in the golden day.
And soon from loaded trees in noiseless woods
The snows slip thudding down,
Scattering in their trail
Bright icy sparkles through the glittering air;
And the fir-branches, patiently bent so long,
Sigh as they lift themselves to rights again.
Then warm moist hours steal in,
Such as can draw the year's
First fragrance from the sap of cherry wood
Or from the leaves of budless violets;
And travellers in lanes
Catch the hot tawny smell
Reynard's damp fur left as he sneakt marauding
Across from gap to gap:
And in the larch woods on the highest boughs
The long-eared owls like grey cats sitting still
Peer down to quiz the passengers below.
Light has killed the winter and all dark dreams.
Now winds live all in light,
Light has come down to earth and blossoms here,
And we have golden minds.
From out the long shade of a road high-bankt,
I came on shelving fields;
And from my feet cascading,
Streaming down the land,
Flickering lavish of daffodils flowed and fell;
Like sunlight on a water thrill'd with haste,
Such clear pale quivering flame,
But a flame even more marvellously yellow.
And all the way to Ryton here I walkt
Ankle-deep in light.
It was as if the world had just begun;
And in a mind new-made
Of shadowless delight
My spirit drank my flashing senses in,
And gloried to be made
Of young mortality.
No darker joy than this
Golden amazement now
Shall dare intrude into our dazzling lives:
Stain were it now to know
Mists of sweet warmth and deep delicious colour,
Those lovable accomplices that come
Befriending languid hours.
Martin Armstrong
The Buzzards
When evening came and the warm glow grew deeper
And every tree that bordered the green meadows
And in the yellow cornfields every reaper
And every corn-shock stood above their shadows
Flung eastward from their feet in longer measure,
Serenely far there swam in the sunny height
A buzzard and his mate who took their pleasure
Swirling and poising idly in golden light.
On great pied motionless moth-wings borne along,
So effortless and so strong,
Cutting each other's paths, together they glided,
Then wheeled asunder till they soared divided
Two valleys' width (as though it were delight
To part like this, being sure they could unite
So swiftly in their empty, free dominion),
Curved headlong downward, towered up the sunny steep,
Then, with a sudden lift of the one great pinion,
Swung proudly to a curve and from its height
Took half a mile of sunlight in one long sweep.
And we, so small on the swift immense hillside,
Stood tranced, until our souls arose uplifted
On those far-sweeping, wide,
Strong curves of flight, — swayed up and hugely drifted,
Were washed, made strong and beautiful in the tide
Of sun-bathed air. But far beneath, beholden
Through shining deeps of air, the fields were golden
And rosy burned the heather where cornfields ended.
And still those buzzards wheeled, while light withdrew
Out of the vales and to surging slopes ascended,
Till the loftiest-flaming summit died to blue.
Honey Harvest
Late in March, when the days are growing longer
And sight of early green
Tells of the coming spring and suns grow stronger,
Round the pale willow-catkins there are seen
The year's first honey-bees
Stealing the nectar: and bee-masters know
This for the first sign of the honey-flow.
Then in the dark hillsides the Cherry-trees
Gleam white with loads of blossom where the gleams
Of piled snow lately hung, and richer streams
The honey. Now, if chilly April days
Delay the Apple-blossom, and the May's
First week come in with sudden summer weather,
The Apple and the Hawthorn bloom together,
And all day long the plundering hordes go round
And every overweighted blossom nods.
But from that gathered essence they compound
Honey more sweet than nectar of the gods.
Those blossoms fall ere June, warm June that brings
The small white Clover. Field by scented field,
Round farms like islands in the rolling weald,
It spreads thick-flowering or in wildness springs
Short-stemmed upon the naked downs, to yield
A richer store of honey than the Rose,
The Pink, the Honeysuckle. Thence there flows
Nectar of clearest amber, redolent
Of every flowery scent
That the warm wind upgathers as he goes.
In mid-July be ready for the noise
Of million bees in old Lime-avenues,
As though hot noon had found a droning voice
To ease her soul. Here for those busy crews
Green leaves and pale-stemmed clusters of green strong flowers
Build heavy-perfumed, cool, green-twilight bowers
Whence, load by load, through the long summer days
They fill their glassy cells
With dark green honey, clear as chrysoprase,
Which housewives shun; but the bee-master tells
This brand is more delicious than all else.
In August-time, if moors are near at hand,
Be wise and in the evening-twilight load
Your hives upon a cart, and take the road
By night: that, ere the early dawn shall spring
And all the hills turn rosy with the Ling,
Each waking hive may stand
Established in its new-appointed land
Without harm taken, and the earliest flights
Set out at once to loot the heathery heights.
That vintage of the Heather yields so dense
And glutinous a syrup that it foils
Him who would spare the comb and drain from thence
Its dark, full-flavoured spoils:
For he must squeeze to wreck the beautiful
Frail edifice. Not otherwise he sacks
Those many-chambered palaces of wax.
Then let a choice of every kind be made,
And, labelled, set upon your storehouse racks —
Of Hawthorn-honey that of almond smacks:
The luscious Lime-tree-honey, green as jade:
Pale Willow-honey, hived by the first rover:
That delicate honey culled
From Apple-blossom, that of sunlight tastes:
And sunlight-coloured honey of the Clover.
Then, when the late year wastes,
When night falls early and the noon is dulled
And the last warm days are over,
Unlock the store and to your table bring
Essence of every blossom of the spring.
And if, when wind has never ceased to blow
All night, you wake to roofs and trees becalmed
In level wastes of snow,
Bring out the Lime-tree-honey, the embalmed
Soul of a lost July, or Heather-spiced
Brown-gleaming comb wherein sleeps crystallised
All the hot perfume of the heathery slope.
And, tasting and remembering, live in hope.
Miss Thompson Goes Shopping
Miss Thompson at Home | In her lone cottage on the downs, With winds and blizzards and great crowns Of shining cloud, with wheeling plover And short grass sweet with the small white clover, Miss Thompson lived, correct and meek, A lonely spinster, and every week On market-day she used to go Into the little town below, Tucked in the great downs' hollow bowl Like pebbles gathered in a shoal. |
She goes a-Marketing | So, having washed her plates and cup And banked the kitchen-fire up, Miss Thompson slipped upstairs and dressed, Put on her black (her second best), The bonnet trimmed with rusty plush, Peeped in the glass with simpering blush, From camphor-smelling cupboard took Her thicker jacket off the hook Because the day might turn to cold. Then, ready, slipped downstairs and rolled The hearthrug back; then searched about, Found her basket, ventured out, Snecked the door and paused to lock it And plunge the key in some deep pocket. Then as she tripped demurely down The steep descent, the little town Spread wider till its sprawling street Enclosed her and her footfalls beat On hard stone pavement, and she felt Those throbbing ecstasies that melt Through heart and mind, as, happy, free, Her small, prim personality Merged into the seething strife Of auction-marts and city life. |
She visits the Boot-maker. | Serenely down the busy stream Miss Thompson floated in a dream. Now, hovering bee-like, she would stop Entranced before some tempting shop, Getting in people's way and prying At things she never thought of buying: Now wafted on without an aim, Until in course of time she came To Watson's bootshop. Long she pries At boots and shoes of every size — Brown football-boots with bar and stud For boys that scuffle in the mud, And dancing-pumps with pointed toes Glossy as jet, and dull black bows; Slim ladies' shoes with two-inch heel And sprinkled beads of gold and steel — 'How anyone can wear such things!' On either side the doorway springs (As in a tropic jungle loom Masses of strange thick-petalled bloom And fruits mis-shapen) fold on fold A growth of sand-shoes rubber-soled, Clambering the door-posts, branching, spawning Their barbarous bunches like an awning Over the windows and the doors. But, framed among the other stores, Something has caught Miss Thompson's eye (O worldliness! O vanity!), A pair of slippers — scarlet plush. Miss Thompson feels a conscious blush Suffuse her face, as though her thought Had ventured further than it ought. But O that colour's rapturous singing And the answer in her lone heart ringing! She turns (O Guardian Angels, stop her From doing anything improper!) She turns; and see, she stoops and bungles In through the sand-shoes' hanging jungles, Away from light and common sense, Into the shop dim-lit and dense With smells of polish and tanned hide. |
Mrs. Watson. | Soon from a dark recess inside Fat Mrs. Watson comes slip-slop To mind the business of the shop. She walks flat-footed with a roll — A serviceable, homely soul, With kindly, ugly face like dough, Hair dull and colourless as tow. A huge Scotch pebble fills the space Between her bosom and her face. One sees her making beds all day. Miss Thompson lets her say her say: 'So chilly for the time of year. It's ages since we saw you here.' Then, heart a-flutter, speech precise, Describes the shoes and asks the price. 'Them, Miss? Ah, them is six-and-nine.' Miss Thompson shudders down the spine (Dream of impossible romance). She eyes them with a wistful glance, Torn between good and evil. Yes, |
Wrestles with a Temptation; | For half-a-minute and no less Miss Thompson strives with seven devils, Then, soaring over earthly levels |
And is Saved. | Turns from the shoes with lingering touch — 'Ah, six-and-nine is far too much. Sorry to trouble you. Good day!' |
She visits the Fish-monger. | A little further down the way Stands Miles's fish-shop, whence is shed So strong a smell of fishes dead That people of a subtler sense Hold their breath and hurry thence. Miss Thompson hovers there and gazes: Her housewife's knowing eye appraises Salt and fresh, severely cons Kippers bright as tarnished bronze: Great cods disposed upon the sill, Chilly and wet, with gaping gill, Flat head, glazed eye, and mute, uncouth, Shapeless, wan, old-woman's mouth. Next a row of soles and plaice With querulous and twisted face, And red-eyed bloaters, golden-grey; Smoked haddocks ranked in neat array; A group of smelts that take the light Like slips of rainbow, pearly bright; Silver trout with rosy spots, And coral shrimps with keen black dots For eyes, and hard and jointed sheath And crisp tails curving underneath. But there upon the sanded floor, More wonderful in all that store Than anything on slab or shelf, Stood Miles, the fishmonger, himself. |
Mr. Miles. | Four-square he stood and filled the place. His huge hands and his jolly face Were red. He had a mouth to quaff Pint after pint: a sounding laugh, But wheezy at the end, and oft His eyes bulged outwards and he coughed. Aproned he stood from chin to toe. The apron's vertical long flow Warped grandly outwards to display His hale, round belly hung midway, Whose apex was securely bound With apron-strings wrapped round and round. Outside, Miss Thompson, small and staid, Felt, as she always felt, afraid Of this huge man who laughed so loud And drew the notice of the crowd. Awhile she paused in timid thought, Then promptly hurried in and bought 'Two kippers, please. Yes, lovely weather.' 'Two kippers? Sixpence altogether:' And in her basket laid the pair Wrapped face to face in newspaper. |
Relapses into Temptation: | Then on she went, as one half blind, For things were stirring in her mind; Then turned about with fixed intent And, heading for the bootshop, went |
And Falls. | Straight in and bought the scarlet slippers And popped them in beside the kippers. |
She visits the Chemist, | So much for that. From there she tacked, Still flushed by this decisive act, Westward, and came without a stop To Mr. Wren the chemist's shop, And stood awhile outside to see The tall, big-bellied bottles three — Red, blue, and emerald, richly bright Each with its burning core of light. The bell chimed as she pushed the door. Spotless the oilcloth on the floor, Limpid as water each glass case, Each thing precisely in its place. Rows of small drawers, black-lettered each With curious words of foreign speech, Ranked high above the other ware. The old strange fragrance filled the air, A fragrance like the garden pink, But tinged with vague medicinal stink Of camphor, soap, new sponges, blent With chloroform and violet scent. |
Mr. Wren. | And Wren the chemist, tall and spare, Stood gaunt behind his counter there. Quiet and very wise he seemed, With skull-like face, bald head that gleamed; Through spectacles his eyes looked kind. He wore a pencil tucked behind His ear. And never he mistakes The wildest signs the doctor makes Prescribing drugs. Brown paper, string, He will not use for any thing, But all in neat white parcels packs And sticks them up with sealing-wax. Miss Thompson bowed and blushed, and then Undoubting bought of Mr. Wren, Being free from modern scepticism, A bottle for her rheumatism; Also some peppermints to take In case of wind; an oval cake Of scented soap; a penny square Of pungent naphthaline to scare The moth. And after Wren had wrapped And sealed the lot, Miss Thompson clapped Them in beside the fish and shoes; 'Good day,' she says, and off she goes. |
Is Led away to the Pleasure of the Town, | Beelike Miss Thompson, whither next? Outside, you pause awhile, perplext, Your bearings lost. Then all comes back |
Such as Groceries and Millinery, | And round she wheels, hot on the track Of Giles the grocer, and from there To Emilie the milliner, There to be tempted by the sight Of hats and blouses fiercely bright. (O guard Miss Thompson, Powers that Be, From Crudeness and Vulgarity.) |
And other Allurements | Still on from shop to shop she goes With sharp bird's-eye, enquiring nose, Prying and peering, entering some, Oblivious of the thought of home. The town brimmed up with deep-blue haze, But still she stayed to flit and gaze, Her eyes ablur with rapturous sights, Her small soul full of small delights, Empty her purse, her basket filled. |
But at length is Convinced of Indiscretion. | The traffic in the town was stilled. The clock struck six. Men thronged the inns. Dear, dear, she should be home long since. |
And Returns Home. | Then as she climbed the misty downs The lamps were lighted in the town's Small streets. She saw them star by star Multiplying from afar; Till, mapped beneath her, she could trace Each street, and the wide square market-place Sunk deeper and deeper as she went Higher up the steep ascent. And all that soul-uplifting stir Step by step fell back from her, The glory gone, the blossoming Shrivelled, and she, a small, frail thing, Carrying her laden basket. Till Darkness and silence of the hill Received her in their restful care And stars came dropping through the air. But loudly, sweetly sang the slippers In the basket with the kippers; And loud and sweet the answering thrills From her lone heart on the hills. |