Name: Principles of literary criticism
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Principles of literary criticism

I.	THE CHAOS OF CRITICAL THEORIES
II.	THE PHANTOM ÆSTHETIC STATE
III.	THE LANGUAGE OF CRITICISM
IV.	COMMUNICATION AND THE ARTIST
V.	THE CRITICS’ CONCERN WITH VALUE
VI.	VALUE AS AN ULTIMATE IDEA
VII.	A PSYCHOLOGICAL THEORY OF VALUE
VIII.	ART AND MORALS
IX.	ACTUAL AND POSSIBLE MISAPPREHENSIONS
X.	POETRY FOR POETRY’S SAKE
XI.	A SKETCH FOR A PSYCHOLOGY
XII.	PLEASURE
XIII.	EMOTION AND THE CŒNESTHESIA
XIV.	MEMORY
XV.	ATTITUDES
XVI.	THE ANALYSIS OF A POEM
XVII.	RHYTHM AND METRE
XVIII.	ON LOOKING AT A PICTURE
XIX.	SCULPTURE AND THE CONSTRUCTION OF FORM
XX.	THE IMPASSE OF MUSICAL THEORY
XXI.	A THEORY OF COMMUNICATION
XXII.	THE AVAILABILITY OF THE POET’S EXPERIENCE
XXIII.	TOLSTOY’S INFECTION THEORY
XXIV.	THE NORMALITY OF THE ARTIST
XXV.	BADNESS IN POETRY
XXVI.	JUDGMENT AND DIVERGENT READINGS
XXVII.	LEVELS OF RESPONSE AND THE WIDTH OF APPEAL
XXVIII.	THE ALLUSIVENESS OF MODERN POETRY
XXIX.	PERMANENCE AS A CRITERION
XXX.	THE DEFINITION OF A POEM
XXXI.	ART, PLAY, AND CIVILISATION
XXXII.	THE IMAGINATION
XXXIII.	TRUTH AND REVELATION THEORIES
XXXIV.	THE TWO USES OF LANGUAGE
XXXV.	POETRY AND BELIEFS
	APPENDIX A ON VALUE
	APPENDIX B ON MR. ELIOT’S POETRY

CONTENTS