And the magician who has wrought this wonderful transformation—the foreign husband who has tamed this once wayward English woman till her own relations hardly know her again—the Count himself? What of the Count?

This in two words: He looks like a man who could tame anything. If he had married a tigress, instead of a woman, he would have tamed the tigress. If he had married me, I should have made his cigarettes, as his wife does—I should have held my tongue when he looked at me, as she holds hers.

I am almost afraid to confess it, even to these secret pages. The man has interested me, has attracted me, has forced me to like him. In two short days he has made his way straight into my favourable estimation, and how he has worked the miracle is more than I can tell.

It absolutely startles me, now he is in my mind, to find how plainly I see him!—how much more plainly than I see Sir Percival, or Mr. Fairlie, or Walter Hartright, or any other absent person of whom I think, with the one exception of Laura herself! I can hear his voice, as if he was speaking at this moment. I know what his conversation was yesterday, as well as if I was hearing it now. How am I to describe him? There are peculiarities in his personal appearance, his habits, and his amusements, which I should blame in the boldest terms, or ridicule in the most merciless manner, if I had seen them in another man. What is it that makes me unable to blame them, or to ridicule them in him?

For example, he is immensely fat. Before this time I have always especially disliked corpulent humanity. I have always maintained that the popular notion of connecting excessive grossness of size and excessive good-humour as inseparable allies was equivalent to declaring, either that no people but amiable people ever get fat, or that the accidental addition of so many pounds of flesh has a directly favourable influence over the disposition of the person on whose body they accumulate. I have invariably combated both these absurd assertions by quoting examples of fat people who were as mean, vicious, and cruel as the leanest and the worst of their neighbours. I have asked whether Henry the Eighth was an amiable character? Whether Pope Alexander the Sixth was a good man? Whether Mr. Murderer and Mrs. Murderess Manning were not both unusually stout people? Whether hired nurses, proverbially as cruel a set of women as are to be found in all England, were not, for the most part, also as fat a set of women as are to be found in all England?—and so on, through dozens of other examples, modern and ancient, native and foreign, high and low. Holding these strong opinions on the subject with might and main as I do at this moment, here, nevertheless, is Count Fosco, as fat as Henry the Eighth himself, established in my favour, at one day’s notice, without let or hindrance from his own odious corpulence. Marvellous indeed!

Is it his face that has recommended him?

It may be his face. He is a most remarkable likeness, on a large scale, of the great Napoleon. His features have Napoleon’s magnificent regularity—his expression recalls the grandly calm, immovable power of the Great Soldier’s face. This striking resemblance certainly impressed me, to begin with; but there is something in him besides the resemblance, which has impressed me more. I think the influence I am now trying to find is in his eyes. They are the most unfathomable grey eyes I ever saw, and they have at times a cold, clear, beautiful, irresistible glitter in them which forces me to look at him, and yet causes me sensations, when I do look, which I would rather not feel. Other parts of his face and head have their strange peculiarities. His complexion, for instance, has a singular sallow-fairness, so much at variance with the dark-brown colour of his hair, that I suspect the hair of being a wig, and his face, closely shaven all over, is smoother and freer from all marks and wrinkles than mine, though (according to Sir Percival’s account of him) he is close on sixty years of age. But these are not the prominent personal characteristics which distinguish him, to my mind, from all the other men I have ever seen. The marked peculiarity which singles him out from the rank and file of humanity lies entirely, so far as I can tell at present, in the extraordinary expression and extraordinary power of his eyes.

His manner and his command of our language may also have assisted him, in some degree, to establish himself in my good opinion. He has that quiet deference, that look of pleased, attentive interest in listening to a woman, and that secret gentleness in his voice in speaking to a woman, which, say what we may, we can none of us resist. Here, too, his unusual command of the English language necessarily helps him. I had often heard of the extraordinary aptitude which many Italians show in mastering our strong, hard, Northern speech; but, until I saw Count Fosco, I had never supposed it possible that any foreigner could have spoken English as he speaks it. There are times when it is almost impossible to detect by his accent that he is not a countryman of our own, and as for fluency, there are very few born Englishmen who can talk with as few stoppages and repetitions as the Count. He may construct his sentences more or less in the foreign way, but I have never yet heard him use a wrong expression, or hesitate for a moment in his choice of a word.

All the smallest characteristics of this strange man have something strikingly original and perplexingly contradictory in them. Fat as he is and old as he is, his movements are astonishingly light and easy. He is as noiseless in a room as any of us women, and more than that, with all his look of unmistakable mental firmness and power, he is as nervously sensitive as the weakest of us. He starts at chance noises as inveterately as Laura herself. He winced and shuddered yesterday, when Sir Percival beat one of the spaniels, so that I felt ashamed of my own want of tenderness and sensibility by comparison with the Count.

The relation of this last incident reminds me of one of his most curious peculiarities, which I have not yet mentioned—his extraordinary fondness for pet animals.

Some of these he has left on the Continent, but he has brought with him to this house a cockatoo, two canary-birds, and a whole family of white mice. He attends to all the necessities of these strange favourites himself, and he has taught the creatures to be surprisingly fond of him and familiar with him. The cockatoo, a most vicious and treacherous bird towards every one else, absolutely seems to love him. When he lets it out of its cage, it hops on to his knee, and claws its way up his great big body, and rubs its top-knot against his sallow double chin in the most caressing manner imaginable. He has only to set the doors of the canaries’ cages open, and to call them, and the pretty little cleverly trained creatures perch fearlessly on his hand, mount his fat outstretched fingers one by one, when he tells them to “go upstairs,” and sing together as if they would burst their throats with delight when they get to the top finger. His white mice live in a little pagoda of gaily-painted wirework, designed and made by himself. They are almost as tame as the canaries, and they are perpetually let out like the canaries. They crawl all over him, popping in and out of his waistcoat, and sitting in couples, white as snow, on his capacious shoulders. He seems to be even fonder of his mice than of his other pets, smiles at them, and kisses them, and calls them by all sorts of endearing names. If it be possible to suppose an Englishman with any taste for such childish interests and amusements as these, that Englishman would certainly feel rather ashamed of them, and would be anxious to apologise for them, in the company of grown-up people. But the Count, apparently, sees nothing ridiculous in the amazing contrast between his colossal self and his frail little pets. He would blandly kiss his white mice and twitter to his canary-birds amid an assembly of English fox-hunters, and would only pity them as barbarians when they were all laughing their loudest at him.

It seems hardly credible while I am writing it down, but it is certainly true, that this same man, who has all the fondness of an old maid for his cockatoo, and all the small dexterities of an organ-boy in managing his white mice, can talk, when anything happens to rouse him, with a daring independence of thought, a knowledge of books in every language, and an experience of society in half the capitals of Europe, which would make him the prominent personage of any assembly in the civilised world. This trainer of canary-birds, this architect of a pagoda for white mice, is (as Sir Percival himself has told me) one of the first experimental chemists living, and has discovered, among other wonderful inventions, a means of petrifying the body after death, so as to preserve it, as hard as marble, to the end of time. This fat, indolent, elderly man, whose nerves are so finely strung that he starts at chance noises, and winces when he sees a house-spaniel get a whipping, went into the stable-yard on the morning after his arrival, and put his hand on the head of a chained bloodhound—a beast so savage that the very groom who feeds him keeps out of his reach. His wife and I were present, and I shall not forget the scene that followed, short as it was.

“Mind that dog, sir,” said the groom; “he flies at everybody!” “He does that, my friend,” replied the Count quietly, “because everybody is afraid of him. Let us see if he flies at me.” And he laid his plump, yellow-white fingers, on which the canary-birds had been perching ten minutes before, upon the formidable brute’s head, and looked him straight in the eyes. “You big dogs are all cowards,” he said, addressing the animal contemptuously, with his face and the dog’s within an inch of each other. “You would kill a poor cat, you infernal coward. You would fly at a starving beggar, you infernal coward. Anything that you can surprise unawares—anything that is afraid of your big body, and your wicked white teeth, and your slobbering, bloodthirsty mouth, is the thing you like to fly at. You could throttle me at this moment, you mean, miserable bully, and you daren’t so much as look me in the face, because I’m not afraid of you. Will you think better of it, and try your teeth in my fat neck? Bah! not you!” He turned away, laughing at the astonishment of the men in the yard, and the dog crept back meekly to his kennel. “Ah! my nice waistcoat!” he said pathetically. “I am sorry I came here. Some of that brute’s slobber has got on my pretty clean waistcoat.” Those words express another of his incomprehensible oddities. He is as fond of fine clothes as the veriest fool in existence, and has appeared in four magnificent waistcoats already—all of light garish colours, and all immensely large even for him—in the two days of his residence at Blackwater Park.

His tact and cleverness in small things are quite as noticeable as the singular inconsistencies in his character, and the childish triviality of his ordinary tastes and pursuits.

I can see already that he means to live on excellent terms with all of us during the period of his sojourn in this place. He has evidently discovered that Laura secretly dislikes him (she confessed as much to me when I pressed her on the subject)—but he has also found out that she is extravagantly fond of flowers. Whenever she wants a nosegay he has got one to give her, gathered and arranged by himself, and greatly to my amusement, he is always cunningly provided with a duplicate, composed of exactly the same flowers, grouped in exactly the same way, to appease his icily jealous wife before she can so much as think herself aggrieved. His management of the Countess (in public) is a sight to see. He bows to her, he habitually addresses her as “my angel,” he carries his canaries to pay her little visits on his fingers and to sing to her, he kisses her hand when she gives him his cigarettes; he presents her with sugar-plums in return, which he puts into her mouth playfully, from a box in his pocket. The rod of iron with which he rules her never appears in company—it is a private rod, and is always kept upstairs.

His method of recommending himself to me is entirely different. He flatters my vanity by talking to me as seriously and sensibly as if I was a man. Yes! I can find him out when I am away from him—I know he flatters my vanity, when I think of him up here in my own room—and yet, when I go downstairs, and get into his company again, he will blind me again, and I shall be flattered again, just as if I had never found him out at all! He can manage me as he manages his wife and Laura, as he managed the bloodhound in the stable-yard, as he manages Sir Percival himself, every hour in the day. “My good Percival! how I like your rough English humour!”—“My good Percival! how I enjoy your solid English sense!” He puts the rudest remarks Sir Percival can make on his effeminate tastes and amusements quietly away from him in that manner—always calling the baronet by his Christian name, smiling at him with the calmest superiority, patting him on the shoulder, and bearing with him benignantly, as a good-humoured father bears with a wayward son.

The interest which I really cannot help feeling in this strangely original man has led me to question Sir Percival about his past life.

Sir Percival either knows little, or will tell me little, about it. He and the Count first met many years ago, at Rome, under the dangerous circumstances to which I have alluded elsewhere. Since that time they have been perpetually together in London, in Paris, and in Vienna—but never in Italy again; the Count having, oddly enough, not crossed the frontiers of his native country for years past. Perhaps he has been made the victim of some political persecution? At all events, he seems to be patriotically anxious not to lose sight of any of his own countrymen who may happen to be in England. On the evening of his arrival he asked how far we were from the nearest town, and whether we knew of any Italian gentlemen who might happen to be settled there. He is certainly in correspondence with people on the Continent, for his letters have all sorts of odd stamps on them, and I saw one for him this morning, waiting in his place at the breakfast-table, with a huge, official-looking seal on it. Perhaps he is in correspondence with his government? And yet, that is hardly to be reconciled either with my other idea that he may be a political exile.

How much I seem to have written about Count Fosco! And what does it all amount to?—as poor, dear Mr. Gilmore would ask, in his impenetrable business-like way I can only repeat that I do assuredly feel, even on this short acquaintance, a strange, half-willing, half-unwilling liking for the Count. He seems to have established over me the same sort of ascendency which he has evidently gained over Sir Percival. Free, and even rude, as he may occasionally be in his manner towards his fat friend, Sir Percival is nevertheless afraid, as I can plainly see, of giving any serious offence to the Count. I wonder whether I am afraid too? I certainly never saw a man, in all my experience, whom I should be so sorry to have for an enemy. Is this because I like him, or because I am afraid of him? Chi sa?—as Count Fosco might say in his own language. Who knows?

June 16th.—Something to chronicle to-day besides my own ideas and impressions. A visitor has arrived—quite unknown to Laura and to me, and apparently quite unexpected by Sir Percival.

We were all at lunch, in the room with the new French windows that open into the verandah, and the Count (who devours pastry as I have never yet seen it devoured by any human beings but girls at boarding-schools) had just amused us by asking gravely for his fourth tart—when the servant entered to announce the visitor.

“Mr. Merriman has just come, Sir Percival, and wishes to see you immediately.”

Sir Percival started, and looked at the man with an expression of angry alarm.

“Mr. Merriman!” he repeated, as if he thought his own ears must have deceived him.

“Yes, Sir Percival—Mr. Merriman, from London.”

“Where is he?”

“In the library, Sir Percival.”

He left the table the instant the last answer was given, and hurried out of the room without saying a word to any of us.

“Who is Mr. Merriman?” asked Laura, appealing to me.

“I have not the least idea,” was all I could say in reply.

The Count had finished his fourth tart, and had gone to a side-table to look after his vicious cockatoo. He turned round to us with the bird perched on his shoulder.

“Mr. Merriman is Sir Percival’s solicitor,” he said quietly.

Sir Percival’s solicitor. It was a perfectly straightforward answer to Laura’s question, and yet, under the circumstances, it was not satisfactory. If Mr. Merriman had been specially sent for by his client, there would have been nothing very wonderful in his leaving town to obey the summons. But when a lawyer travels from London to Hampshire without being sent for, and when his arrival at a gentleman’s house seriously startles the gentleman himself, it may be safely taken for granted that the legal visitor is the bearer of some very important and very unexpected news—news which may be either very good or very bad, but which cannot, in either case, be of the common everyday kind.

Laura and I sat silent at the table for a quarter of an hour or more, wondering uneasily what had happened, and waiting for the chance of Sir Percival’s speedy return. There were no signs of his return, and we rose to leave the room.

The Count, attentive as usual, advanced from the corner in which he had been feeding his cockatoo, with the bird still perched on his shoulder, and opened the door for us. Laura and Madame Fosco went out first. Just as I was on the point of following them he made a sign with his hand, and spoke to me, before I passed him, in the oddest manner.

“Yes,” he said, quietly answering the unexpressed idea at that moment in my mind, as if I had plainly confided it to him in so many words—“yes, Miss Halcombe, something has happened.”

I was on the point of answering, “I never said so,” but the vicious cockatoo ruffled his clipped wings and gave a screech that set all my nerves on edge in an instant, and made me only too glad to get out of the room.

I joined Laura at the foot of the stairs. The thought in her mind was the same as the thought in mine, which Count Fosco had surprised, and when she spoke her words were almost the echo of his. She, too, said to me secretly that she was afraid something had happened.

III

June 16th.—I have a few lines more to add to this day’s entry before I go to bed to-night.

About two hours after Sir Percival rose from the luncheon-table to receive his solicitor, Mr. Merriman, in the library, I left my room alone to take a walk in the plantations. Just as I was at the end of the landing the library door opened and the two gentlemen came out. Thinking it best not to disturb them by appearing on the stairs, I resolved to defer going down till they had crossed the hall. Although they spoke to each other in guarded tones, their words were pronounced with sufficient distinctness of utterance to reach my ears.

“Make your mind easy, Sir Percival,” I heard the lawyer say; “it all rests with Lady Glyde.”

I had turned to go back to my own room for a minute or two, but the sound of Laura’s name on the lips of a stranger stopped me instantly. I daresay it was very wrong and very discreditable to listen, but where is the woman, in the whole range of our sex, who can regulate her actions by the abstract principles of honour, when those principles point one way, and when her affections, and the interests which grow out of them, point the other?

I listened—and under similar circumstances I would listen again—yes! with my ear at the keyhole, if I could not possibly manage it in any other way.

“You quite understand, Sir Percival,” the lawyer went on. “Lady Glyde is to sign her name in the presence of a witness—or of two witnesses, if you wish to be particularly careful—and is then to put her finger on the seal and say, ‘I deliver this as my act and deed.’ If that is done in a week’s time the arrangement will be perfectly successful, and the anxiety will be all over. If not——”

“What do you mean by ‘if not’?” asked Sir Percival angrily. “If the thing must be done it shall be done. I promise you that, Merriman.”

“Just so, Sir Percival—just so; but there are two alternatives in all transactions, and we lawyers like to look both of them in the face boldly. If through any extraordinary circumstance the arrangement should not be made, I think I may be able to get the parties to accept bills at three months. But how the money is to be raised when the bills fall due——”

“Damn the bills! The money is only to be got in one way, and in that way, I tell you again, it shall be got. Take a glass of wine, Merriman, before you go.”

“Much obliged, Sir Percival; I have not a moment to lose if I am to catch the up-train. You will let me know as soon as the arrangement is complete? and you will not forget the caution I recommended——”

“Of course I won’t. There’s the dog-cart at the door for you. My groom will get you to the station in no time. Benjamin, drive like mad! Jump in. If Mr. Merriman misses the train you lose your place. Hold fast, Merriman, and if you are upset trust to the devil to save his own.” With that parting benediction the baronet turned about and walked back to the library.

I had not heard much, but the little that had reached my ears was enough to make me feel uneasy. The “something” that “had happened” was but too plainly a serious money embarrassment, and Sir Percival’s relief from it depended upon Laura. The prospect of seeing her involved in her husband’s secret difficulties filled me with dismay, exaggerated, no doubt, by my ignorance of business and my settled distrust of Sir Percival. Instead of going out, as I proposed, I went back immediately to Laura’s room to tell her what I had heard.

She received my bad news so composedly as to surprise me. She evidently knows more of her husband’s character and her husband’s embarrassments than I have suspected up to this time.

“I feared as much,” she said, “when I heard of that strange gentleman who called, and declined to leave his name.”

“Who do you think the gentleman was, then?” I asked.

“Some person who has heavy claims on Sir Percival,” she answered, “and who has been the cause of Mr. Merriman’s visit here to-day.”

“Do you know anything about those claims?”

“No, I know no particulars.”

“You will sign nothing, Laura, without first looking at it?”

“Certainly not, Marian. Whatever I can harmlessly and honestly do to help him I will do—for the sake of making your life and mine, love, as easy and as happy as possible. But I will do nothing ignorantly, which we might, one day, have reason to feel ashamed of. Let us say no more about it now. You have got your hat on—suppose we go and dream away the afternoon in the grounds?”

On leaving the house we directed our steps to the nearest shade.

As we passed an open space among the trees in front of the house, there was Count Fosco, slowly walking backwards and forwards on the grass, sunning himself in the full blaze of the hot June afternoon. He had a broad straw hat on, with a violet-coloured ribbon round it. A blue blouse, with profuse white fancy-work over the bosom, covered his prodigious body, and was girt about the place where his waist might once have been with a broad scarlet leather belt. Nankeen trousers, displaying more white fancy-work over the ankles, and purple morocco slippers, adorned his lower extremities. He was singing Figaro’s famous song in the Barber of Seville, with that crisply fluent vocalisation which is never heard from any other than an Italian throat, accompanying himself on the concertina, which he played with ecstatic throwings-up of his arms, and graceful twistings and turnings of his head, like a fat St. Cecilia masquerading in male attire. “Figaro qua! Figaro la! Figaro su! Figaro giu!” sang the Count, jauntily tossing up the concertina at arm’s length, and bowing to us, on one side of the instrument, with the airy grace and elegance of Figaro himself at twenty years of age.

“Take my word for it, Laura, that man knows something of Sir Percival’s embarrassments,” I said, as we returned the Count’s salutation from a safe distance.

“What makes you think that?” she asked.

“How should he have known, otherwise, that Mr. Merriman was Sir Percival’s solicitor?” I rejoined. “Besides, when I followed you out of the luncheon-room, he told me, without a single word of inquiry on my part, that something had happened. Depend upon it, he knows more than we do.”

“Don’t ask him any questions if he does. Don’t take him into our confidence!”

“You seem to dislike him, Laura, in a very determined manner. What has he said or done to justify you?”

“Nothing, Marian. On the contrary, he was all kindness and attention on our journey home, and he several times checked Sir Percival’s outbreaks of temper, in the most considerate manner towards me. Perhaps I dislike him because he has so much more power over my husband than I have. Perhaps it hurts my pride to be under any obligations to his interference. All I know is, that I do dislike him.”

The rest of the day and evening passed quietly enough. The Count and I played at chess. For the first two games he politely allowed me to conquer him, and then, when he saw that I had found him out, begged my pardon, and at the third game checkmated me in ten minutes. Sir Percival never once referred, all through the evening, to the lawyer’s visit. But either that event, or something else, had produced a singular alteration for the better in him. He was as polite and agreeable to all of us, as he used to be in the days of his probation at Limmeridge, and he was so amazingly attentive and kind to his wife, that even icy Madame Fosco was roused into looking at him with a grave surprise. What does this mean? I think I can guess—I am afraid Laura can guess—and I am sure Count Fosco knows. I caught Sir Percival looking at him for approval more than once in the course of the evening.

June 17th.—A day of events. I most fervently hope I may not have to add, a day of disasters as well.

Sir Percival was as silent at breakfast as he had been the evening before, on the subject of the mysterious “arrangement” (as the lawyer called it) which is hanging over our heads. An hour afterwards, however, he suddenly entered the morning-room, where his wife and I were waiting, with our hats on, for Madame Fosco to join us, and inquired for the Count.

“We expect to see him here directly,” I said.

“The fact is,” Sir Percival went on, walking nervously about the room, “I want Fosco and his wife in the library, for a mere business formality, and I want you there, Laura, for a minute too.” He stopped, and appeared to notice, for the first time, that we were in our walking costume. “Have you just come in?” he asked, “or were you just going out?”

“We were all thinking of going to the lake this morning,” said Laura. “But if you have any other arrangement to propose——”

“No, no,” he answered hastily. “My arrangement can wait. After lunch will do as well for it as after breakfast. All going to the lake, eh? A good idea. Let’s have an idle morning—I’ll be one of the party.”

There was no mistaking his manner, even if it had been possible to mistake the uncharacteristic readiness which his words expressed, to submit his own plans and projects to the convenience of others. He was evidently relieved at finding any excuse for delaying the business formality in the library, to which his own words had referred. My heart sank within me as I drew the inevitable inference.

The Count and his wife joined us at that moment. The lady had her husband’s embroidered tobacco-pouch, and her store of paper in her hand, for the manufacture of the eternal cigarettes. The gentleman, dressed, as usual, in his blouse and straw hat, carried the gay little pagoda-cage, with his darling white mice in it, and smiled on them, and on us, with a bland amiability which it was impossible to resist.

“With your kind permission,” said the Count, “I will take my small family here—my poor-little-harmless-pretty-Mouseys, out for an airing along with us. There are dogs about the house, and shall I leave my forlorn white children at the mercies of the dogs? Ah, never!”

He chirruped paternally at his small white children through the bars of the pagoda, and we all left the house for the lake.

In the plantation Sir Percival strayed away from us. It seems to be part of his restless disposition always to separate himself from his companions on these occasions, and always to occupy himself when he is alone in cutting new walking-sticks for his own use. The mere act of cutting and lopping at hazard appears to please him. He has filled the house with walking-sticks of his own making, not one of which he ever takes up for a second time. When they have been once used his interest in them is all exhausted, and he thinks of nothing but going on and making more.

At the old boat-house he joined us again. I will put down the conversation that ensued when we were all settled in our places exactly as it passed. It is an important conversation, so far as I am concerned, for it has seriously disposed me to distrust the influence which Count Fosco has exercised over my thoughts and feelings, and to resist it for the future as resolutely as I can.

The boat-house was large enough to hold us all, but Sir Percival remained outside trimming the last new stick with his pocket-axe. We three women found plenty of room on the large seat. Laura took her work, and Madame Fosco began her cigarettes. I, as usual, had nothing to do. My hands always were, and always will be, as awkward as a man’s. The Count good-humouredly took a stool many sizes too small for him, and balanced himself on it with his back against the side of the shed, which creaked and groaned under his weight. He put the pagoda-cage on his lap, and let out the mice to crawl over him as usual. They are pretty, innocent-looking little creatures, but the sight of them creeping about a man’s body is for some reason not pleasant to me. It excites a strange responsive creeping in my own nerves, and suggests hideous ideas of men dying in prison with the crawling creatures of the dungeon preying on them undisturbed.

The morning was windy and cloudy, and the rapid alternations of shadow and sunlight over the waste of the lake made the view look doubly wild, weird, and gloomy.

“Some people call that picturesque,” said Sir Percival, pointing over the wide prospect with his half-finished walking-stick. “I call it a blot on a gentleman’s property. In my great-grandfather’s time the lake flowed to this place. Look at it now! It is not four feet deep anywhere, and it is all puddles and pools. I wish I could afford to drain it, and plant it all over. My bailiff (a superstitious idiot) says he is quite sure the lake has a curse on it, like the Dead Sea. What do you think, Fosco? It looks just the place for a murder, doesn’t it?”

“My good Percival,” remonstrated the Count. “What is your solid English sense thinking of? The water is too shallow to hide the body, and there is sand everywhere to print off the murderer’s footsteps. It is, upon the whole, the very worst place for a murder that I ever set my eyes on.”

“Humbug!” said Sir Percival, cutting away fiercely at his stick. “You know what I mean. The dreary scenery, the lonely situation. If you choose to understand me, you can—if you don’t choose, I am not going to trouble myself to explain my meaning.”

“And why not,” asked the Count, “when your meaning can be explained by anybody in two words? If a fool was going to commit a murder, your lake is the first place he would choose for it. If a wise man was going to commit a murder, your lake is the last place he would choose for it. Is that your meaning? If it is, there is your explanation for you ready made. Take it, Percival, with your good Fosco’s blessing.”

Laura looked at the Count with her dislike for him appearing a little too plainly in her face. He was so busy with his mice that he did not notice her.

“I am sorry to hear the lake-view connected with anything so horrible as the idea of murder,” she said. “And if Count Fosco must divide murderers into classes, I think he has been very unfortunate in his choice of expressions. To describe them as fools only seems like treating them with an indulgence to which they have no claim. And to describe them as wise men sounds to me like a downright contradiction in terms. I have always heard that truly wise men are truly good men, and have a horror of crime.”

“My dear lady,” said the Count, “those are admirable sentiments, and I have seen them stated at the tops of copy-books.” He lifted one of the white mice in the palm of his hand, and spoke to it in his whimsical way. “My pretty little smooth white rascal,” he said, “here is a moral lesson for you. A truly wise mouse is a truly good mouse. Mention that, if you please, to your companions, and never gnaw at the bars of your cage again as long as you live.”

“It is easy to turn everything into ridicule,” said Laura resolutely; “but you will not find it quite so easy, Count Fosco, to give me an instance of a wise man who has been a great criminal.”

The Count shrugged his huge shoulders, and smiled on Laura in the friendliest manner.

“Most true!” he said. “The fool’s crime is the crime that is found out, and the wise man’s crime is the crime that is not found out. If I could give you an instance, it would not be the instance of a wise man. Dear Lady Glyde, your sound English common sense has been too much for me. It is checkmate for me this time, Miss Halcombe—ha?”

“Stand to your guns, Laura,” sneered Sir Percival, who had been listening in his place at the door. “Tell him next, that crimes cause their own detection. There’s another bit of copy-book morality for you, Fosco. Crimes cause their own detection. What infernal humbug!”

“I believe it to be true,” said Laura quietly.

Sir Percival burst out laughing, so violently, so outrageously, that he quite startled us all—the Count more than any of us.

“I believe it too,” I said, coming to Laura’s rescue.

Sir Percival, who had been unaccountably amused at his wife’s remark, was just as unaccountably irritated by mine. He struck the new stick savagely on the sand, and walked away from us.

“Poor dear Percival!” cried Count Fosco, looking after him gaily, “he is the victim of English spleen. But, my dear Miss Halcombe, my dear Lady Glyde, do you really believe that crimes cause their own detection? And you, my angel,” he continued, turning to his wife, who had not uttered a word yet, “do you think so too?”

“I wait to be instructed,” replied the Countess, in tones of freezing reproof, intended for Laura and me, “before I venture on giving my opinion in the presence of well-informed men.”

“Do you, indeed?” I said. “I remember the time, Countess, when you advocated the Rights of Women, and freedom of female opinion was one of them.”

“What is your view of the subject, Count?” asked Madame Fosco, calmly proceeding with her cigarettes, and not taking the least notice of me.

The Count stroked one of his white mice reflectively with his chubby little finger before he answered.

“It is truly wonderful,” he said, “how easily Society can console itself for the worst of its shortcomings with a little bit of clap-trap. The machinery it has set up for the detection of crime is miserably ineffective—and yet only invent a moral epigram, saying that it works well, and you blind everybody to its blunders from that moment. Crimes cause their own detection, do they? And murder will out (another moral epigram), will it? Ask Coroners who sit at inquests in large towns if that is true, Lady Glyde. Ask secretaries of life-assurance companies if that is true, Miss Halcombe. Read your own public journals. In the few cases that get into the newspapers, are there not instances of slain bodies found, and no murderers ever discovered? Multiply the cases that are reported by the cases that are not reported, and the bodies that are found by the bodies that are not found, and what conclusion do you come to? This. That there are foolish criminals who are discovered, and wise criminals who escape. The hiding of a crime, or the detection of a crime, what is it? A trial of skill between the police on one side, and the individual on the other. When the criminal is a brutal, ignorant fool, the police in nine cases out of ten win. When the criminal is a resolute, educated, highly-intelligent man, the police in nine cases out of ten lose. If the police win, you generally hear all about it. If the police lose, you generally hear nothing. And on this tottering foundation you build up your comfortable moral maxim that Crime causes its own detection! Yes—all the crime you know of. And what of the rest?”

“Devilish true, and very well put,” cried a voice at the entrance of the boat-house. Sir Percival had recovered his equanimity, and had come back while we were listening to the Count.

“Some of it may be true,” I said, “and all of it may be very well put. But I don’t see why Count Fosco should celebrate the victory of the criminal over Society with so much exultation, or why you, Sir Percival, should applaud him so loudly for doing it.”

“Do you hear that, Fosco?” asked Sir Percival. “Take my advice, and make your peace with your audience. Tell them virtue’s a fine thing—they like that, I can promise you.”

The Count laughed inwardly and silently, and two of the white mice in his waistcoat, alarmed by the internal convulsion going on beneath them, darted out in a violent hurry, and scrambled into their cage again.

“The ladies, my good Percival, shall tell me about virtue,” he said. “They are better authorities than I am, for they know what virtue is, and I don’t.”

“You hear him?” said Sir Percival. “Isn’t it awful?”

“It is true,” said the Count quietly. “I am a citizen of the world, and I have met, in my time, with so many different sorts of virtue, that I am puzzled, in my old age, to say which is the right sort and which is the wrong. Here, in England, there is one virtue. And there, in China, there is another virtue. And John Englishman says my virtue is the genuine virtue. And John Chinaman says my virtue is the genuine virtue. And I say Yes to one, or No to the other, and am just as much bewildered about it in the case of John with the top-boots as I am in the case of John with the pigtail. Ah, nice little Mousey! come, kiss me. What is your own private notion of a virtuous man, my pret-pret-pretty? A man who keeps you warm, and gives you plenty to eat. And a good notion, too, for it is intelligible, at the least.”

“Stay a minute, Count,” I interposed. “Accepting your illustration, surely we have one unquestionable virtue in England which is wanting in China. The Chinese authorities kill thousands of innocent people on the most frivolous pretexts. We in England are free from all guilt of that kind—we commit no such dreadful crime—we abhor reckless bloodshed with all our hearts.”

“Quite right, Marian,” said Laura. “Well thought of, and well expressed.”

“Pray allow the Count to proceed,” said Madame Fosco, with stern civility. “You will find, young ladies, that he never speaks without having excellent reasons for all that he says.”

“Thank you, my angel,” replied the Count. “Have a bon-bon?” He took out of his pocket a pretty little inlaid box, and placed it open on the table. “Chocolat a la Vanille,” cried the impenetrable man, cheerfully rattling the sweetmeats in the box, and bowing all round. “Offered by Fosco as an act of homage to the charming society.”

“Be good enough to go on, Count,” said his wife, with a spiteful reference to myself. “Oblige me by answering Miss Halcombe.”

“Miss Halcombe is unanswerable,” replied the polite Italian; “that is to say, so far as she goes. Yes! I agree with her. John Bull does abhor the crimes of John Chinaman. He is the quickest old gentleman at finding out faults that are his neighbours’, and the slowest old gentleman at finding out the faults that are his own, who exists on the face of creation. Is he so very much better in this way than the people whom he condemns in their way? English Society, Miss Halcombe, is as often the accomplice as it is the enemy of crime. Yes! yes! Crime is in this country what crime is in other countries—a good friend to a man and to those about him as often as it is an enemy. A great rascal provides for his wife and family. The worse he is the more he makes them the objects for your sympathy. He often provides also for himself. A profligate spendthrift who is always borrowing money will get more from his friends than the rigidly honest man who only borrows of them once, under pressure of the direst want. In the one case the friends will not be at all surprised, and they will give. In the other case they will be very much surprised, and they will hesitate. Is the prison that Mr. Scoundrel lives in at the end of his career a more uncomfortable place than the workhouse that Mr. Honesty lives in at the end of his career? When John-Howard-Philanthropist wants to relieve misery he goes to find it in prisons, where crime is wretched—not in huts and hovels, where virtue is wretched too. Who is the English poet who has won the most universal sympathy—who makes the easiest of all subjects for pathetic writing and pathetic painting? That nice young person who began life with a forgery, and ended it by a suicide—your dear, romantic, interesting Chatterton. Which gets on best, do you think, of two poor starving dressmakers—the woman who resists temptation and is honest, or the woman who falls under temptation and steals? You all know that the stealing is the making of that second woman’s fortune—it advertises her from length to breadth of good-humoured, charitable England—and she is relieved, as the breaker of a commandment, when she would have been left to starve, as the keeper of it. Come here, my jolly little Mouse! Hey! presto! pass! I transform you, for the time being, into a respectable lady. Stop there, in the palm of my great big hand, my dear, and listen. You marry the poor man whom you love, Mouse, and one half your friends pity, and the other half blame you. And now, on the contrary, you sell yourself for gold to a man you don’t care for, and all your friends rejoice over you, and a minister of public worship sanctions the base horror of the vilest of all human bargains, and smiles and smirks afterwards at your table, if you are polite enough to ask him to breakfast. Hey! presto! pass! Be a mouse again, and squeak. If you continue to be a lady much longer, I shall have you telling me that Society abhors crime—and then, Mouse, I shall doubt if your own eyes and ears are really of any use to you. Ah! I am a bad man, Lady Glyde, am I not? I say what other people only think, and when all the rest of the world is in a conspiracy to accept the mask for the true face, mine is the rash hand that tears off the plump pasteboard, and shows the bare bones beneath. I will get up on my big elephant’s legs, before I do myself any more harm in your amiable estimations—I will get up and take a little airy walk of my own. Dear ladies, as your excellent Sheridan said, I go—and leave my character behind me.”

He got up, put the cage on the table, and paused for a moment to count the mice in it. “One, two, three, four——Ha!” he cried, with a look of horror, “where, in the name of Heaven, is the fifth—the youngest, the whitest, the most amiable of all—my Benjamin of mice!”

Neither Laura nor I were in any favorable disposition to be amused. The Count’s glib cynicism had revealed a new aspect of his nature from which we both recoiled. But it was impossible to resist the comical distress of so very large a man at the loss of so very small a mouse. We laughed in spite of ourselves; and when Madame Fosco rose to set the example of leaving the boat-house empty, so that her husband might search it to its remotest corners, we rose also to follow her out.

Before we had taken three steps, the Count’s quick eye discovered the lost mouse under the seat that we had been occupying. He pulled aside the bench, took the little animal up in his hand, and then suddenly stopped, on his knees, looking intently at a particular place on the ground just beneath him.

When he rose to his feet again, his hand shook so that he could hardly put the mouse back in the cage, and his face was of a faint livid yellow hue all over.

“Percival!” he said, in a whisper. “Percival! come here.”

Sir Percival had paid no attention to any of us for the last ten minutes. He had been entirely absorbed in writing figures on the sand, and then rubbing them out again with the point of his stick.

“What’s the matter now?” he asked, lounging carelessly into the boat-house.

“Do you see nothing there?” said the Count, catching him nervously by the collar with one hand, and pointing with the other to the place near which he had found the mouse.

“I see plenty of dry sand,” answered Sir Percival, “and a spot of dirt in the middle of it.”

“Not dirt,” whispered the Count, fastening the other hand suddenly on Sir Percival’s collar, and shaking it in his agitation. “Blood.”

Laura was near enough to hear the last word, softly as he whispered it. She turned to me with a look of terror.

“Nonsense, my dear,” I said. “There is no need to be alarmed. It is only the blood of a poor little stray dog.”

Everybody was astonished, and everybody’s eyes were fixed on me inquiringly.

“How do you know that?” asked Sir Percival, speaking first.

“I found the dog here, dying, on the day when you all returned from abroad,” I replied. “The poor creature had strayed into the plantation, and had been shot by your keeper.”

“Whose dog was it?” inquired Sir Percival. “Not one of mine?”

“Did you try to save the poor thing?” asked Laura earnestly. “Surely you tried to save it, Marian?”

“Yes,” I said, “the housekeeper and I both did our best—but the dog was mortally wounded, and he died under our hands.”

“Whose dog was it?” persisted Sir Percival, repeating his question a little irritably. “One of mine?”

“No, not one of yours.”

“Whose then? Did the housekeeper know?”

The housekeeper’s report of Mrs. Catherick’s desire to conceal her visit to Blackwater Park from Sir Percival’s knowledge recurred to my memory the moment he put that last question, and I half doubted the discretion of answering it; but in my anxiety to quiet the general alarm, I had thoughtlessly advanced too far to draw back, except at the risk of exciting suspicion, which might only make matters worse. There was nothing for it but to answer at once, without reference to results.

“Yes,” I said. “The housekeeper knew. She told me it was Mrs. Catherick’s dog.”

Sir Percival had hitherto remained at the inner end of the boat-house with Count Fosco, while I spoke to him from the door. But the instant Mrs. Catherick’s name passed my lips he pushed by the Count roughly, and placed himself face to face with me under the open daylight.

“How came the housekeeper to know it was Mrs. Catherick’s dog?” he asked, fixing his eyes on mine with a frowning interest and attention, which half angered, half startled me.

“She knew it,” I said quietly, “because Mrs. Catherick brought the dog with her.”

“Brought it with her? Where did she bring it with her?”

“To this house.”

“What the devil did Mrs. Catherick want at this house?”

The manner in which he put the question was even more offensive than the language in which he expressed it. I marked my sense of his want of common politeness by silently turning away from him.

Just as I moved the Count’s persuasive hand was laid on his shoulder, and the Count’s mellifluous voice interposed to quiet him.

“My dear Percival!—gently—gently!”

Sir Percival looked round in his angriest manner. The Count only smiled and repeated the soothing application.

“Gently, my good friend—gently!”

Sir Percival hesitated, followed me a few steps, and, to my great surprise, offered me an apology.

“I beg your pardon, Miss Halcombe,” he said. “I have been out of order lately, and I am afraid I am a little irritable. But I should like to know what Mrs. Catherick could possibly want here. When did she come? Was the housekeeper the only person who saw her?”

“The only person,” I answered, “so far as I know.”

The Count interposed again.

“In that case why not question the housekeeper?” he said. “Why not go, Percival, to the fountain-head of information at once?”

“Quite right!” said Sir Percival. “Of course the housekeeper is the first person to question. Excessively stupid of me not to see it myself.” With those words he instantly left us to return to the house.

The motive of the Count’s interference, which had puzzled me at first, betrayed itself when Sir Percival’s back was turned. He had a host of questions to put to me about Mrs. Catherick, and the cause of her visit to Blackwater Park, which he could scarcely have asked in his friend’s presence. I made my answers as short as I civilly could, for I had already determined to check the least approach to any exchanging of confidences between Count Fosco and myself. Laura, however, unconsciously helped him to extract all my information, by making inquiries herself, which left me no alternative but to reply to her, or to appear in the very unenviable and very false character of a depositary of Sir Percival’s secrets. The end of it was, that, in about ten minutes’ time, the Count knew as much as I know of Mrs. Catherick, and of the events which have so strangely connected us with her daughter, Anne, from the time when Hartright met with her to this day.

The effect of my information on him was, in one respect, curious enough.

Intimately as he knows Sir Percival, and closely as he appears to be associated with Sir Percival’s private affairs in general, he is certainly as far as I am from knowing anything of the true story of Anne Catherick. The unsolved mystery in connection with this unhappy woman is now rendered doubly suspicious, in my eyes, by the absolute conviction which I feel, that the clue to it has been hidden by Sir Percival from the most intimate friend he has in the world. It was impossible to mistake the eager curiosity of the Count’s look and manner while he drank in greedily every word that fell from my lips. There are many kinds of curiosity, I know—but there is no misinterpreting the curiosity of blank surprise: if I ever saw it in my life I saw it in the Count’s face.

While the questions and answers were going on, we had all been strolling quietly back through the plantation. As soon as we reached the house the first object that we saw in front of it was Sir Percival’s dog-cart, with the horse put to and the groom waiting by it in his stable-jacket. If these unexpected appearances were to be trusted, the examination of the house-keeper had produced important results already.

“A fine horse, my friend,” said the Count, addressing the groom with the most engaging familiarity of manner, “You are going to drive out?”

“I am not going, sir,” replied the man, looking at his stable-jacket, and evidently wondering whether the foreign gentleman took it for his livery. “My master drives himself.”

“Aha!” said the Count, “does he indeed? I wonder he gives himself the trouble when he has got you to drive for him. Is he going to fatigue that nice, shining, pretty horse by taking him very far to-day?”

“I don’t know, sir,” answered the man. “The horse is a mare, if you please, sir. She’s the highest-couraged thing we’ve got in the stables. Her name’s Brown Molly, sir, and she’ll go till she drops. Sir Percival usually takes Isaac of York for the short distances.”

“And your shining courageous Brown Molly for the long?”

“Yes, sir.”

“Logical inference, Miss Halcombe,” continued the Count, wheeling round briskly, and addressing me. “Sir Percival is going a long distance to-day.”

I made no reply. I had my own inferences to draw, from what I knew through the housekeeper and from what I saw before me, and I did not choose to share them with Count Fosco.

When Sir Percival was in Cumberland (I thought to myself), he walked away a long distance, on Anne’s account, to question the family at Todd’s Corner. Now he is in Hampshire, is he going to drive away a long distance, on Anne’s account again, to question Mrs. Catherick at Welmingham?

We all entered the house. As we crossed the hall Sir Percival came out from the library to meet us. He looked hurried and pale and anxious—but for all that, he was in his most polite mood when he spoke to us.

“I am sorry to say I am obliged to leave you,” he began—“a long drive—a matter that I can’t very well put off. I shall be back in good time to-morrow—but before I go I should like that little business-formality, which I spoke of this morning, to be settled. Laura, will you come into the library? It won’t take a minute—a mere formality. Countess, may I trouble you also? I want you and the Countess, Fosco, to be witnesses to a signature—nothing more. Come in at once and get it over.”

He held the library door open until they had passed in, followed them, and shut it softly.

I remained, for a moment afterwards, standing alone in the hall, with my heart beating fast and my mind misgiving me sadly. Then I went on to the staircase, and ascended slowly to my own room.

IV

June 17th.—Just as my hand was on the door of my room, I heard Sir Percival’s voice calling to me from below.

“I must beg you to come downstairs again,” he said. “It is Fosco’s fault, Miss Halcombe, not mine. He has started some nonsensical objection to his wife being one of the witnesses, and has obliged me to ask you to join us in the library.”

I entered the room immediately with Sir Percival. Laura was waiting by the writing-table, twisting and turning her garden hat uneasily in her hands. Madame Fosco sat near her, in an arm-chair, imperturbably admiring her husband, who stood by himself at the other end of the library, picking off the dead leaves from the flowers in the window.

The moment I appeared the Count advanced to meet me, and to offer his explanations.

“A thousand pardons, Miss Halcombe,” he said. “You know the character which is given to my countrymen by the English? We Italians are all wily and suspicious by nature, in the estimation of the good John Bull. Set me down, if you please, as being no better than the rest of my race. I am a wily Italian and a suspicious Italian. You have thought so yourself, dear lady, have you not? Well! it is part of my wiliness and part of my suspicion to object to Madame Fosco being a witness to Lady Glyde’s signature, when I am also a witness myself.”

“There is not the shadow of a reason for his objection,” interposed Sir Percival. “I have explained to him that the law of England allows Madame Fosco to witness a signature as well as her husband.”

“I admit it,” resumed the Count. “The law of England says, Yes, but the conscience of Fosco says, No.” He spread out his fat fingers on the bosom of his blouse, and bowed solemnly, as if he wished to introduce his conscience to us all, in the character of an illustrious addition to the society. “What this document which Lady Glyde is about to sign may be,” he continued, “I neither know nor desire to know. I only say this, circumstances may happen in the future which may oblige Percival, or his representatives, to appeal to the two witnesses, in which case it is certainly desirable that those witnesses should represent two opinions which are perfectly independent the one of the other. This cannot be if my wife signs as well as myself, because we have but one opinion between us, and that opinion is mine. I will not have it cast in my teeth, at some future day, that Madame Fosco acted under my coercion, and was, in plain fact, no witness at all. I speak in Percival’s interest, when I propose that my name shall appear (as the nearest friend of the husband), and your name, Miss Halcombe (as the nearest friend of the wife). I am a Jesuit, if you please to think so—a splitter of straws—a man of trifles and crochets and scruples—but you will humour me, I hope, in merciful consideration for my suspicious Italian character, and my uneasy Italian conscience.” He bowed again, stepped back a few paces, and withdrew his conscience from our society as politely as he had introduced it.

The Count’s scruples might have been honourable and reasonable enough, but there was something in his manner of expressing them which increased my unwillingness to be concerned in the business of the signature. No consideration of less importance than my consideration for Laura would have induced me to consent to be a witness at all. One look, however, at her anxious face decided me to risk anything rather than desert her.

“I will readily remain in the room,” I said. “And if I find no reason for starting any small scruples on my side, you may rely on me as a witness.”

Sir Percival looked at me sharply, as if he was about to say something. But at the same moment, Madame Fosco attracted his attention by rising from her chair. She had caught her husband’s eye, and had evidently received her orders to leave the room.

“You needn’t go,” said Sir Percival.

Madame Fosco looked for her orders again, got them again, said she would prefer leaving us to our business, and resolutely walked out. The Count lit a cigarette, went back to the flowers in the window, and puffed little jets of smoke at the leaves, in a state of the deepest anxiety about killing the insects.

Meanwhile Sir Percival unlocked a cupboard beneath one of the book-cases, and produced from it a piece of parchment, folded longwise, many times over. He placed it on the table, opened the last fold only, and kept his hand on the rest. The last fold displayed a strip of blank parchment with little wafers stuck on it at certain places. Every line of the writing was hidden in the part which he still held folded up under his hand. Laura and I looked at each other. Her face was pale, but it showed no indecision and no fear.

Sir Percival dipped a pen in ink, and handed it to his wife. “Sign your name there,” he said, pointing to the place. “You and Fosco are to sign afterwards, Miss Halcombe, opposite those two wafers. Come here, Fosco! witnessing a signature is not to be done by mooning out of window and smoking into the flowers.”

The Count threw away his cigarette, and joined us at the table, with his hands carelessly thrust into the scarlet belt of his blouse, and his eyes steadily fixed on Sir Percival’s face. Laura, who was on the other side of her husband, with the pen in her hand, looked at him too. He stood between them holding the folded parchment down firmly on the table, and glancing across at me, as I sat opposite to him, with such a sinister mixture of suspicion and embarrassment on his face that he looked more like a prisoner at the bar than a gentleman in his own house.

“Sign there,” he repeated, turning suddenly on Laura, and pointing once more to the place on the parchment.

“What is it I am to sign?” she asked quietly.

“I have no time to explain,” he answered. “The dog-cart is at the door, and I must go directly. Besides, if I had time, you wouldn’t understand. It is a purely formal document, full of legal technicalities, and all that sort of thing. Come! come! sign your name, and let us have done as soon as possible.”

“I ought surely to know what I am signing, Sir Percival, before I write my name?”

“Nonsense! What have women to do with business? I tell you again, you can’t understand it.”

“At any rate, let me try to understand it. Whenever Mr. Gilmore had any business for me to do, he always explained it first, and I always understood him.”

“I dare say he did. He was your servant, and was obliged to explain. I am your husband, and am not obliged. How much longer do you mean to keep me here? I tell you again, there is no time for reading anything—the dog-cart is waiting at the door. Once for all, will you sign or will you not?”

She still had the pen in her hand, but she made no approach to signing her name with it.

“If my signature pledges me to anything,” she said, “surely I have some claim to know what that pledge is?”

He lifted up the parchment, and struck it angrily on the table.

“Speak out!” he said. “You were always famous for telling the truth. Never mind Miss Halcombe, never mind Fosco—say, in plain terms, you distrust me.”

The Count took one of his hands out of his belt and laid it on Sir Percival’s shoulder. Sir Percival shook it off irritably. The Count put it on again with unruffled composure.

“Control your unfortunate temper, Percival,” he said, “Lady Glyde is right.”

“Right!” cried Sir Percival. “A wife right in distrusting her husband!”

“It is unjust and cruel to accuse me of distrusting you,” said Laura. “Ask Marian if I am not justified in wanting to know what this writing requires of me before I sign it.”

“I won’t have any appeals made to Miss Halcombe,” retorted Sir Percival. “Miss Halcombe has nothing to do with the matter.”

I had not spoken hitherto, and I would much rather not have spoken now. But the expression of distress in Laura’s face when she turned it towards me, and the insolent injustice of her husband’s conduct, left me no other alternative than to give my opinion, for her sake, as soon as I was asked for it.

“Excuse me, Sir Percival,” I said—“but as one of the witnesses to the signature, I venture to think that I have something to do with the matter. Laura’s objection seems to me a perfectly fair one, and speaking for myself only, I cannot assume the responsibility of witnessing her signature, unless she first understands what the writing is which you wish her to sign.”

“A cool declaration, upon my soul!” cried Sir Percival. “The next time you invite yourself to a man’s house, Miss Halcombe, I recommend you not to repay his hospitality by taking his wife’s side against him in a matter that doesn’t concern you.”

I started to my feet as suddenly as if he had struck me. If I had been a man, I would have knocked him down on the threshold of his own door, and have left his house, never on any earthly consideration to enter it again. But I was only a woman—and I loved his wife so dearly!

Thank God, that faithful love helped me, and I sat down again without saying a word. She knew what I had suffered and what I had suppressed. She ran round to me, with the tears streaming from her eyes. “Oh, Marian!” she whispered softly. “If my mother had been alive, she could have done no more for me!”

“Come back and sign!” cried Sir Percival from the other side of the table.

“Shall I?” she asked in my ear; “I will, if you tell me.”

“No,” I answered. “The right and the truth are with you—sign nothing, unless you have read it first.”

“Come back and sign!” he reiterated, in his loudest and angriest tones.

The Count, who had watched Laura and me with a close and silent attention, interposed for the second time.

“Percival!” he said. “I remember that I am in the presence of ladies. Be good enough, if you please, to remember it too.”