Childe Harold's Pilgrimage
   Thus far have I proceeded in a theme
   Renewed with no kind auspices:—to feel
   We are not what we have been, and to deem
   We are not what we should be, and to steel
   The heart against itself; and to conceal,
   With a proud caution, love or hate, or aught,—
   Passion or feeling, purpose, grief, or zeal,—
   Which is the tyrant spirit of our thought,
Is a stern task of soul:—No matter,—it is taught.

CXII.

   And for these words, thus woven into song,
   It may be that they are a harmless wile,—
   The colouring of the scenes which fleet along,
   Which I would seize, in passing, to beguile
   My breast, or that of others, for a while.
   Fame is the thirst of youth,—but I am not
   So young as to regard men's frown or smile
   As loss or guerdon of a glorious lot;
I stood and stand alone,—remembered or forgot.

CXIII.

   I have not loved the world, nor the world me;
   I have not flattered its rank breath, nor bowed
   To its idolatries a patient knee,—
   Nor coined my cheek to smiles, nor cried aloud
   In worship of an echo; in the crowd
   They could not deem me one of such; I stood
   Among them, but not of them; in a shroud
   Of thoughts which were not their thoughts, and still could,
Had I not filed my mind, which thus itself subdued.

CXIV.

   I have not loved the world, nor the world me,—
   But let us part fair foes; I do believe,
   Though I have found them not, that there may be
   Words which are things,—hopes which will not deceive,
   And virtues which are merciful, nor weave
   Snares for the falling:  I would also deem
   O'er others' griefs that some sincerely grieve;
   That two, or one, are almost what they seem,—
That goodness is no name, and happiness no dream.

CXV.

   My daughter! with thy name this song begun—
   My daughter! with thy name this much shall end—
   I see thee not, I hear thee not,—but none
   Can be so wrapt in thee; thou art the friend
   To whom the shadows of far years extend:
   Albeit my brow thou never shouldst behold,
   My voice shall with thy future visions blend,
   And reach into thy heart, when mine is cold,—
A token and a tone, even from thy father's mould.

CXVI.

   To aid thy mind's development,—to watch
   Thy dawn of little joys,—to sit and see
   Almost thy very growth,—to view thee catch
   Knowledge of objects, wonders yet to thee!
   To hold thee lightly on a gentle knee,
   And print on thy soft cheek a parent's kiss,—
   This, it should seem, was not reserved for me
   Yet this was in my nature:—As it is,
I know not what is there, yet something like to this.

CXVII.

   Yet, though dull Hate as duty should be taught,
   I know that thou wilt love me; though my name
   Should be shut from thee, as a spell still fraught
   With desolation, and a broken claim:
   Though the grave closed between us,—'twere the same,
   I know that thou wilt love me:  though to drain
   MY blood from out thy being were an aim,
   And an attainment,—all would be in vain,—
Still thou wouldst love me, still that more than life retain.

CXVIII.

   The child of love,—though born in bitterness,
   And nurtured in convulsion.  Of thy sire
   These were the elements, and thine no less.
   As yet such are around thee; but thy fire
   Shall be more tempered, and thy hope far higher.
   Sweet be thy cradled slumbers!  O'er the sea,
   And from the mountains where I now respire,
   Fain would I waft such blessing upon thee,
As, with a sigh, I deem thou mightst have been to me!





CANTO THE FOURTH.

I.

   I stood in Venice, on the Bridge of Sighs;
   A palace and a prison on each hand:
   I saw from out the wave her structures rise
   As from the stroke of the enchanter's wand:
   A thousand years their cloudy wings expand
   Around me, and a dying glory smiles
   O'er the far times when many a subject land
   Looked to the winged Lion's marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

   She looks a sea Cybele, fresh from ocean,
   Rising with her tiara of proud towers
   At airy distance, with majestic motion,
   A ruler of the waters and their powers:
   And such she was; her daughters had their dowers
   From spoils of nations, and the exhaustless East
   Poured in her lap all gems in sparkling showers.
   In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

III.

   In Venice, Tasso's echoes are no more,
   And silent rows the songless gondolier;
   Her palaces are crumbling to the shore,
   And music meets not always now the ear:
   Those days are gone—but beauty still is here.
   States fall, arts fade—but Nature doth not die,
   Nor yet forget how Venice once was dear,
   The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.

   But unto us she hath a spell beyond
   Her name in story, and her long array
   Of mighty shadows, whose dim forms despond
   Above the dogeless city's vanished sway;
   Ours is a trophy which will not decay
   With the Rialto; Shylock and the Moor,
   And Pierre, cannot be swept or worn away—
   The keystones of the arch! though all were o'er,
For us repeopled were the solitary shore.

V.

   The beings of the mind are not of clay;
   Essentially immortal, they create
   And multiply in us a brighter ray
   And more beloved existence:  that which Fate
   Prohibits to dull life, in this our state
   Of mortal bondage, by these spirits supplied,
   First exiles, then replaces what we hate;
   Watering the heart whose early flowers have died,
And with a fresher growth replenishing the void.

VI.

   Such is the refuge of our youth and age,
   The first from Hope, the last from Vacancy;
   And this worn feeling peoples many a page,
   And, may be, that which grows beneath mine eye:
   Yet there are things whose strong reality
   Outshines our fairy-land; in shape and hues
   More beautiful than our fantastic sky,
   And the strange constellations which the Muse
O'er her wild universe is skilful to diffuse:

VII.

   I saw or dreamed of such,—but let them go—
   They came like truth, and disappeared like dreams;
   And whatsoe'er they were—are now but so;
   I could replace them if I would:  still teems
   My mind with many a form which aptly seems
   Such as I sought for, and at moments found;
   Let these too go—for waking reason deems
   Such overweening phantasies unsound,
And other voices speak, and other sights surround.

VIII.

   I've taught me other tongues, and in strange eyes
   Have made me not a stranger; to the mind
   Which is itself, no changes bring surprise;
   Nor is it harsh to make, nor hard to find
   A country with—ay, or without mankind;
   Yet was I born where men are proud to be,
   Not without cause; and should I leave behind
   The inviolate island of the sage and free,
And seek me out a home by a remoter sea,

IX.

   Perhaps I loved it well:  and should I lay
   My ashes in a soil which is not mine,
   My spirit shall resume it—if we may
   Unbodied choose a sanctuary.  I twine
   My hopes of being remembered in my line
   With my land's language:  if too fond and far
   These aspirations in their scope incline,—
   If my fame should be, as my fortunes are,
Of hasty growth and blight, and dull Oblivion bar.

X.

   My name from out the temple where the dead
   Are honoured by the nations—let it be—
   And light the laurels on a loftier head!
   And be the Spartan's epitaph on me—
   'Sparta hath many a worthier son than he.'
   Meantime I seek no sympathies, nor need;
   The thorns which I have reaped are of the tree
   I planted,—they have torn me, and I bleed:
I should have known what fruit would spring from such a seed.

XI.

   The spouseless Adriatic mourns her lord;
   And, annual marriage now no more renewed,
   The Bucentaur lies rotting unrestored,
   Neglected garment of her widowhood!
   St. Mark yet sees his lion where he stood
   Stand, but in mockery of his withered power,
   Over the proud place where an Emperor sued,
   And monarchs gazed and envied in the hour
When Venice was a queen with an unequalled dower.

XII.

   The Suabian sued, and now the Austrian reigns—
   An Emperor tramples where an Emperor knelt;
   Kingdoms are shrunk to provinces, and chains
   Clank over sceptred cities; nations melt
   From power's high pinnacle, when they have felt
   The sunshine for a while, and downward go
   Like lauwine loosened from the mountain's belt:
   Oh for one hour of blind old Dandolo!
The octogenarian chief, Byzantium's conquering foe.

XIII.

   Before St. Mark still glow his steeds of brass,
   Their gilded collars glittering in the sun;
   But is not Doria's menace come to pass?
   Are they not BRIDLED?—Venice, lost and won,
   Her thirteen hundred years of freedom done,
   Sinks, like a seaweed, into whence she rose!
   Better be whelmed beneath the waves, and shun,
   Even in Destruction's depth, her foreign foes,
From whom submission wrings an infamous repose.

XIV.

   In youth she was all glory,—a new Tyre,—
   Her very byword sprung from victory,
   The 'Planter of the Lion,' which through fire
   And blood she bore o'er subject earth and sea;
   Though making many slaves, herself still free
   And Europe's bulwark 'gainst the Ottomite:
   Witness Troy's rival, Candia!  Vouch it, ye
   Immortal waves that saw Lepanto's fight!
For ye are names no time nor tyranny can blight.

XV.

   Statues of glass—all shivered—the long file
   Of her dead doges are declined to dust;
   But where they dwelt, the vast and sumptuous pile
   Bespeaks the pageant of their splendid trust;
   Their sceptre broken, and their sword in rust,
   Have yielded to the stranger:  empty halls,
   Thin streets, and foreign aspects, such as must
   Too oft remind her who and what enthrals,
Have flung a desolate cloud o'er Venice' lovely walls.

XVI.

   When Athens' armies fell at Syracuse,
   And fettered thousands bore the yoke of war,
   Redemption rose up in the Attic Muse,
   Her voice their only ransom from afar:
   See! as they chant the tragic hymn, the car
   Of the o'ermastered victor stops, the reins
   Fall from his hands—his idle scimitar
   Starts from its belt—he rends his captive's chains,
And bids him thank the bard for freedom and his strains.

XVII.

   Thus, Venice, if no stronger claim were thine,
   Were all thy proud historic deeds forgot,
   Thy choral memory of the bard divine,
   Thy love of Tasso, should have cut the knot
   Which ties thee to thy tyrants; and thy lot
   Is shameful to the nations,—most of all,
   Albion! to thee:  the Ocean Queen should not
   Abandon Ocean's children; in the fall
Of Venice think of thine, despite thy watery wall.

XVIII.

   I loved her from my boyhood:  she to me
   Was as a fairy city of the heart,
   Rising like water-columns from the sea,
   Of joy the sojourn, and of wealth the mart
   And Otway, Radcliffe, Schiller, Shakspeare's art,
   Had stamped her image in me, and e'en so,
   Although I found her thus, we did not part,
   Perchance e'en dearer in her day of woe,
Than when she was a boast, a marvel, and a show.

XIX.

   I can repeople with the past—and of
   The present there is still for eye and thought,
   And meditation chastened down, enough;
   And more, it may be, than I hoped or sought;
   And of the happiest moments which were wrought
   Within the web of my existence, some
   From thee, fair Venice! have their colours caught:
   There are some feelings Time cannot benumb,
Nor torture shake, or mine would now be cold and dumb.

XX.

   But from their nature will the tannen grow
   Loftiest on loftiest and least sheltered rocks,
   Rooted in barrenness, where nought below
   Of soil supports them 'gainst the Alpine shocks
   Of eddying storms; yet springs the trunk, and mocks
   The howling tempest, till its height and frame
   Are worthy of the mountains from whose blocks
   Of bleak, grey granite, into life it came,
And grew a giant tree;—the mind may grow the same.

XXI.

   Existence may be borne, and the deep root
   Of life and sufferance make its firm abode
   In bare and desolate bosoms:  mute
   The camel labours with the heaviest load,
   And the wolf dies in silence.  Not bestowed
   In vain should such examples be; if they,
   Things of ignoble or of savage mood,
   Endure and shrink not, we of nobler clay
May temper it to bear,—it is but for a day.

XXII.

   All suffering doth destroy, or is destroyed,
   Even by the sufferer; and, in each event,
   Ends:—Some, with hope replenished and rebuoyed,
   Return to whence they came—with like intent,
   And weave their web again; some, bowed and bent,
   Wax grey and ghastly, withering ere their time,
   And perish with the reed on which they leant;
   Some seek devotion, toil, war, good or crime,
According as their souls were formed to sink or climb.

XXIII.

   But ever and anon of griefs subdued
   There comes a token like a scorpion's sting,
   Scarce seen, but with fresh bitterness imbued;
   And slight withal may be the things which bring
   Back on the heart the weight which it would fling
   Aside for ever:  it may be a sound—
   A tone of music—summer's eve—or spring—
   A flower—the wind—the ocean—which shall wound,
Striking the electric chain wherewith we are darkly bound.

XXIV.

   And how and why we know not, nor can trace
   Home to its cloud this lightning of the mind,
   But feel the shock renewed, nor can efface
   The blight and blackening which it leaves behind,
   Which out of things familiar, undesigned,
   When least we deem of such, calls up to view
   The spectres whom no exorcism can bind,—
   The cold—the changed—perchance the dead—anew,
The mourned, the loved, the lost—too many!—yet how few!

XXV.

   But my soul wanders; I demand it back
   To meditate amongst decay, and stand
   A ruin amidst ruins; there to track
   Fall'n states and buried greatness, o'er a land
   Which WAS the mightiest in its old command,
   And IS the loveliest, and must ever be
   The master-mould of Nature's heavenly hand,
   Wherein were cast the heroic and the free,
The beautiful, the brave—the lords of earth and sea.

XXVI.

   The commonwealth of kings, the men of Rome!
   And even since, and now, fair Italy!
   Thou art the garden of the world, the home
   Of all Art yields, and Nature can decree;
   Even in thy desert, what is like to thee?
   Thy very weeds are beautiful, thy waste
   More rich than other climes' fertility;
   Thy wreck a glory, and thy ruin graced
With an immaculate charm which cannot be defaced.

XXVII.

   The moon is up, and yet it is not night—
   Sunset divides the sky with her—a sea
   Of glory streams along the Alpine height
   Of blue Friuli's mountains; Heaven is free
   From clouds, but of all colours seems to be—
   Melted to one vast Iris of the West,
   Where the day joins the past eternity;
   While, on the other hand, meek Dian's crest
Floats through the azure air—an island of the blest!

XXVIII.

   A single star is at her side, and reigns
   With her o'er half the lovely heaven; but still
   Yon sunny sea heaves brightly, and remains
   Rolled o'er the peak of the far Rhaetian hill,
   As Day and Night contending were, until
   Nature reclaimed her order:—gently flows
   The deep-dyed Brenta, where their hues instil
   The odorous purple of a new-born rose,
Which streams upon her stream, and glassed within it glows,

XXIX.

   Filled with the face of heaven, which, from afar,
   Comes down upon the waters; all its hues,
   From the rich sunset to the rising star,
   Their magical variety diffuse:
   And now they change; a paler shadow strews
   Its mantle o'er the mountains; parting day
   Dies like the dolphin, whom each pang imbues
   With a new colour as it gasps away,
The last still loveliest, till—'tis gone—and all is grey.

XXX.

   There is a tomb in Arqua;—reared in air,
   Pillared in their sarcophagus, repose
   The bones of Laura's lover:  here repair
   Many familiar with his well-sung woes,
   The pilgrims of his genius.  He arose
   To raise a language, and his land reclaim
   From the dull yoke of her barbaric foes:
   Watering the tree which bears his lady's name
With his melodious tears, he gave himself to fame.

XXXI.

   They keep his dust in Arqua, where he died;
   The mountain-village where his latter days
   Went down the vale of years; and 'tis their pride—
   An honest pride—and let it be their praise,
   To offer to the passing stranger's gaze
   His mansion and his sepulchre; both plain
   And venerably simple, such as raise
   A feeling more accordant with his strain,
Than if a pyramid formed his monumental fane.

XXXII.

   And the soft quiet hamlet where he dwelt
   Is one of that complexion which seems made
   For those who their mortality have felt,
   And sought a refuge from their hopes decayed
   In the deep umbrage of a green hill's shade,
   Which shows a distant prospect far away
   Of busy cities, now in vain displayed,
   For they can lure no further; and the ray
Of a bright sun can make sufficient holiday.

XXXIII.

   Developing the mountains, leaves, and flowers
   And shining in the brawling brook, where-by,
   Clear as its current, glide the sauntering hours
   With a calm languor, which, though to the eye
   Idlesse it seem, hath its morality,
   If from society we learn to live,
   'Tis solitude should teach us how to die;
   It hath no flatterers; vanity can give
No hollow aid; alone—man with his God must strive:

XXXIV.

   Or, it may be, with demons, who impair
   The strength of better thoughts, and seek their prey
   In melancholy bosoms, such as were
   Of moody texture from their earliest day,
   And loved to dwell in darkness and dismay,
   Deeming themselves predestined to a doom
   Which is not of the pangs that pass away;
   Making the sun like blood, the earth a tomb,
The tomb a hell, and hell itself a murkier gloom.

XXXV.

   Ferrara! in thy wide and grass-grown streets,
   Whose symmetry was not for solitude,
   There seems as 'twere a curse upon the seat's
   Of former sovereigns, and the antique brood
   Of Este, which for many an age made good
   Its strength within thy walls, and was of yore
   Patron or tyrant, as the changing mood
   Of petty power impelled, of those who wore
The wreath which Dante's brow alone had worn before.

XXXVI.

   And Tasso is their glory and their shame.
   Hark to his strain! and then survey his cell!
   And see how dearly earned Torquato's fame,
   And where Alfonso bade his poet dwell.
   The miserable despot could not quell
   The insulted mind he sought to quench, and blend
   With the surrounding maniacs, in the hell
   Where he had plunged it.  Glory without end
Scattered the clouds away—and on that name attend

XXXVII.

   The tears and praises of all time, while thine
   Would rot in its oblivion—in the sink
   Of worthless dust, which from thy boasted line
   Is shaken into nothing; but the link
   Thou formest in his fortunes bids us think
   Of thy poor malice, naming thee with scorn—
   Alfonso! how thy ducal pageants shrink
   From thee! if in another station born,
Scarce fit to be the slave of him thou mad'st to mourn:

XXXVIII.

   THOU! formed to eat, and be despised, and die,
   Even as the beasts that perish, save that thou
   Hadst a more splendid trough, and wider sty:
   HE! with a glory round his furrowed brow,
   Which emanated then, and dazzles now
   In face of all his foes, the Cruscan quire,
   And Boileau, whose rash envy could allow
   No strain which shamed his country's creaking lyre,
That whetstone of the teeth—monotony in wire!

XXXIX.

   Peace to Torquato's injured shade! 'twas his
   In life and death to be the mark where Wrong
   Aimed with their poisoned arrows—but to miss.
   Oh, victor unsurpassed in modern song!
   Each year brings forth its millions; but how long
   The tide of generations shall roll on,
   And not the whole combined and countless throng
   Compose a mind like thine?  Though all in one
Condensed their scattered rays, they would not form a sun.

XL.

   Great as thou art, yet paralleled by those
   Thy countrymen, before thee born to shine,
   The bards of Hell and Chivalry:  first rose
   The Tuscan father's comedy divine;
   Then, not unequal to the Florentine,
   The Southern Scott, the minstrel who called forth
   A new creation with his magic line,
   And, like the Ariosto of the North,
Sang ladye-love and war, romance and knightly worth.

XLI.

   The lightning rent from Ariosto's bust
   The iron crown of laurel's mimicked leaves;
   Nor was the ominous element unjust,
   For the true laurel-wreath which Glory weaves
   Is of the tree no bolt of thunder cleaves,
   And the false semblance but disgraced his brow;
   Yet still, if fondly Superstition grieves,
   Know that the lightning sanctifies below
Whate'er it strikes;—yon head is doubly sacred now.

XLII.

   Italia!  O Italia! thou who hast
   The fatal gift of beauty, which became
   A funeral dower of present woes and past,
   On thy sweet brow is sorrow ploughed by shame,
   And annals graved in characters of flame.
   Oh God! that thou wert in thy nakedness
   Less lovely or more powerful, and couldst claim
   Thy right, and awe the robbers back, who press
To shed thy blood, and drink the tears of thy distress;

XLIII.

   Then mightst thou more appal; or, less desired,
   Be homely and be peaceful, undeplored
   For thy destructive charms; then, still untired,
   Would not be seen the armed torrents poured
   Down the deep Alps; nor would the hostile horde
   Of many-nationed spoilers from the Po
   Quaff blood and water; nor the stranger's sword
   Be thy sad weapon of defence, and so,
Victor or vanquished, thou the slave of friend or foe.

XLIV.

   Wandering in youth, I traced the path of him,
   The Roman friend of Rome's least mortal mind,
   The friend of Tully:  as my bark did skim
   The bright blue waters with a fanning wind,
   Came Megara before me, and behind
   AEgina lay, Piraeus on the right,
   And Corinth on the left; I lay reclined
   Along the prow, and saw all these unite
In ruin, even as he had seen the desolate sight;

XLV.

   For time hath not rebuilt them, but upreared
   Barbaric dwellings on their shattered site,
   Which only make more mourned and more endeared
   The few last rays of their far-scattered light,
   And the crushed relics of their vanished might.
   The Roman saw these tombs in his own age,
   These sepulchres of cities, which excite
   Sad wonder, and his yet surviving page
The moral lesson bears, drawn from such pilgrimage.

XLVI.

   That page is now before me, and on mine
   HIS country's ruin added to the mass
   Of perished states he mourned in their decline,
   And I in desolation:  all that WAS
   Of then destruction IS; and now, alas!
   Rome—Rome imperial, bows her to the storm,
   In the same dust and blackness, and we pass
   The skeleton of her Titanic form,
Wrecks of another world, whose ashes still are warm.

XLVII.

   Yet, Italy! through every other land
   Thy wrongs should ring, and shall, from side to side;
   Mother of Arts! as once of Arms; thy hand
   Was then our Guardian, and is still our guide;
   Parent of our religion! whom the wide
   Nations have knelt to for the keys of heaven!
   Europe, repentant of her parricide,
   Shall yet redeem thee, and, all backward driven,
Roll the barbarian tide, and sue to be forgiven.

XLVIII.

   But Arno wins us to the fair white walls,
   Where the Etrurian Athens claims and keeps
   A softer feeling for her fairy halls.
   Girt by her theatre of hills, she reaps
   Her corn, and wine, and oil, and Plenty leaps
   To laughing life, with her redundant horn.
   Along the banks where smiling Arno sweeps,
   Was modern Luxury of Commerce born,
And buried Learning rose, redeemed to a new morn.

XLIX.

   There, too, the goddess loves in stone, and fills
   The air around with beauty; we inhale
   The ambrosial aspect, which, beheld, instils
   Part of its immortality; the veil
   Of heaven is half undrawn; within the pale
   We stand, and in that form and face behold
   What Mind can make, when Nature's self would fail;
   And to the fond idolaters of old
Envy the innate flash which such a soul could mould:

L.

   We gaze and turn away, and know not where,
   Dazzled and drunk with beauty, till the heart
   Reels with its fulness; there—for ever there—
   Chained to the chariot of triumphal Art,
   We stand as captives, and would not depart.
   Away!—there need no words, nor terms precise,
   The paltry jargon of the marble mart,
   Where Pedantry gulls Folly—we have eyes:
Blood, pulse, and breast, confirm the Dardan Shepherd's prize.

LI.

   Appearedst thou not to Paris in this guise?
   Or to more deeply blest Anchises? or,
   In all thy perfect goddess-ship, when lies
   Before thee thy own vanquished Lord of War?
   And gazing in thy face as toward a star,
   Laid on thy lap, his eyes to thee upturn,
   Feeding on thy sweet cheek! while thy lips are
   With lava kisses melting while they burn,
Showered on his eyelids, brow, and mouth, as from an urn!

LII.

   Glowing, and circumfused in speechless love,
   Their full divinity inadequate
   That feeling to express, or to improve,
   The gods become as mortals, and man's fate
   Has moments like their brightest! but the weight
   Of earth recoils upon us;—let it go!
   We can recall such visions, and create
   From what has been, or might be, things which grow,
Into thy statue's form, and look like gods below.

LIII.

   I leave to learned fingers, and wise hands,
   The artist and his ape, to teach and tell
   How well his connoisseurship understands
   The graceful bend, and the voluptuous swell:
   Let these describe the undescribable:
   I would not their vile breath should crisp the stream
   Wherein that image shall for ever dwell;
   The unruffled mirror of the loveliest dream
That ever left the sky on the deep soul to beam.

LIV.

   In Santa Croce's holy precincts lie
   Ashes which make it holier, dust which is
   E'en in itself an immortality,
   Though there were nothing save the past, and this
   The particle of those sublimities
   Which have relapsed to chaos:—here repose
   Angelo's, Alfieri's bones, and his,
   The starry Galileo, with his woes;
Here Machiavelli's earth returned to whence it rose.

LV.

   These are four minds, which, like the elements,
   Might furnish forth creation:—Italy!
   Time, which hath wronged thee with ten thousand rents
   Of thine imperial garment, shall deny,
   And hath denied, to every other sky,
   Spirits which soar from ruin:—thy decay
   Is still impregnate with divinity,
   Which gilds it with revivifying ray;
Such as the great of yore, Canova is to-day.

LVI.

   But where repose the all Etruscan three—
   Dante, and Petrarch, and, scarce less than they,
   The Bard of Prose, creative spirit! he
   Of the Hundred Tales of love—where did they lay
   Their bones, distinguished from our common clay
   In death as life?  Are they resolved to dust,
   And have their country's marbles nought to say?
   Could not her quarries furnish forth one bust?
Did they not to her breast their filial earth entrust?

LVII.

   Ungrateful Florence! Dante sleeps afar,
   Like Scipio, buried by the upbraiding shore;
   Thy factions, in their worse than civil war,
   Proscribed the bard whose name for evermore
   Their children's children would in vain adore
   With the remorse of ages; and the crown
   Which Petrarch's laureate brow supremely wore,
   Upon a far and foreign soil had grown,
His life, his fame, his grave, though rifled—not thine own.

LVIII.

   Boccaccio to his parent earth bequeathed
   His dust,—and lies it not her great among,
   With many a sweet and solemn requiem breathed
   O'er him who formed the Tuscan's siren tongue?
   That music in itself, whose sounds are song,
   The poetry of speech?  No;—even his tomb
   Uptorn, must bear the hyaena bigots' wrong,
   No more amidst the meaner dead find room,
Nor claim a passing sigh, because it told for WHOM?

LIX.

   And Santa Croce wants their mighty dust;
   Yet for this want more noted, as of yore
   The Caesar's pageant, shorn of Brutus' bust,
   Did but of Rome's best son remind her more:
   Happier Ravenna! on thy hoary shore,
   Fortress of falling empire! honoured sleeps
   The immortal exile;—Arqua, too, her store
   Of tuneful relics proudly claims and keeps,
While Florence vainly begs her banished dead, and weeps.

LX.

   What is her pyramid of precious stones?
   Of porphyry, jasper, agate, and all hues
   Of gem and marble, to encrust the bones
   Of merchant-dukes? the momentary dews
   Which, sparkling to the twilight stars, infuse
   Freshness in the green turf that wraps the dead,
   Whose names are mausoleums of the Muse,
   Are gently prest with far more reverent tread
Than ever paced the slab which paves the princely head.

LXI.

   There be more things to greet the heart and eyes
   In Arno's dome of Art's most princely shrine,
   Where Sculpture with her rainbow sister vies;
   There be more marvels yet—but not for mine;
   For I have been accustomed to entwine
   My thoughts with Nature rather in the fields
   Than Art in galleries:  though a work divine
   Calls for my spirit's homage, yet it yields
Less than it feels, because the weapon which it wields

LXII.

   Is of another temper, and I roam
   By Thrasimene's lake, in the defiles
   Fatal to Roman rashness, more at home;
   For there the Carthaginian's warlike wiles
   Come back before me, as his skill beguiles
   The host between the mountains and the shore,
   Where Courage falls in her despairing files,
   And torrents, swoll'n to rivers with their gore,
Reek through the sultry plain, with legions scattered o'er,

LXIII.

   Like to a forest felled by mountain winds;
   And such the storm of battle on this day,
   And such the frenzy, whose convulsion blinds
   To all save carnage, that, beneath the fray,
   An earthquake reeled unheededly away!
   None felt stern Nature rocking at his feet,
   And yawning forth a grave for those who lay
   Upon their bucklers for a winding-sheet;
Such is the absorbing hate when warring nations meet.

LXIV.

   The Earth to them was as a rolling bark
   Which bore them to Eternity; they saw
   The Ocean round, but had no time to mark
   The motions of their vessel:  Nature's law,
   In them suspended, recked not of the awe
   Which reigns when mountains tremble, and the birds
   Plunge in the clouds for refuge, and withdraw
   From their down-toppling nests; and bellowing herds
Stumble o'er heaving plains, and man's dread hath no words.

LXV.

   Far other scene is Thrasimene now;
   Her lake a sheet of silver, and her plain
   Rent by no ravage save the gentle plough;
   Her aged trees rise thick as once the slain
   Lay where their roots are; but a brook hath ta'en—
   A little rill of scanty stream and bed—
   A name of blood from that day's sanguine rain;
   And Sanguinetto tells ye where the dead
Made the earth wet, and turned the unwilling waters red.

LXVI.

   But thou, Clitumnus! in thy sweetest wave
   Of the most living crystal that was e'er
   The haunt of river nymph, to gaze and lave
   Her limbs where nothing hid them, thou dost rear
   Thy grassy banks whereon the milk-white steer
   Grazes; the purest god of gentle waters!
   And most serene of aspect, and most clear:
   Surely that stream was unprofaned by slaughters,
A mirror and a bath for Beauty's youngest daughters!

LXVII.

   And on thy happy shore a temple still,
   Of small and delicate proportion, keeps,
   Upon a mild declivity of hill,
   Its memory of thee; beneath it sweeps
   Thy current's calmness; oft from out it leaps
   The finny darter with the glittering scales,
   Who dwells and revels in thy glassy deeps;
   While, chance, some scattered water-lily sails
Down where the shallower wave still tells its bubbling tales.

LXVIII.

   Pass not unblest the genius of the place!
   If through the air a zephyr more serene
   Win to the brow, 'tis his; and if ye trace
   Along his margin a more eloquent green,
   If on the heart the freshness of the scene
   Sprinkle its coolness, and from the dry dust
   Of weary life a moment lave it clean
   With Nature's baptism,—'tis to him ye must
Pay orisons for this suspension of disgust.

LXIX.

   The roar of waters!—from the headlong height
   Velino cleaves the wave-worn precipice;
   The fall of waters! rapid as the light
   The flashing mass foams shaking the abyss;
   The hell of waters! where they howl and hiss,
   And boil in endless torture; while the sweat
   Of their great agony, wrung out from this
   Their Phlegethon, curls round the rocks of jet
That gird the gulf around, in pitiless horror set,

LXX.

   And mounts in spray the skies, and thence again
   Returns in an unceasing shower, which round,
   With its unemptied cloud of gentle rain,
   Is an eternal April to the ground,
   Making it all one emerald.  How profound
   The gulf! and how the giant element
   From rock to rock leaps with delirious bound,
   Crushing the cliffs, which, downward worn and rent
With his fierce footsteps, yield in chasms a fearful vent

LXXI.

   To the broad column which rolls on, and shows
   More like the fountain of an infant sea
   Torn from the womb of mountains by the throes
   Of a new world, than only thus to be
   Parent of rivers, which flow gushingly,
   With many windings through the vale:—Look back!
   Lo! where it comes like an eternity,
   As if to sweep down all things in its track,
Charming the eye with dread,—a matchless cataract,

LXXII.

   Horribly beautiful! but on the verge,
   From side to side, beneath the glittering morn,
   An Iris sits, amidst the infernal surge,
   Like Hope upon a deathbed, and, unworn
   Its steady dyes, while all around is torn
   By the distracted waters, bears serene
   Its brilliant hues with all their beams unshorn:
   Resembling, mid the torture of the scene,
Love watching Madness with unalterable mien.

LXXIII.

   Once more upon the woody Apennine,
   The infant Alps, which—had I not before
   Gazed on their mightier parents, where the pine
   Sits on more shaggy summits, and where roar
   The thundering lauwine—might be worshipped more;
   But I have seen the soaring Jungfrau rear
   Her never-trodden snow, and seen the hoar
   Glaciers of bleak Mont Blanc both far and near,
And in Chimari heard the thunder-hills of fear,

LXXIV.

   The Acroceraunian mountains of old name;
   And on Parnassus seen the eagles fly
   Like spirits of the spot, as 'twere for fame,
   For still they soared unutterably high:
   I've looked on Ida with a Trojan's eye;
   Athos, Olympus, AEtna, Atlas, made
   These hills seem things of lesser dignity,
   All, save the lone Soracte's height displayed,
Not NOW in snow, which asks the lyric Roman's aid

LXXV.

   For our remembrance, and from out the plain
   Heaves like a long-swept wave about to break,
   And on the curl hangs pausing:  not in vain
   May he who will his recollections rake,
   And quote in classic raptures, and awake
   The hills with Latian echoes; I abhorred
   Too much, to conquer for the poet's sake,
   The drilled dull lesson, forced down word by word
In my repugnant youth, with pleasure to record

LXXVI.