The manner in which the name is acquired is more important for the organization and recruiting of the clan than for religion; it belongs to the sociology of the family rather than to religious sociology.[238] So we shall confine ourselves to indicating summarily the most essential principles which regulate the matter.

In the different tribes, three different systems are in use.

In a great number, or it might even be said, in the greater number of the societies, the child takes the totem of its mother, by right of birth: this is what happens among the Dieri and the Urabunna of the centre of Southern Australia; the Wotjobaluk and the Gournditch-Mara of Victoria; the Kamilaroi, the Wiradjuri, the Wonghibon and the Euahlayi of New South Wales; and the Wakelbura, the Pitta-Pitta and the Kurnandaburi of Queensland, to mention only the most important names. In this case, owing to a law of exogamy, the mother is necessarily of a different totem from her husband, and on the other hand, as she lives in his community, the members of a single totem are necessarily dispersed in different localities according to the chances of their marriages. As a result, the totemic group lacks a territorial base.

Elsewhere the totem is transmitted in the paternal line. In this case, if the child remains with his father, the local group is largely made up of people belonging to a single totem; only the married women there represent foreign totems. In other words, each locality has its particular totem. Up until recent times, this scheme of organization was found in Australia only among the tribes where totemism was in decadence, such as the Narrinyeri, where the totem has almost no religious character at all any more.[239] It was therefore possible to believe that there was a close connection between the totemic system and descent in the uterine line. But Spencer and Gillen have observed, in the northern part of central Australia, a whole group of tribes where the totemic religion is still practised but where the transmission of the totem is in the paternal line: these are the Warramunga, the Quanji, the Umbia, the Binbinga, the Mara and the Anula.[240]

Finally, a third combination is the one observed among the Arunta and Loritja. Here the totem of the child is not necessarily either that of the mother or that of the father; it is that of a mythical ancestor who came, by processes which the observers recount in different ways,[241] and mysteriously fecundated the mother at the moment of conception. A special process makes it possible to learn which ancestor it was and to which totemic group he belonged.[242] But since it was only chance which determined that this ancestor happened to be near the mother, rather than another, the totem of the child is thus found to depend finally upon fortuitous circumstances.[243]

Outside of and above the totems of clans there are totems of phratries which, though not differing from the former in nature, must none the less be distinguished from them.

A phratry is a group of clans which are united to each other by particular bonds of fraternity. Ordinarily the Australian tribe is divided into two phratries between which the different clans are distributed. Of course there are some tribes where this organization has disappeared, but everything leads us to believe that it was once general. In any case, there are no tribes in Australia where the number of phratries is greater than two.

Now in nearly all the cases where the phratries have a name whose meaning has been established, this name is that of an animal; it would therefore seem that it is a totem. This has been well demonstrated in a recent work by A. Lang.[244] Thus, among the Gournditch (Victoria), the phratries are called Krokitch and Kaputch; the former of the words designates the white cockatoo and the latter the black cockatoo.[245] The same expressions are found again among the Buandik and the Wotjobaluk.[246] Among the Wurunjerri, the names employed are Bunjil and Waang, which designate the eagle-hawk and the crow.[247] The words Mukwara and Kilpara are used for the same purpose in a large number of tribes of New South Wales;[248] they designate the same birds.[249] It is also the eagle-hawk and the crow which have given their names to the two phratries of the Ngarigo and the Wolgal.[250] Among the Kuinmurbura, it is the white cockatoo and the crow.[251] Many other examples might be cited. Thus we are led to regard the phratry as an ancient clan which has been dismembered; the actual clans are the product of this dismemberment, and the solidarity which unites them is a souvenir of their primitive unity.[252] It is true that in certain tribes, the phratries no longer have special names, as it seems; in others where these names exist, their meaning is no longer known, even to the members. But there is nothing surprising in this. The phratries are certainly a primitive institution, for they are everywhere in a state of regression; their descendants the clans have passed to the first rank. So it is but natural that the names which they bore should have been effaced from memory little by little, when they were no longer understood; for they must belong to a very archaic language no longer in use. This is proved by the fact that in many cases where we know the animal whose name the phratry bears, the word designating this animal in the current language is very different from the one employed here.[253]

Between the totem of the phratry and the totems of the clans there exists a sort of relation of subordination. In fact, in principle each clan belongs to one and only one phratry; it is very exceptional that it has representatives in the other phratry. This is not met with at all except among certain central tribes, notably the Arunta;[254] also even where, owing to disturbing influences, overlappings of this sort have taken place, the great part of the clan is included entirely within one or the other of the two groups of the tribe; only a small minority is to be found in the other one.[255] As a rule then, the two phratries do not overlap each other; consequently, the list of totems which an individual may have is predetermined by the phratry to which he belongs. In other words, the phratry is like a species of which the clans are varieties. We shall presently see that this comparison is not purely metaphorical.

In addition to the phratries and clans, another secondary group is frequently met with in Australian societies, which is not without a certain individuality: these are the matrimonial classes.

By this name they designate certain subdivisions of the phratry, whose number varies with the tribe: there are sometimes two and sometimes four per phratry.[256] Their recruiting and operation are regulated by the two following principles. In the first place, each generation in a phratry belongs to different clans from the immediately preceding one. Thus, when there are only two classes per phratry, they necessarily alternate with each other every generation. The children make up the class of which their parents are not members; but grandchildren are of the same class as their grandparents. Thus, among the Kamilaroi, the Kupathin phratry has two classes, Ippai and Kumbo; the Dilby phratry, two others which are called Murri and Kubbi. As descent is in the uterine line, the child is in the phratry of its mother; if she is a Kupathin, the child will be one also. But if she is of the Ippai class, he will be a Kumbo; if the child is a girl, her children will again be in the Ippai class.

Likewise, the children of the women of the Murri class will be in the Kubbi class, and the children of the Kubbi women will be Murri again. When there are four classes per phratry, instead of two, the system is naturally more complex, but the principle is the same. The four classes form two couples of two classes each, and these two classes alternate with each other every generation in the manner just indicated. Secondly, the members of one class can in principle[257] marry into only one of the classes of the other phratry. The Ippai must marry into the Kubbi class and the Murri into the Kumbo class. It is because this organization profoundly affects matrimonial relations that we give the group the name of matrimonial class.

Now it may be asked whether these classes do not sometimes have totems like the phratries and clans.

This question is raised by the fact that in certain tribes of Queensland, each matrimonial class has dietetic restrictions that are peculiar to it. The individuals who compose it must abstain from eating the flesh of certain animals which the others may consume freely.[258] Are these animals not totems?

But dietetic restrictions are not the characteristic marks of totemism. The totem is a name first of all, and then, as we shall see, an emblem. Now in the societies of which we just spoke, there are no matrimonial classes which bear the name of an animal or plant, or which have an emblem.[259] Of course it is possible that these restrictions are indirectly derived from totemism. It might be supposed that the animals which these interdictions protect were once the totems of clans which have since disappeared, while the matrimonial classes remained. It is certain that they have a force of endurance which the clans do not have. Then these interdictions, deprived of their original field, may have spread themselves out over the entire class, since there were no other groups to which they could be attached. But it is clear that if this regulation was born of totemism, it represents only an enfeebled and denatured form of it.[260]

All that has been said of the totem in Australian societies is equally applicable to the Indian tribes of North America. The only difference is that among these latter, the totemic organization has a strictness of outline and a stability which are not found in Australia. The Australian clans are not only very numerous, but in a single tribe their number is almost unlimited. Observers cite some of them as examples, but without ever succeeding in giving us a complete list. This is because the list is never definitely terminated. The same process of dismemberment which broke up the original phratries and give birth to clans properly so-called still continues within these latter; as a result of this progressive crumbling, a clan frequently has only a very small effective force.[261] In America, on the contrary, the totemic system has better defined forms. Although the tribes there are considerably larger on the average, the clans are less numerous. A single tribe rarely has more than a dozen of them,[262] and frequently less; each of them is therefore a much more important group. But above all, their number is fixed; they know their exact number, and they it tell to us.[263]

This difference is due to the superiority of their social economy. From the moment when these tribes were observed for the first time, the social groups were strongly attached to the soil, and consequently better able to resist the decentralizing forces which assailed them. At the same time, the society had too keen a sentiment of its unity to remain unconscious of itself and of the parts out of which it was composed. The example of America thus enables us to explain even better the organization at the base of the clans. We would take a mistaken view, if we judged this only on the present conditions in Australia. In fact, it is in a state of change and dissolution there, which is not at all normal; it is much rather the product of a degeneration which we see, due both to the natural decay of time and the disorganizing effect of the whites. To be sure, it is hardly probable that the Australian clans ever had the dimensions and solid structure of the American ones. But there must have been a time when the distance between them was less considerable than it is to-day, for the American societies would never have succeeded in making so solid a structure if the clans had always been of so fluid and inconsistent a nature.

This greater stability has even enabled the archaic system of phratries to maintain itself in America with a clearness and a relief no longer to be found in Australia. We have just seen that in the latter continent the phratry is everywhere in a state of decadence; very frequently it is nothing more than an anonymous group; when it has a name, this is either no longer understood, or in any case, it cannot mean a great deal to the native, since it is borrowed from a foreign language, or from one no longer spoken. Thus we have been able to infer the existence of totems for phratries only from a few survivals, which, for the most part, are so slightly marked that they have escaped the attention of many observers. In certain parts of America, on the contrary, this institution has retained its primitive importance. The tribes of the North-west coast, the Tlinkit and the Haida especially, have now attained a relatively advanced civilization; yet they are divided into two phratries which are subdivided into a certain number of clans: the phratries of the Crow and the Wolf among the Tlinkit,[264] of the Eagle and the Crow among the Haida.[265] And this division is not merely nominal; it corresponds to an ever-existing state of tribal customs and is deeply marked with the tribal life. The moral distance separating the clans is very slight in comparison with that separating the phratries.[266] The name of each is not a word whose sense is forgotten or only vaguely known; it is a totem in the full sense of the term; they have all its essential attributes, such as will be described below.[267] Consequently, upon this point also, American tribes must not be neglected, for we can study the totems of phratries directly there, while Australia offers only obscure vestiges of them.

II

But the totem is not merely a name; it is an emblem, a veritable coat-of-arms whose analogies with the arms of heraldry have often been remarked. In speaking of the Australians, Grey says, "each family adopt an animal or vegetable as their crest and sign,"[268] and what Grey calls a family is incontestably a clan. Also Fison and Howitt say, "the Australian divisions show that the totem is, in the first place, the badge of a group."[269] Schoolcraft says the same thing about the totems of the Indians of North America. "The totem is in fact a design which corresponds to the heraldic emblems of civilized nations, and each person is authorized to bear it as a proof of the identity of the family to which it belongs. This is proved by the real etymology of the word, which is derived from dodaim, which means village or the residence of a family group."[270] Thus when the Indians entered into relations with the Europeans and contracts were formed between them, it was with its totem that each clan sealed the treaties thus concluded.[271]

The nobles of the feudal period carved, engraved and designed in every way their coats-of-arms upon the walls of their castles, their arms, and every sort of object that belonged to them; the blacks of Australia and the Indians of North America do the same thing with their totems. The Indians who accompanied Samuel Hearne painted their totems on their shields before going into battle.[272] According to Charlevoix, in time of war, certain tribes of Indians had veritable ensigns, made of bits of bark fastened to the end of a pole, upon which the totems were represented.[273] Among the Tlinkit, when a conflict breaks out between two clans, the champions of the two hostile groups wear helmets over their heads, upon which are painted their respective totems.[274] Among the Iroquois, they put the skin of the animal which serves as totem upon each wigwam, as a mark of the clan.[275] According to another observer, the animal was stuffed and set up before the door.[276] Among the Wyandot, each clan has its own ornaments and its distinctive paintings.[277] Among the Omaha, and among the Sioux generally, the totem is painted on the tent.[278]

Wherever the society has become sedentary, where the tent is replaced by the house, and where the plastic arts are more fully developed, the totem is engraved upon the woodwork and upon the walls. This is what happens, for example, among the Haida, the Tsimshian, the Salish and the Tlinkit. "A very particular ornament of the house, among the Tlinkit," says Krause, "is the totemic coat-of-arms." Animal forms, sometimes combined with human forms, are engraved upon the posts at the sides of the door of entry, which are as high as 15 yards; they are generally painted with very bright colours.[279] However, these totemic decorations are not very numerous in the Tlinkit village; they are found almost solely before the houses of the chiefs and rich men. They are much more frequent in the neighbouring tribe of the Haida; here there are always several for each house.[280] With its many sculptured posts arising on every hand, sometimes to a great height, a Haida village gives the impression of a sacred city, all bristling with belfries or little minarets.[281] Among the Salish, the totem is frequently represented upon the interior walls of the house.[282] Elsewhere, it is found upon the canoes, the utensils of every sort and the funeral piles.[283]

The preceding examples are taken exclusively from the Indians of North America. This is because sculpture, engravings and permanent figurations are not possible except where the technique of the plastic arts has reached a degree of perfection to which the Australian tribes have not yet attained. Consequently the totemic representations of the sort which we just mentioned are rarer and less apparent in Australia than in America. However, cases of them are cited. Among the Warramunga, at the end of the burial ceremonies, the bones of the dead man are interred, after they have been dried and reduced to powder; beside the place where they are deposited, a figure representing the totem is traced upon the ground.[284] Among the Mara and the Anula, the body is placed in a piece of hollow wood decorated with designs characteristic of the totem.[285] In New South Wales, Oxley found engravings upon the trees near the tomb where a native was buried[286] to which Brough Smyth attributes a totemic character. The natives of the Upper Darling carve totemic images upon their shields.[287] According to Collins, nearly all the utensils are covered with ornaments which probably have the same significance; figures of the same sort are found upon the rocks.[288] These totemic designs may even be more frequent than it seems, for, owing to reasons which will be discussed below, it is not always easy to see what their real meaning is.

These different facts give us an idea of the considerable place held by the totem in the social life of the primitives. However, up to the present, it has appeared to us as something relatively outside of the man, for it is only upon external things that we have seen it represented. But totemic images are not placed only upon the walls of their houses, the sides of their canoes, their arms, their utensils and their tombs; they are also found on the bodies of the men. They do not put their coat-of-arms merely upon the things which they possess, but they put it upon their persons; they imprint it upon their flesh, it becomes a part of them, and this world of representations is even by far the more important one.

In fact, it is a very general rule that the members of each clan seek to give themselves the external aspect of their totem. At certain religious festivals among the Tlinkit, the person who is to direct the ceremonies wears a garment which represents, either wholly or in part, the body of the animal whose name he bears.[289] These same usages are also found in all the North-West of America.[290] They are found again among the Minnitaree, when they go into combat,[291] and among the Indians of the Pueblos.[292] Elsewhere, when the totem is a bird, men wear the feathers of this bird on their heads.[293] Among the Iowa, each clan has a special fashion of cutting the hair. In the Eagle clan, two large tufts are arranged on the front of the head, while there is another one behind; in the Buffalo clan, they are arranged in the form of horns.[294] Among the Omaha, analogous arrangements are found: each clan has its own head-dress. In the Turtle clan, for example, the hair is all shaved off, except six bunches, two on each side of the head, one in front, and one behind, in such a way as to imitate the legs, the head and the tail of the animal.[295]

But it is more frequently upon the body itself that the totemic mark is stamped: for this is a way of representation within the capacity of even the least advanced societies. It has sometimes been asked whether the common rite of knocking out a young man's two upper teeth at the age of puberty does not have the object of reproducing the form of the totem. The fact is not established, but it is worth mentioning that the natives themselves sometimes explain the custom thus. For example, among the Arunta, the extraction of teeth is practised only in the clans of the rain and of water; now according to tradition, the object of this operation is to make their faces look like certain black clouds with light borders which are believed to announce the speedy arrival of rain, and which are therefore considered things of the same family.[296] This is a proof that the native himself is conscious that the object of these deformations is to give him, at least conventionally, the aspect of his totem. Among these same Arunta, in the course of the rites of sub-incision, certain gashes are cut upon the sisters and the future wife of the novice; scars result from these, whose form is also represented upon a certain sacred object of which we shall speak presently and which is called the churinga; as we shall see, the lines thus drawn upon the churinga are emblematic of the totem.[297] Among the Kaitish, the euro is believed to be closely connected with the rain;[298] the men of the rain clan wear little ear-rings made of euro teeth.[299] Among the Yerkla, during the initiation the young man is given a certain number of slashes which leave scars; the number and form of these varies with the totems.[300] An informer of Fison mentions the same fact in the tribes observed by him.[301] According to Howitt, a relationship of the same sort exists among the Dieri between certain arrangements of scars and the water totem.[302] Among the Indians of the North-West, it is a very general custom for them to tattoo themselves with the totem.[303]

But even if the tattooings which are made by mutilations or scars do not always have a totemic significance,[304] it is different with simple designs drawn upon the body: they are generally representations of the totem. It is true that the native does not carry them every day. When he is occupied with purely economic occupations, or when the small family groups scatter to hunt or fish, he does not bother with all this paraphernalia, which is quite complicated. But when the clans unite to live a common life and to assist at the religious ceremonies together, then he must adorn himself. As we shall see, each of the ceremonies concerns a particular totem, and in theory the rites which are connected with a totem can be performed only by the men of that totem. Now those who perform,[305] who take the part of officiants, and sometimes even those who assist as spectators, always have designs representing the totem on their bodies.[306] One of the principal rites of initiation, by which a young man enters into the religious life of the tribe, consists in painting the totemic symbol on his body.[307] It is true that among the Arunta the design thus traced does not always and necessarily represent the totem of the initiated;[308] but these are exceptions, due, undoubtedly, to the disturbed state of the totemic organization of this tribe.[309] Also, even among the Arunta, at the most solemn moment of the initiation, which is its crown and consecration, when the neophyte is allowed to enter the sanctuary where all the sacred objects belonging to the clan are preserved, an emblematic painting is placed upon him; this time, it is the totem of the young man which is thus represented.[310] The bonds which unite the individual to his totem are even so strong that in the tribes on the North-west coast of North America, the emblem of the clan is painted not only upon the living but also upon the dead: before a corpse is interred, they put the totemic mark upon it.[311]

III

These totemic decorations enable us to see that the totem is not merely a name and an emblem. It is in the course of the religious ceremonies that they are employed; they are a part of the liturgy; so while the totem is a collective label, it also has a religious character. In fact, it is in connection with it, that things are classified as sacred or profane. It is the very type of sacred thing.

The tribes of Central Australia, especially the Arunta, the Loritja, the Kaitish, the Unmatjera, and the Ilpirra,[312] make constant use of certain instruments in their rites which are called the churinga by the Arunta, according to Spencer and Gillen, or the tjurunga, according to Strehlow.[313] They are pieces of wood or bits of polished stone, of a great variety of forms, but generally oval or oblong.[314] Each totemic group has a more or less important collection of these. Upon each of these is engraved a design representing the totem of this same group.[315] A certain number of the churinga have a hole at one end, through which goes a thread made of human hair or that of an opossum. Those which are made of wood and are pierced in this way serve for exactly the same purposes as those instruments of the cult to which English ethnographers have given the name of "bull-roarers." By means of the thread by which they are suspended, they are whirled rapidly in the air in such a way as to produce a sort of humming identical with that made by the toys of this name still used by our children; this deafening noise has a ritual significance and accompanies all ceremonies of any importance. These sorts of churinga are real bull-roarers. But there are others which are not made of wood and are not pierced; consequently they cannot be employed in this way. Nevertheless, they inspire the same religious sentiments.

In fact, every churinga, for whatever purpose it may be employed, is counted among the eminently sacred things; there are none which surpass it in religious dignity. This is indicated even by the word which is used to designate them. It is not only a substantive but also an adjective meaning sacred. Also, among the several names which each Arunta has, there is one so sacred that it must not be revealed to a stranger; it is pronounced but rarely, and then in a low voice and a sort of mysterious murmur. Now this name is called the aritna churinga (aritna means name).[316] In general, the word churinga is used to designate all ritual acts; for example, ilia churinga signifies the cult of the emu.[317] Churinga, when used substantively, therefore designates the thing whose essential characteristic is sacredness. Profane persons, that is to say, women and young men not yet initiated into the religious life, may not touch or even see the churinga; they are only allowed to look at it from a distance, and even this is only on rare occasions.[318]

The churinga are piously kept in a special place, which the Arunta call the ertnatulunga.[319] This is a cave or a sort of cavern hidden in a deserted place. The entrance is carefully closed by means of stones so cleverly placed that a stranger going past it could not suspect that the religious treasury of the clan was so near to him. The sacred character of the churinga is so great that it communicates itself to the locality where they are stored: the women and the uninitiated cannot approach it. It is only after their initiation is completely finished that the young men have access to it: there are some who are not esteemed worthy of this favour except after years of trial.[320] The religious nature radiates to a distance and communicates itself to all the surroundings: everything near by participates in this same nature and is therefore withdrawn from profane touch. Is one man pursued by another? If he succeeds in reaching the ertnatulunga, he is saved; he cannot be seized there.[321] Even a wounded animal which takes refuge there must be respected.[322] Quarrels are forbidden there. It is a place of peace, as is said in the Germanic societies; it is a sanctuary of the totemic group, it is a veritable place of asylum.

But the virtues of the churinga are not manifested merely by the way in which it keeps the profane at a distance. If it is thus isolated, it is because it is something of a high religious value whose loss would injure the group and the individuals severely. It has all sorts of marvellous properties: by contact it heals wounds, especially those resulting from circumcision;[323] it has the same power over sickness;[324] it is useful for making the beard grow;[325] it confers important powers over the totemic species, whose normal reproduction it ensures;[326] it gives men force, courage and perseverance, while, on the other hand, it depresses and weakens their enemies. This latter belief is so firmly rooted that when two combatants stand pitted against one another, if one sees that the other has brought churinga against him, he loses confidence and his defeat is certain.[327] Thus there is no ritual instrument which has a more important place in the religious ceremonies.[328] By means of various sorts of anointings, their powers are communicated either to the officiants or to the assistants; to bring this about, they are rubbed over the members and stomach of the faithful after being covered with grease;[329] or sometimes they are covered with a down which flies away and scatters itself in every direction when they are whirled; this a way of disseminating the virtues which are in them.[330]

But they are not useful merely to individuals; the fate of the clan as a whole is bound up with theirs. Their loss is a disaster; it is the greatest misfortune which can happen to the group.[331] Sometimes they leave the ertnatulunga, for example when they are loaned to other groups.[332] Then follows a veritable public mourning. For two weeks, the people of the totem weep and lament, covering their bodies with white clay just as they do when they have lost a relative.[333] And the churinga are not left at the free disposition of everybody; the ertnatulunga where they are kept is placed under the control of the chief of the group. It is true that each individual has special rights to some of them;[334] yet, though he is their proprietor in a sense, he cannot make use of them except with the consent and under the direction of the chief. It is a collective treasury; it is the sacred ark of the clan.[335] The devotion of which they are the object shows the high price that is attached to them. The respect with which they are handled is shown by the solemnity of the movements.[336] They are taken care of, they are greased, rubbed, polished, and when they are moved from one locality to another, it is in the midst of ceremonies which bear witness to the fact that this displacement is regarded as an act of the highest importance.[337]

Now in themselves, the churinga are objects of wood and stone like all others; they are distinguished from profane things of the same sort by only one particularity: this is that the totemic mark is drawn or engraved upon them. So it is this mark and this alone which gives them their sacred character. It is true that according to Spencer and Gillen, the churinga serve as the residence of an ancestor's soul and that it is the presence of this soul which confers these properties.[338] While declaring this interpretation inexact, Strehlow, in his turn, proposes another which does not differ materially from the other: he claims that the churinga are considered the image of the ancestor's body, or the body itself.[339] So, in any case, it would be sentiments inspired by the ancestor which fix themselves upon the material object, and convert it into a sort of fetish. But in the first place, both conceptions,—which, by the way, scarcely differ except in the letter of the myth,—have obviously been made up afterwards, to account for the sacred character of the churinga. In the constitution of these pieces of wood and bits of stone, and in their external appearance, there is nothing which predestines them to be considered the seat of an ancestral soul, or the image of his body. So if men have imagined this myth, it was in order to explain the religious respect which these things inspired in them, and the respect was not determined by the myth. This explanation, like so many mythological explanations, resolves the question only by repeating it in slightly different terms; for saying that the churinga is sacred and saying that it has such and such a relation with a sacred being, is merely to proclaim the same fact in two different ways; it is not accounting for them. Moreover, according to the avowal of Spencer and Gillen, there are some churinga among the Arunta which are made by the old men of the group, to the knowledge of and before the eyes of all;[340] these obviously do not come from the great ancestors. However, except for certain differences of degree, they have the same power as the others and are preserved in the same manner. Finally, there are whole tribes where the churinga is never associated with a spirit.[341] Its religious nature comes to it, then, from some other source, and whence could it come, if not from the totemic stamp which it bears? It is to this image, therefore, that the demonstrations of the rite are really addressed; it is this which sanctifies the object upon which it is carved.

Among the Arunta and the neighbouring tribes, there are two other liturgical instruments closely connected with the totem and the churinga itself, which ordinarily enters into their composition: they are the nurtunja and the waninga.

The nurtunja,[342] which is found among the northern Arunta and their immediate neighbours,[343] is made up principally of a vertical support which is either a single lance, or several lances united into a bundle, or of a simple pole.[344] Bunches of grass are fastened all around it by means of belts or little cords made of hair. Above this, down is placed, arranged either in circles or in parallel lines which run from the top to the bottom of the support. The top is decorated with the plumes of an eagle-hawk. This is only the most general and typical form; in particular cases, it has all sorts of variations.[345]

The waninga, which is found only among the southern Arunta, the Urabunna and the Loritja, has no one unique model either. Reduced to its most essential elements, it too consists in a vertical support, formed by a long stick or by a lance several yards high, with sometimes one and sometimes two cross-pieces.[346] In the former case, it has the appearance of a cross. Cords made either of human hair or opossum or bandicoot fur diagonally cross the space included between the arms of the cross and the extremities of the central axis; as they are quite close to each other, they form a network in the form of a lozenge. When there are two cross-bars, these cords go from one to the other and from these to the top and bottom of the support. They are sometimes covered with a layer of down, thick enough to conceal the foundation. Thus the waninga has the appearance of a veritable flag.[347]

Now the nurtunja and the waninga, which figure in a multitude of important rites, are the object of a religious respect quite like that inspired by the churinga. The process of their manufacture and erection is conducted with the greatest solemnity. Fixed in the earth, or carried by an officiant, they mark the central point of the ceremony: it is about them that the dances take place and the rites are performed. In the course of the initiation, the novice is led to the foot of a nurtunja erected for the occasion. Someone says to him, "There is the nurtunja of your father; many young men have already been made by it." After that, the initiate must kiss the nurtunja.[348] By this kiss, he enters into relations with the religious principle which resides there; it is a veritable communion which should give the young man the force required to support the terrible operation of sub-incision.[349] The nurtunja also plays a considerable rôle in the mythology of these societies. The myths relate that in the fabulous times of the great ancestors, the territory of the tribe was overrun in every direction by companies composed exclusively of individuals of the same totem.[350] Each of these troops had a nurtunja with it. When it stopped to camp, before scattering to hunt, the members fixed their nurtunja in the ground, from the top of which their churinga was suspended.[351] That is equivalent to saying that they confided the most precious things they had to it. It was at the same time a sort of standard which served as a rallying-centre for the group. One cannot fail to be struck by the analogies between the nurtunja and the sacred post of the Omaha.[352]

Now its sacred character can come from only one cause: that is that it represents the totem materially. The vertical lines or rings of down which cover it, and even the cords of different colours which fasten the arms of the waninga to the central axis, are not arranged arbitrarily, according to the taste of the makers; they must conform to a type strictly determined by tradition which, in the minds of the natives, represents the totem.[353] Here we cannot ask, as we did in the case of the churinga, whether the veneration accorded to this instrument of the cult is not merely the reflex of that inspired by the ancestors; for it is a rule that each nurtunja and each waninga last only during the ceremony where they are used. They are made all over again every time that it is necessary, and when the rite is once accomplished, they are stripped of their ornaments and the elements out of which they are made are scattered.[354] They are nothing more than images—and temporary images at that—of the totem, and consequently it is on this ground, and on this ground alone, that they play a religious rôle.

So the churinga, the nurtunja and the waninga owe their religious nature solely to the fact that they bear the totemic emblem. It is the emblem that is sacred. It keeps this character, no matter where it may be represented. Sometimes it is painted upon rocks; these paintings are called churinga ilkinia, sacred drawings.[355] The decorations with which the officiants and assistants at the religious ceremonies adorn themselves have the same name: women and children may not see them.[356] In the course of certain rites, the totem is drawn upon the ground. The way in which this is done bears witness to the sentiments inspired by this design, and the high value attributed to it; it is traced upon a place that has been previously sprinkled, and saturated with human blood,[357] and we shall presently see that the blood is in itself a sacred liquid, serving for pious uses only. When the design has been made, the faithful remain seated on the ground before it, in an attitude of the purest devotion.[358] If we give the word a sense corresponding to the mentality of the primitive, we may say that they adore it. This enables us to understand how the totemic blazon has remained something very precious for the Indians of North America: it is always surrounded with a sort of religious halo.

But if we are seeking to understand how it comes that these totemic representations are so sacred, it is not without interest to see what they consist in.

Among the Indians of North America, they are painted, engraved or carved images which attempt to reproduce as faithfully as possible the external aspect of the totemic animal. The means employed are those which we use to-day in similar circumstances, except that they are generally cruder. But it is not the same in Australia, and it is in the Australian societies that we must seek the origin of these representations. Although the Australian may show himself sufficiently capable of imitating the forms of things in a rudimentary way,[359] sacred representations generally seem to show no ambitions in this line: they consist essentially in geometrical designs drawn upon the churinga, the nurtunga, rocks, the ground, or the human body. They are either straight or curved lines, painted in different ways,[360] and the whole having only a conventional meaning. The connection between the figure and the thing represented is so remote and indirect that it cannot be seen, except when it is pointed out. Only the members of the clan can say what meaning is attached to such and such combinations of lines.[361] Men and women are generally represented by semicircles, and animals by whole circles or spirals,[362] the tracks of men or animals by lines of points, etc. The meaning of the figures thus obtained is so arbitrary that a single design may have two different meanings for the men of two different totems, representing one animal here, and another animal or plant there. This is perhaps still more apparent with the nurtunja and waninga. Each of them represents a different totem. But the few and simple elements which enter into their composition do not allow a great variety of combinations. The result is that two nurtunja may have exactly the same appearance, and yet express two things as different as a gum tree and an emu.[363] When a nurtunja is made, it is given a meaning which it keeps during the whole ceremony, but which, in the last resort, is fixed by convention.

These facts prove that if the Australian is so strongly inclined to represent his totem, it is in order not to have a portrait of it before his eyes which would constantly renew the sensation of it; it is merely because he feels the need of representing the idea which he forms of it by means of material and external signs, no matter what these signs may be. We are not yet ready to attempt to understand what has thus caused the primitive to write his idea of his totem upon his person and upon different objects, but it is important to state at once the nature of the need which has given rise to these numerous representations.[364]

CHAPTER II

TOTEMIC BELIEFS—continued

The Totemic Animal and Man

But totemic images are not the only sacred things. There are real things which are also the object of rites, because of the relations which they have with the totem: before all others, are the beings of the totemic species and the members of the clan.

I

First of all, since the designs which represent the totem arouse religious sentiments, it is natural that the things whose aspect these designs reproduce should have this same property, at least to a certain degree.

For the most part, these are animals or plants. The profane function of vegetables and even of animals is ordinarily to serve as food; then the sacred character of the totemic animal or plant is shown by the fact that it is forbidden to eat them. It is true that since they are sacred things, they can enter into the composition of certain mystical repasts, and we shall see, in fact, that they sometimes serve as veritable sacraments; yet normally they cannot be used for everyday consumption. Whoever oversteps this rule, exposes himself to grave dangers. It is not that the group always intervenes to punish this infraction artificially; it is believed that the sacrilege produces death automatically. A redoubtable principle is held to reside in the totemic plant or animal, which cannot enter into the profane organism without disorganizing it or destroying it.[365] In certain tribes at least, only the old men are free from this prohibition;[366] we shall see the reason for this later.

However, if this prohibition is formal in a large number of tribes[367]—with certain exceptions which will be mentioned later—it is incontestable that it tends to weaken as the old totemic organization is disturbed. But the restrictions which remain even then prove that these attenuations are not admitted without difficulty. For example, when it is permitted to eat the plant or animal that serves as totem, it is not possible to do so freely; only a little bit may be taken at a time. To go beyond this amount is a ritual fault that has grave consequences.[368] Elsewhere, the prohibition remains intact for the parts that are regarded as the most precious, that is to say, as the most sacred; for example, the eggs or the fat.[369] In still other parts, consumption is not allowed except when the animal in question has not yet reached full maturity.[370] In this case, they undoubtedly think that its sacred character is not yet complete. So the barrier which isolates and protects the totemic being yields but slowly and with active resistance, which bears witness to what it must have been at first.

It is true that according to Spencer and Gillen these restrictions are not the remnants of what was once a rigorous prohibition now losing hold, but the beginnings of an interdiction which is only commencing to establish itself. These writers hold[371] that at first there was a complete liberty of consumption and that the limitations which were presently brought are relatively recent. They think they find the proof of their theory in the two following facts. In the first place, as we just said, there are solemn occasions when the members of the clan or their chief not only may, but must eat the totemic animal or plant. Moreover, the myths relate that the great ancestors, the founders of the clans, ate their totems regularly: now, it is said, these stories cannot be understood except as an echo of a time when the present prohibitions did not exist.

But the fact that in the course of certain solemn ceremonies a consumption of the totem, and a moderate one at that, is ritually required in no way implies that it was once an ordinary article of food. Quite on the contrary, the food that one eats at a mystical repast is essentially sacred, and consequently forbidden to the profane. As for the myths, a somewhat summary critical method is employed, if they are so readily given the value of historical documents. In general, their object is to interpret existing rites rather than to commemorate past events; they are an explanation of the present much more than a history. In this case, the traditions according to which the ancestors of the fabulous epoch ate their totem are in perfect accord with the beliefs and rites which are always in force. The old men and those who have attained a high religious dignity are freed from the restrictions under which ordinary men are placed:[372] they can eat the sacred thing because they are sacred themselves; this rule is in no way peculiar to totemism, but it is found in all the most diverse religions. Now the ancestral heroes were nearly gods. It is therefore still more natural that they should eat the sacred food;[373] but that is no reason why the same privilege should be awarded to the simple profane.[374]

However, it is neither certain nor even probable that the prohibition was ever absolute. It seems to have always been suspended in case of necessity, as, for example, when a man is famished and has nothing else with which to nourish himself.[375] A stronger reason for this is found when the totem is a form of nourishment which a man cannot do without. Thus there are a great many tribes where water is a totem; a strict prohibition is manifestly impossible in this case. However, even here, the privilege granted is submitted to certain restrictions which greatly limit its use and which show clearly that it goes against a recognized principle. Among the Kaitish and the Warramunga, a man of this totem is not allowed to drink water freely; he may not take it up himself; he may receive it only from the hands of a third party who must belong to the phratry of which he is not a member.[376] The complexity of this procedure and the embarrassment which results from it are still another proof that access to the sacred thing is not free. This same rule is applied in certain central tribes every time that the totem is eaten, whether from necessity or any other cause. It should also be added that when this formality is not possible, that is, when a man is alone or with members of his own phratry only, he may, on necessity, do without an intermediary. It is clear that the prohibition is susceptible of various moderations.

Nevertheless, it rests upon ideas so strongly ingrained in the mind that it frequently survives its original cause for being. We have seen that in all probability, the different clans of a phratry are only subdivisions of one original clan which has been dismembered. So there was a time when all the clans, being welded together, had the same totem; consequently, wherever the souvenir of this common origin is not completely effaced, each clan continues to feel itself united to the others and to consider that their totems are not completely foreign to it. For this reason an individual may not eat freely of the totems held by the different clans of the phratry of which he is a member; he may touch them only if the forbidden plant or animal is given him by a member of the other phratry.[377]

Another survival of the same sort is the one concerning the maternal totem. There are strong reasons for believing that at first, the totem was transmitted in the uterine line. Therefore, wherever descent in the paternal line has been introduced, this probably took place only after a long period, during which the opposite principle was applied and the child had the totem of his mother along with all the restrictions attached to it. Now in certain tribes where the child inherits the paternal totem to-day, some of the interdictions which originally protected the totem of his mother still survive: he cannot eat it freely.[378] In the present state of affairs, however, there is no longer anything corresponding to this prohibition.

To this prohibition of eating is frequently added that of killing the totem, or picking it, when it is a plant.[379] However, here also there are exceptions and tolerations. These are especially in the case of necessity, when the totem is a dangerous animal,[380] for example, or when the man has nothing to eat. There are even tribes where men are forbidden to hunt the animals whose names they bear, on their own accounts, but where they may kill them for others.[381] But the way in which this act is generally accomplished clearly indicates that it is something illicit. One excuses himself as though for a fault, and bears witness to the chagrin which he suffers and the repugnance which he feels,[382] while precautions are taken that the animal may suffer as little as possible.[383]

In addition to these fundamental interdictions, certain cases of a prohibition of contact between a man and his totem are cited. Thus among the Omaha, in the clan of the Elk, no one may touch any part of the body of a male elk; in the sub-clan of the Buffalo, no one is allowed to touch the head of this animal.[384] Among the Bechuana, no man dares to clothe himself in the skin of his totem.[385] But these cases are rare; and it is natural that they should be exceptional, for normally a man must wear the image of his totem or something which brings it to mind. The tattooings and the totemic costumes would not be possible if all contact were forbidden. It has also been remarked that this prohibition has not been found in Australia, but only in those societies where totemism has advanced far from its original form; it is therefore probably of late origin and due perhaps to the influence of ideas that are really not totemic at all.[386]

If we now compare these various interdictions with those whose object is the totemic emblem, contrarily to all that could be foreseen, it appears that these latter are more numerous, stricter, and more severely enforced than the former. The figures of all sorts which represent the totem are surrounded with a respect sensibly superior to that inspired by the very being whose form these figures reproduce. The churinga, the nurtunja and the waninga can never be handled by the women or the uninitiated, who are even allowed to catch glimpses of it only very exceptionally, and from a respectful distance. On the other hand, the plant or animal whose name the clan bears may be seen and touched by everybody. The churinga are preserved in a sort of temple, upon whose threshold all noises from the profane life must cease; it is the domain of sacred things. On the contrary, the totemic animals and plants live in the profane world and are mixed up with the common everyday life. Since the number and importance of the interdictions which isolate a sacred thing, and keep it apart, correspond to the degree of sacredness with which it is invested, we arrive at the remarkable conclusion that the images of totemic beings are more sacred than the beings themselves. Also, in the ceremonies of the cult, it is the churinga and the nurtunja which have the most important place; the animal appears there only very exceptionally. In a certain rite, of which we shall have occasion to speak,[387] it serves as the substance for a religious repast, but it plays no active rôle. The Arunta dance around the nurtunja, and assemble before the image of their totem to adore it, but a similar demonstration is never made before the totemic being itself. If this latter were the primarily sacred object, it would be with it, the sacred animal or plant, that the young initiate would communicate when he is introduced into the religious life; but we have seen that on the contrary, the most solemn moment of the initiation is the one when the novice enters into the sanctuary of the churinga. It is with them and the nurtunja that he communicates. The representations of the totem are therefore more actively powerful than the totem itself.